Harry Fay
104 records in the collection· mostly on Zonophone, Columbia, Imperial
Harry Fay was an English music-hall singer and comic entertainer who recorded prolifically from the 1900s through the 1920s, sometimes using other recording names. A familiar Zonophone artist, he covered the popular crazes of his day from ragtime and two-steps to comic and topical songs, leaving a broad recorded snapshot of British popular entertainment before radio became dominant.
This introduction was written by AI from what is known of the artist. Ask us if you want to know more about a particular record.
Records by Harry Fay
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- AAbe my boy
- BMuldoon's big Bassoon
Harry Fay on Zonophone 1962, performing 'Abe My Boy' and 'Muldoon's Big Bassoon', comic or novelty songs; Zonophone was the budget label of the Columbia Graphophone Company.AI summary
Zonophone 1962 Music Hall
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- AAlexander's Ragtime Band
- BTake me back to Yorkshire
Harry Fay on Zonophone 797, recording two music-hall standards from the early 1900s–1920s on a major British label; likely a commonplace commercial release.AI summary
Zonophone 797 Music Hall
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- AAll Through the Wedding March
- BOh Have you seen the Mermaids
Harry Fay on Ar 9253, performing sentimental popular numbers from the 1920s or early 1930s.AI summary
Ariel 9253 Voice
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- AAny Complaints No
- BThe Military Representative
Harry Fay performing music-hall comedy novelties on Zonophone, a major British label of the 1920s-1930s.AI summary
Zonophone 1878 Music Hall
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- AAny Complaints No
- BThe Military Representative
Harry Fay, a British comic entertainer, recorded 'Any Complaints No' and 'The Military Representative' for Zonophone, a British budget label active from the 1900s through the 1950s.AI summary
Zonophone 1878 Music Hall
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- AAny little Girl that's a nice little Girl
- BThat mesmerising Mendelssohn Tune
Harry Fay singing 'Any little Girl that's a nice little Girl' and 'That mesmerising Mendelssohn Tune' for Zonophone 607, a light vocal record from the early 1910s.AI summary
Zonophone 607 Voice
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- ABoiled Beef & Carrots
- B(H Forman)For Months & Months & Months
Zonophone 213
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- ABoiled Beef and Carrots
- BFor Months and Months and Months
Harry Fay was a British music-hall comedian famous for novelty and comic songs of the early 20th century; this Twin label pressing of 'Boiled Beef and Carrots' and 'For Months and Months and Months' is from his variety repertoire.AI summary
Twin 213 Music Hall
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- ACaptain Ginjah
- BGalloping Major
Harry Fay was a British entertainer who recorded comic and novelty material. This His Master's Voice pressing from the acoustic era represents his work for the major label.AI summary
His Master's Voice B4011 Music Hall
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- AChantecler
Harry Fay performing 'Chantecler' on Gramophone Company (GC) 4-2081, a classical or semi-classical piece from the early acoustic era.AI summary
Gramophone Company 4-2081 Classical
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- AChilly Pom pom pee
- B(B du Garde)In the Woodshed she said she would
Curry's 101 Music Hall
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- AChilly Pom pom pee
- B(B du Garde)In the Woodshed she said she would
Harry Fay, a British music-hall comedian, recorded on Piccadilly, a cheap British marque. 'Chilly Pom Pom Pee' and the risqué title suggest comic novelty material typical of the 1920s–30s stage.AI summary
Piccadilly 101 Music Hall
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- ACome with me to the Races
- BLet's make a Night of it tonight
Harry Fay recorded 'Come with Me to the Races' and 'Let's Make a Night of It Tonight' for Zonophone, catalogue 868; Zonophone was a British label owned by the Gramophone Company, active from the 1900s through the 1950s.AI summary
Zonophone 868 Voice
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- AConstantinople
- B(Bidgood)I'll think of you
Harry Fay, a music-hall entertainer, recorded on the Broadcast label, a minor British marque of the 1920s–30s.AI summary
Broadcast 227 Music Hall
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- AConstantinople
- B(Bidgood)I'll think of you
Harry Fay recorded 'Constantinople' and 'I'll think of you' for Uni Records, catalogue 227—a small British label.AI summary
Unison 227 Voice
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- ACoon Drum Major
- B(Anon)Smiling Irish Eyes
Harry Fay singing on the Ar label, a short-lived British imprint of the 1920s, with repertoire including a piece titled in period-offensive language typical of that era.AI summary
