Mackey
38 records in the collection· mostly on Columbia, Piccadilly, Winner
Records by Mackey
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- AAin't misbehavin
- BNaomi
Mackey performing 'Ain't Misbehavin' and 'Naomi' on Piccadilly 412, a budget British marque.AI summary
Piccadilly 412 Dance
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- ABabyin' you
- BEvery little Maid
Mackey on Columbia, performing 'Babyin' You' and 'Every Little Maid', likely early 1930s dance or novelty material.AI summary
Columbia 4173 Dance
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- ABack to those happy Days
- BOne night in Napoli
Mackey on His Master's Voice BD128, a popular song recording from the 1930s or later.AI summary
His Master's Voice BD128 Voice
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- ABeautiful Baby
- BDon't forget
Mackey recorded the popular songs 'Beautiful Baby' and 'Don't Forget' for Columbia early in the 1930s. The artist is not further identified.AI summary
Columbia 4145 Voice
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- ADevil is afraid of Music
- BSouvenirs
Credited to Mackey on Winner, a small British label; the titles suggest a novelty or vaudeville side, but the artist and specific recordings are not identifiable from standard reference.AI summary
Winner 4717 Dance
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- ADevil is afraid of Music
- BSouvenirs
Mackey performs these two numbers for Winner, a budget British label of the 1920s-30s.AI summary
Winner 4717 Instrumental
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- ADog on the Piano
- BAraby
Mackey recorded 'Dog on the Piano' and 'Araby' for Columbia, catalogue 3822, in the mid-1920s.AI summary
Columbia 3822 Instrumental
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- ADreaming of a Castle in the Air
- BCecilia
Mackey singing 'Dreaming of a Castle in the Air' and 'Cecilia' on Columbia 3992, from the early 1920s.AI summary
Columbia 3992 Voice
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- AEverything will happen for the best
- BCross your Heart
Credited to Mackey on Columbia 4144, a high catalogue number in the popular-vocal series; the titles suggest sentimental or novelty material from the late 1920s.AI summary
Columbia 4144 Voice
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- AFor you
- BSome Day
Mackey performing 'For You' and 'Some Day' on Columbia 4009, an early 1920s vocal recording.AI summary
Columbia 4009 Voice
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- AGentlemen prefer Blondes
- BI don't care what you used to be
Mackey on Columbia 4090, performing 'Gentlemen prefer Blondes' and 'I don't care what you used to be', popular songs from the 1920s.AI summary
Columbia 4090 Voice
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- AGood old songs
- B(2 sides)
Mackey, a performer of unidentified standing on Met (a minor label), performing light sentimental or popular material.AI summary
Metropole 1160 Voice
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- AHere in my Arms
- BA tiny Flat near Soho Square
Mackey on Columbia 4184 from the early 1920s, a popular song recording. Mackey is unidentified in standard discographies.AI summary
Columbia 4184 Voice
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- AI couldn't blame you
- B(Lentz)How could Red Riding hood?
Mackey, a performer of popular and novelty songs, recorded these numbers for Columbia in the mid-1920s. The artist is not well identified from standard reference.AI summary
Columbia 4270 Voice
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- AI wonder where my Baby is tonight?