Ariel 4475 Voice
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- ADear Homeland Goodbye
- B(A Gray)Little Golden Daffodil
Harry Fay on early Zonophone, performing sentimental vocal songs of the 1910s.AI summary
Zonophone 230 Voice
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- ADon't have any more Mrs Moore
- B(P Rush)Alice's 'ouse
Harry Fay on Imperial 1706, with 'Don't Have Any More Mrs Moore' and 'Alice's 'Ouse' — comic patter or music-hall material on a budget American label's British pressing, early 1930s.AI summary
Imperial 1706 Music Hall
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- AEverybody Two-step
- BWaltz me Willie in Ragtime
Harry Fay on Zonophone 996, a dance recording from the 1920s. Fay is unidentified in standard discographies, and this appears to be from an early Zonophone catalogue.AI summary
Zonophone 996 Dance
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- AEverybody's crazy on the Fox Trot
- BThey all do the Charlie Chaplin Walk
Harry Fay on Zonophone 1568, performing two novelty songs with dance-related themes. Zonophone was a major British label and Fay was a music hall performer.AI summary
Zonophone 1568 Music Hall
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- AGet that Girl
- BWhen Sandy McKie comes back to Inverary
Harry Fay recorded 'Get that Girl' and 'When Sandy McKie comes back to Inverary' for Zonophone, catalogue 1552, likely from the early 1920s.AI summary
Zonophone 1552 Voice
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- AGilbert the Filbert
- B(J Rogers)Kiss me goodbye my little Soldier
Harry Fay performing comic novelty songs on Zonophone 1351, a low catalogue number from the early 1920s; 'Gilbert the Filbert' is a British novelty classic.AI summary
Zonophone 1351 Comic
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- AGirl Shy
- BEat more Fruit
Harry Fay was a British dance-band vocalist or comedian of the 1920s–1930s. 'Girl Shy' and 'Eat More Fruit' are novelty and comic songs typical of the era. This Parlophone E5335 pressing is from the early 1930s.AI summary
Parlophone E5335 Comic
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- AGirl Shy
- BEat more Fruit
Harry Fay, a British vocalist of the 1920s–30s, performing two light novelty songs on Imperial—'Girl Shy' and 'Eat More Fruit'. Imperial was a minor British label of this period.AI summary
Imperial 1405 Voice
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- AHas anybody here seen Kelly?
- BI like your old French bonnet
Harry Fay, a British music-hall performer, recorded 'Has anybody here seen Kelly?' (a famous Fred Karno sketch and song) and 'I like your old French bonnet' for Columbia 1165, placing this in Columbia's earliest vocal series from the 1900s-1910s.AI summary
Columbia 1165 Music Hall
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- AHave a Banana
- BWe all go the same Way Home
Zonophone 623 Music Hall
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- AHow to be happy though married
- B(S Kirkby)King Mickey Malone
Zonophone 414 Music Hall
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- AHow's your mother how's your Dad
- BColonel Knut
Harry Fay recorded 'How's your mother how's your Dad' and 'Colonel Knut' for Zonophone, catalogue 1496. The comic titles suggest music-hall repertoire.AI summary
Zonophone 1496 Music Hall
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- AI can say Truly Rural
- BHarrigan
Harry Fay on Zonophone with 'I Can Say Truly Rural' and 'Harrigan', music-hall numbers on an early British label.AI summary
Zonophone 186 Music Hall
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- AI don't care if there's a Girl there
Harry Fay performs 'I don't care if there's a Girl there' on Zonophone 42876, a survivor from the early acoustic era.AI summary
Zonophone 42876 Voice
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- AI don't care what becomes of me
- BI'm a happy married Man
Harry Fay performing two popular sentimental songs, 'I don't care what becomes of me' and 'I'm a happy married Man', on Zonophone 669.AI summary
Zonophone 669 Voice
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- AI don't want Love
- BShe told me to meet her at the Gate
Harry Fay recorded 'I don't want Love' and 'She told me to meet her at the Gate' for Winner Records in the 1920s.AI summary
Winner 3833 Voice
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- AI keep on walking
- BFed up
Harry Fay performing 'I Keep on Walking' and 'Fed Up' for Zonophone 1893, a catalogue number from the early 1920s.AI summary
Zonophone 1893 Music Hall
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- AI keep on walking
- BFed up
Harry Fay on Zonophone, performing music-hall novelties from the 1920s-1930s.AI summary
Zonophone 1893 Music Hall
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- AI like your old French Bonnet
- BHas anybody here seen Kelly
Zonophone 171 Music Hall
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- AI may be crazy
- BLily of Laguna
Zonophone 363 Music Hall
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- AI must go Home tonight
- B(H Tally)I wish I had a Girl
Harry Fay was an obscure singer on the British Columbia label in the early 1920s; little is known of his career beyond these recordings.AI summary
Columbia 1146 Voice
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- AI must go home tonight
- BYo all want something to cuddle
Harry Fay on Twin 201, performing 'I must go home tonight' and 'Yo all want something to cuddle' — a prolific comic artist on a small British label.AI summary
Twin 201 Comic
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- AI wanna go back to the dear old Continong
- BYou know what I mean
Harry Fay on Zonophone 2038, a Gramophone Company budget label; the titles suggest music-hall or comic material from the 1910s–1920s.AI summary
Zonophone 2038 Music Hall
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- AI want to go to Idaho
- BLadies beware
Harry Fay recorded 'I Want to Go to Idaho' and 'Ladies Beware' for Columbia D197, a very low catalogue number in the early Columbia numerical series.AI summary
Columbia D197 Voice
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- AI wonder if you miss me sometimes
- B(D Boyd)Your Eyes have told me so
Harry Fay on Zonophone 327, 'I Wonder If You Miss Me Sometimes' and 'Your Eyes Have Told Me So', likely from the 1920s or early 1930s.AI summary
Zonophone 327 Voice
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- AI'd never been courtin' afore
- BI like your Apron & Bonnet
Harry Fay on Zonophone 692, performing humorous dialect songs and comic material in an Irish style.AI summary
Zonophone 692 Music Hall
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- AI'm going back to gay Bohemia
- BSomewhere
Harry Fay recorded two sentimental ballads for J Bull, a small British label: 'I'm Going Back to Gay Bohemia' and 'Somewhere', probably in the 1920s.AI summary
John Bull 40708 Voice
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- AI've got a little job to go to
- BFall in and follow me
Harry Fay performing 'I've got a little job to go to' and 'Fall in and follow me' on Zonophone, catalogue 344.AI summary
Zonophone 344 Voice
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- AI've got Rings on my Fingers
Harry Fay recorded 'I've Got Rings on My Fingers' for the GC label, catalogue 4-2082. This is a popular song of the early 20th century, but the artist and label cannot be confidently identified.AI summary
Gramophone Company 4-2082 Voice
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- AI've got Rings on my Fingers
- BMy Wife's gone to the country
Harry Fay was a British character vocalist and music-hall performer of the Edwardian and interwar era. 'I've Got Rings on My Fingers' is a classic British novelty song; this Zonophone pressing preserves his period style, recorded for one of the earliest and most widely distributed British labels.AI summary
Zonophone 318 Music Hall
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- AIf we hadn't any Women in the World
- BWhen there isn't a Girl about
Harry Fay singing two novelty numbers, If we hadn't any Women in the World and When there isn't a Girl about, on Odeon 44671.AI summary
Odeon 44671 Music Hall
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- AIn the Alpine Dress you're wearing
- B(Crosby)The pretty little Girl from nowhere
Harry Fay on Columbia 1275 with 'In the Alpine Dress You're Wearing' and 'The Pretty Little Girl from Nowhere', popular comedy-novelty songs from the late 1920s or early 1930s. Fay is not a standard discographic name.AI summary
Columbia 1275 Comic
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- AIt's a long way to Tipperary
- BPC49
Harry Fay recorded 'It's a Long Way to Tipperary' and another title (catalogued as PC49) for Zonophone (1070), representing popular sentimental song from the First World War era.AI summary
Zonophone 1070 Voice
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- AK-K-K-Katy
- BOh! Oh! Oh! I want to go home
Harry Fay recorded 'K-K-K-Katy' and 'Oh! Oh! Oh! I Want to Go Home' for Zonophone—novelty and patriotic songs from the 1914–18 or interwar period by an untraced vocalist.AI summary
Zonophone 1923 Voice
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- ALet's all go down the Strand
- BWe did enjoy ourselves in London
Harry Fay, a British music hall performer, singing 'Let's All Go Down the Strand' and 'We Did Enjoy Ourselves in London' on Zonophone 360, an early British imprint.AI summary
Zonophone 360 Music Hall
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- ALion & Albert
- BWith her Head tucked underneath her Arm
Sterno 1549 Personalities (Prs)
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- AMan who broke the Bank at Monte Carlo