- BEvery Sunday Afternoon
Mackey recorded 'I wonder where my Baby is tonight?' and 'Every Sunday Afternoon' for Columbia 3850, a British pressing from the 1920s.AI summary
Columbia 3850 Voice
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- AI'd rather charleston with you
- BHalf of it Dearie
A performance by Mackey on Columbia's 3000 series, featuring two dance numbers from the mid-1920s: 'I'd Rather Charleston with You' and 'Half of It Dearie'.AI summary
Columbia 3964 Dance
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- AI'm a little bit fonder of you
- BTie a String around your Finger
Mackey, a dance-band or novelty artist, performing two popular songs on Columbia: 'I'm a Little Bit Fonder of You' and 'Tie a String Around Your Finger'.AI summary
Columbia 3761 Dance
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- AI'm always round at Freda's
- BNobody's Fault but your own
Mackey performing two popular numbers for Piccadilly in the early 1930s.AI summary
Piccadilly 238 Voice
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- AI've never seen a straight Banana
- BWhile the Sahara sleeps
Mackey performing novelty popular songs on Columbia 4151, a mid-to-late 1920s Columbia pressing. Mackey's name appears on several contemporary dance and novelty recordings.AI summary
Columbia 4151 Music Hall
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- ALooking for a Boy
- BWhen do we dance
Mackey recorded 'Looking for a Boy' and 'When do we dance' for Columbia, likely mid-to-late 1920s based on the catalogue number.AI summary
Columbia 4064 Dance
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- ALouise
- BI'll see you again
Mackey on Piccadilly 366, with 'Louise' and 'I'll See You Again' — light vocal material on a cheap British marque, early 1930s.AI summary
Piccadilly 366 Voice
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- ANight
- BMignonette
Mackey performs two instrumental pieces, 'Night' and 'Mignonette', on Columbia British 3911, from the early 1920s.AI summary
Columbia 3911 Instrumental
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- AOh carry come let us dance
- BI wait for you
A dance number by Mackey on Columbia 4213, a popular British label of the 1920s–30s.AI summary
Columbia 4213 Dance
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- AOh how I've waited for you
- BUkulele Lullaby
A pianist or vocalist credited as Mackey on Columbia, recording popular songs of the 1920s–30s.AI summary
Columbia 3866 Voice
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- AOn her Doorstep last Night
- BI've never seen a Smile like yours
Mackey performing popular sentimental songs on Broadcast, a small British label of the early 1930s.AI summary
Broadcast 477 Voice
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- ASeminola
- BMississippi Moonlight
Mackey on Columbia 3680, an early Columbia acoustic catalogue number; the titles suggest popular dance or sentimental ballad material from the 1920s.AI summary
Columbia 3680 Dance
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- ASing as We March medley
- B(2sds)
Decca MW58 Dance
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- ASlippery Fingers
- BWhen it's June down there
Credited to Mackey on Columbia 4044, performing dance sides 'Slippery Fingers' and 'When it's June down there'.AI summary
Columbia 4044 Dance
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- AThanks for the Buggy Ride
- BBarcelona
Credited to Mackey on Columbia, this early 1930s recording couples two novelty or sentimental numbers, 'Thanks for the Buggy Ride' and 'Barcelona'. The artist is not prominently documented.AI summary
Columbia 3963 Dance
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- AThere's a Rainbow round my Shoulder
- BJeannine
Credited to Mackey on Piccadilly, a cheap British label of the 1930s. 'There's a Rainbow round my Shoulder' was a popular song of the period. Mackey's identity is not established.AI summary
Piccadilly 215 Voice
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- ATwo little bluebirds
- BD'ye love me?
Mackey performing 'Two little bluebirds' and 'D'ye love me?' on Columbia 4101, from the early 1930s.AI summary
Columbia 4101 Voice
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- AWaiting for the Rainbow
- BCa c'est Paris
Mackey on Columbia 4253 with 'Waiting for the Rainbow' and 'Ça C'est Paris', mid-1930s popular songs. The artist Mackey is not clearly identified in standard references.AI summary
Columbia 4253 Voice
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- AWhat can I say after I say I'm sorry
- BBecause I love you
Mackey performing two popular songs on Columbia, a major British label.AI summary
Columbia 4174 Voice
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- AWho's been polishing the Sun
- BNo a thousand Times No
Mackey recorded 'Who's Been Polishing the Sun' and 'No a Thousand Times No' for His Master's Voice, catalogue B6553, in the early 1930s.AI summary
His Master's Voice B6553 Voice
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- AWildflower
- BGoodbye little Rosebud
Credited to Mackey on Columbia, with 'Wildflower', a popular song standard of the 1920s; 'Goodbye Little Rosebud' on the reverse.AI summary
Columbia 3894 Voice
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- AYou're the Cream in my Coffee
- BWhen tomorrow comes
An artist credited as Mackey recorded two popular dance-music numbers on Piccadilly 326, likely early 1930s. Piccadilly was a budget label and the specific artist is not identifiable.AI summary
Piccadilly 326 Dance
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- AYou're the Cream in my Coffee
- BWhen tomorrow comes
Mackey on Piccadilly, a cheap British marque of the 1930s–40s. 'You're the Cream in My Coffee' is a standard of the late 1920s, but the artist is not identified in standard discographies.AI summary
Piccadilly 326 Voice
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- AZanzibar
- BBabette
Mackey recorded 'Zanzibar' and 'Babette' for Columbia, likely popular songs from the 1920s–30s.AI summary
Columbia 3721 Voice