- BTwo lovely black Eyes
Harry Fay recorded 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for HMV (B3973). Harry Fay was a light comedian and vocalist of the 1920s–30s; both titles are well-known songs from the earlier variety tradition.AI summary
His Master's Voice B3973 Music Hall
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- AMan who broke the Bank at Monte Carlo
- BTwo lovely black Eyes
Harry Fay recorded the Victorian standards 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for His Master's Voice, catalogue B3973. Fay was a music-hall performer.AI summary
His Master's Voice B3973 Music Hall
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- AMay look at Charlie
- BI've never had a Bite since Xmas
Harry Fay performing two novelty comic songs—'May Look at Charlie' and 'I've Never Had a Bite Since Xmas'—for Imperial, catalogue 1791, from the 1920s.AI summary
Imperial 1791 Music Hall
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- AMeet me at the corner of the Street
- BFares please
Harry Fay performing comic songs on Zonophone in the mid-1920s, a period when the label was under Gramophone Company control but still issued budget releases.AI summary
Zonophone 1861 Music Hall
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- AMother put a Card in the Window
- BWallah wallah Wallaperoo
Harry Fay, a British vocalist, recorded novelty and comic songs 'Mother Put a Card in the Window' and 'Wallah Wallah Wallaperoo' on Zonophone 368, likely from the 1920s.AI summary
Zonophone 368 Voice
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- AMy Motter
Harry Fay recorded 'My Motter' (a comic or novelty song) for GC Records—little is known of this artist or label.AI summary
Gramophone Company 4-2057 Music Hall
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- AMy Wife's gone to the Country
Harry Fay credited on GC, a small and obscure British label, performing music-hall material.AI summary
Gramophone Company 4-2069 Music Hall
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- AMy Word if I catch you bending
Harry Fay performing the music-hall novelty 'My Word if I catch you bending', credited to the Crown label, a small British imprint of uncertain date.AI summary
Crown Music Hall
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- ANew Taximeter Car
- BGalloping Major
Harry Fay performs two novelty character songs on Pathé 60983: "New Taximeter Car" and "Galloping Major," likely from the 1920s or early 1930s. Pathé was a major European label with British pressings; this artist is otherwise untraced.AI summary
Pathé 60983 Music Hall
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- ANewspaper & Albert
- BThat isn't News
Harry Fay performing two novelty or comic pieces—'Newspaper & Albert' and 'That isn't News'—on the Express & Star label.AI summary
Express&Star Comic
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- ANo Sir that's not my Girl
- BI've never seen a striaght Banana
Harry Fay on Imperial catalogue 1678, comic or novelty vocal numbers. Imperial was a British budget label of the 1930s-50s.AI summary
Imperial 1678 Music Hall
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- AOh Charley take it away
- BLittle Puppy Dogs
Harry Fay performing two novelty numbers—'Oh Charley take it away' and 'Little Puppy Dogs'—on HomD 999, an obscure small British label.AI summary
Hom D999
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- AOh have you seen the Mermaids
- BParee that's the Place for me
Harry Fay on Zonophone 902, performing popular songs of the 1920s or early 1930s.AI summary
Zonophone 902 Voice
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- AOh how he can sing an Irish Song
- BThe Rest of the Day is your own
Harry Fay recorded 'Oh how he can sing an Irish Song' and 'The Rest of the Day is your own' for Zonophone, catalogue 1537, likely from the early 1920s.AI summary
Zonophone 1537 Voice
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- AOh how I love my Darling
- BCross Words
Harry Fay on Parlophone E5336, performing 'Oh How I Love My Darling' and 'Cross Words', likely from the 1930s.AI summary
Parlophone E5336 Voice
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- AOh it's a windy Night tonight
- BOurs is a nice 'ouse ours is
Harry Fay, credited as a vocalist on Zonophone, a budget British label of the 1920s-30s, performing light comic or novelty material.AI summary
Zonophone 2163 Voice
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- AOld Sam
- Bpart 2
Harry Fay performing a character song on Decca, a major British label, in the mid-1930s.AI summary
Decca F3044 Music Hall
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- AOld Top Hat that Father wore
- BMary O'Brien
Harry Fay, a British vocalist, recorded nostalgic songs 'Old Top Hat that Father Wore' and 'Mary O'Brien' on Parlophone E5385. The E series on Parlophone typically dates to the early 1930s.AI summary
Parlophone E5385 Voice
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- AOn the old Garden Wall
- BThe Ragtime Violin
Harry Fay was a British entertainer who recorded for Zonophone, a label active in the early acoustic era. These are comic or novelty songs typical of music-hall material from the 1910s or early 1920s.AI summary
Zonophone 825 Music Hall
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- APack up your troubles in your old kit bag
- BI gotter get a gell
Harry Fay with 'Pack up your troubles in your old kit bag' and 'I gotter get a gell' on Zonophone (1608), First World War and popular-era songs.AI summary
Zonophone 1608 Voice
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- APagan Love Song
- BTondeleyo
Harry Fay singing two popular songs on Broadcast, a cheap British marque of the early 1930s.AI summary
Broadcast 464 Voice
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- APC 49
- BIt's a long Way to Tipperary
Harry Fay singing "PC 49", a novelty title-song tied to a British radio and film comedy character, and the ubiquitous "It's a Long Way to Tipperary" on Zonophone, a British label active in the 1920s–1930s.AI summary
Zonophone 1070 Music Hall
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- APlay me a trickley tickley Tune
- BHow ya' gonna keep 'em down on the Farm
Harry Fay, a British music-hall entertainer, recorded 'Play me a trickley tickley Tune' and 'How ya' gonna keep 'em down on the Farm' for Zonophone. A companion to id 22605.AI summary
Zonophone 1950 Music Hall
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- APom Diddley Orum
Harry Fay recorded 'Pom Diddley Orum' for Columbia, a music-hall novelty number. Fay is unidentified in standard references.AI summary
Columbia 26486 Music Hall
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- APppercy
- BMister Pussyfoot
Zonophone 1961
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- APullman Porter's Parade
- BWhat a Game it is wow wow
Harry Fay on Zonophone 1215, 'Pullman Porter's Parade'; a music-hall novelty side from the late 1920s or early 1930s on a secondary label.AI summary
Zonophone 1215 Music Hall
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- APut & take
- BBetter 'n that
Harry Fay on Zonophone, performing 'Put and Take' and 'Better 'n That', popular jazz-influenced novelty pieces of the 1920s.AI summary
Zonophone 2207 Jazz
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- APut mon your old green bonnet
- BI do like to be beside the seaside
Harry Fay recorded music-hall comedy songs for the small British label Rena in the late 1920s; this coupling — 'Put on Your Old Green Bonnet' and the classic novelty 'I Do Like to Be Beside the Seaside' — typifies the variety-hall repertoire.AI summary
Rena 1121 Music Hall
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- ARoast Beef of old England
- BIf you'll pull a bonbon with me
Harry Fay recorded two comic songs, 'Roast Beef of Old England' and 'If You'll Pull a Bonbon with Me', for Zonophone. Fay was an obscure British music-hall performer of the early 1930s whose recording career left little trace.AI summary
Zonophone 2174 Music Hall
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- ASailors don't care
- BN'Everything
Harry Fay recorded 'Sailors Don't Care' and 'N'Everything' for Zonophone, a British budget imprint owned by the Gramophone Company, in the 1920s–30s.AI summary
Zonophone 1936 Voice
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- AShe's a Girl up North
- B(F Williams)Meet me where the Lanterns grow
Harry Fay, a British music hall performer, recorded "She's a Girl Up North" and "Meet Me Where the Lanterns Grow" for Zonophone around 1910-1912.AI summary
Zonophone 222 Music Hall
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- AShip Ahoy
- BMolly O'Morgan
Columbia 1254 Music Hall
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- ASignora
- BThe Umpteen Bandit
Harry Fay on Zonophone, performing 'Signora' and 'The Umpteen Bandit', likely dance or novelty material from the 1920s.AI summary
Zonophone 2003 Music Hall
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- ASister Susie's sewing Shirts for Soldiers
- BLook out Mother when the Band begins
Harry Fay performing the patriotic novelty song 'Sister Susie's Sewing Shirts for Soldiers' (a famous World War I number) on Zonophone 1419. Fay was a British comedian and recording artist; this pressing dates to the early 1900s.AI summary
Zonophone 1419 Music Hall
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- ASmiling Irish Eyes
- B(C Brooke)Only for you
Harry Fay performing popular sentimental songs on Broadcast 465. Fay is unrecognised; Broadcast was a budget British label.AI summary
Broadcast 465 Voice
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- ASongs & Opera in Ragtime
- BPlay something Irish in Ragtime
Harry Fay performs 'Songs & Opera in Ragtime' and 'Play something Irish in Ragtime' on Zonophone 1122, a survivor from the early 1920s acoustic era.AI summary
Zonophone 1122 Voice
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- AStewdle oodle oo
- BLet's all sing the Lard Song
Harry Fay on 'Stewdle oodle oo' and 'Let's all sing the Lard Song', from Imperial 1840. Imperial was a small British label; these appear to be novelty or comedy songs of the 1930s. Fay is not a known major recording artist.AI summary
Imperial 1840 Comic
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- AStick around for the new Jazz Band
- BOn the good Ship Yacki Hicki Dula
Harry Fay performs two early jazz novelties—'Stick around for the new Jazz Band' and 'On the good Ship Yacki Hicki Dula'—on Zonophone 1877.AI summary
Zonophone 1877 Jazz
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- AThat mysterious Rag
- BEverybody's doing it now
Harry Fay performs 'That mysterious Rag' and 'Everybody's doing it now' on Zonophone 816. Both are ragtime-era standards; Fay was an early recording artist active in the 1910s–1920s.AI summary
Zonophone 816 Dance
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- AThe Appetite
- BYour must hear all and say nowt
Harry Fay performing the comic music hall monologues 'The Appetite' and 'You Must Hear All and Say Nowt' on Ar 9511, a minor British label.AI summary
Ariel 9511 Music Hall
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- AThe Galloping Major
- BWire in My Lads
Harry Fay was a British comedian and singer of the 1920s–30s, recorded here on Ar (Arlequin), a small British label. 'The Galloping Major' and 'Wire in My Lads' are comic or novelty songs.AI summary
Ariel 1908 Music Hall
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- AThe Whistling Bowery Boy
- BJohn go & put your Trousers on
Harry Fay, a performer of novelty and comic songs, on Odeon. The title 'The Whistling Bowery Boy' suggests a music-hall or vaudeville number from the early acoustic era.AI summary
Odeon 44580 Music Hall
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- AThere's a little black Cupid in the moon
- BTop o' the Morning
Harry Fay on Polyphon 8673, 'There's a little black Cupid in the moon' and 'Top o' the Morning', light popular vocal material from the 1920s–30s.AI summary
Polyphon 8673 Voice
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- AThey never leave you alone till they get you
- BThere's a little Bit of Devil in ev'ry little Angel
Harry Fay, a British vocalist, recorded two comic or sentimental novelty songs, "They Never Leave You Alone Till They Get You" and "There's a Little Bit of Devil in Ev'ry Little Angel", for Zonophone in the early 1900s.AI summary
Zonophone 2068 Music Hall
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- ATop o' the Morning
- BFlanagan
Harry Fay on Zonophone with music-hall material, recorded in the early acoustic era or 1920s.AI summary
Zonophone 284 Music Hall
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- AWe really had a most delightful Evening
Harry Fay performs 'We Really Had a Most Delightful Evening' on His Master's Voice 4-2118. The catalogue number suggests a recording from the 1920s–1930s.AI summary
His Master's Voice 4-2118 Music Hall
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- AWhen Father papered the Parlour
- BJean from Aberdeen
Harry Fay, a British music-hall vocalist, recorded for Broadcast, a minor British label, with music-hall and novelty songs.AI summary
Broadcast 614 Music Hall
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- AWhen it's Nighttime in Italy
- B(CBonheur)Last Night on the Back Porch
Harry Fay recorded 'When It's Nighttime in Italy' and 'Last Night on the Back Porch' for Pigmy, catalogue 9. Pigmy was an obscure British budget label; Fay is unidentified beyond these titles.AI summary
Pigmy 9 Voice
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- AWhy Robinson Crusoe got the Blues
- BMy Sweetie went away
Harry Fay on Parlophone E5103, performing 'Why Robinson Crusoe got the Blues' — a 1950s comic character song by an artist who recorded frequently for Parlophone.AI summary
Parlophone E5103 Comic
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- AWhy should I weep about one Sweetie
- B(anon)Oh gee oh gosh oh golly I'm in love
Harry Fay performing sentimental pop songs 'Why should I weep about one Sweetie' and 'Oh gee oh gosh oh golly I'm in love' on the obscure British label Pigmy, catalogue 10.AI summary
Pigmy 10 Voice
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- AWith her Head tucked underneath her Arm
- BLion & Albert
Harry Fay performs two music hall comedy songs, 'With her Head tucked underneath her Arm' and 'Lion & Albert', on Decca F5295 from the mid-1930s.AI summary
Decca F5295 Music Hall
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- AWon't there be any Wedding Bells for me?
- BWhen you're married Girls
Harry Fay performing 'Won't There Be Any Wedding Bells for Me?' and 'When You're Married Girls' on Columbia 1359.AI summary
Columbia 1359 Voice