21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 122 of 452
Don Lang, a British rock and roll performer of the 1950s, records two novelty rockers for His Master's Voice: 'Rock Mister Piper' and 'Rock around the Cookhouse'.AI summary
His Master's Voice POP289 Rock
Don Lang on His Master's Voice POP488, recording contemporary novelty songs in the 1950s. Lang was a British recording artist and bandleader of minor standing; his sides are common but have period appeal.AI summary
His Master's Voice POP488 Dance
Don Lang, British bandleader and singer, recorded 'Rock Around the Island' and 'Jumpin' to Conclusions' for His Master's Voice (POP178), part of the post-war British rock and roll wave of the 1950s.AI summary
His Master's Voice POP178 Rock
Don Lang performing 'Six-Five Special' and 'School Day' on His Master's Voice (POP350), mid-to-late 1950s. 'Six-Five Special' was the theme to the BBC television programme of the same name and became a rock-and-roll novelty hit.AI summary
His Master's Voice POP350 Rock
Don Lang, a British singer and bandleader of the 1950s, with *White Silver Sands* and *Again n Again n Again* on His Master's Voice, part of the POP series for popular records. Lang was a minor 1950s recording artist.AI summary
His Master's Voice POP382 Voice
Don Mackay plays Hammond organ on two popular songs from the 1950s, 'I Don't Care if the Sun Don't Shine' and 'Thanks Mr Florist', for the obscure American label Potomac.AI summary
Potomac 326/7 Instrumental
Don Morena Accordeon Band performing a 'Savoy Christmas Medley' on the minor label Broadcast, catalogue 1027.AI summary
Broadcast 1027 Instrumental
Don Parker on 'I love you' and the California Ramblers' 'Easy Melody', released on Perf (Perfection) 14170, a minor British label of the late 1920s-30s.AI summary
Perfect 14170 Dance
Don Redman, the pioneering jazz arranger and bandleader, on a UK Vocalion "S" series pressing of two of his 1930s big-band sides.AI summary
Vocalion S10 Jazz
Don Redman, the pioneering jazz arranger and bandleader, on 'Underneath the Harlem Moon' and 'Ain't I the Lucky One'. Released on Brunswick 01427. Redman is a central figure in early 1930s jazz; his Brunswick sides are sought by jazz specialists and UK copies remain scarce.AI summary
Brunswick 01427 Jazz
Don Redman, the important American jazz arranger and bandleader, leading 'Hot and Anxious' and 'I Got Rhythm' on Brunswick 1344, jazz sides from the late 1920s.AI summary
Brunswick 1344 Jazz
Don Vorhees, an American conductor and arranger, recorded for Columbia in the late 1920s. Vorhees was a prolific session conductor but remains less known than his contemporaries.AI summary
Columbia 4682 Instrumental
Don Zelaya on Columbia 02502 — 'Tarantella' (Liszt) and 'Waltz Marguerite.' Zelaya was a Honduran-born pianist who had a career in Europe and America. The Columbia 02xxx series is an early electrical issue. A relatively obscure pianist on a standard Columbia series; collector interest is modest.AI summary
Columbia 02502 Classical
Columbia 25845
Donald McKay recorded two Scottish dance tunes—'The Broken Canter Jig' and 'Lochaber No More'—for Pop, a small British label.AI summary
Popular 222 Instrumental
Donald Peers, a British popular singer and light-entertainment star, on His Master's Voice — Peers was particularly known for his sentimental ballad style.AI summary
His Master's Voice B8047 Voice
Donald Peers was a British ballad singer and entertainer; this HMV side from the late 1930s captures the sentimental vocal style that made him popular with British audiences.AI summary
His Master's Voice B9801 Voice
Donald Phillips (piano) recorded 'Down Beat' for Regal, dated 1953 in the catalogue. A solo piano recording from the late 78rpm era on a British label.AI summary
Regent (date1953) Instrumental
Donald Thorne performing 'Fire Crackers' and 'Spring Feelin' on Columbia 5155, from the early 1920s.AI summary
Columbia 5155 Dance
Donna Douglas sings I'm Dancing with Tears in My Eyes and Shepherd on Fontana 158.AI summary
Fontana 158 Voice
Dora Bryan was a British actress and comedienne who became famous on stage and television from the 1950s onwards; this HMV POP-series pressing from that era captures her in novelty songs, documenting an early phase of her career.AI summary
His Master's Voice POP133 Personalities (Prs)
Dora Bryan, the British comedienne and singer, recorded these two comic songs for His Master's Voice POP 133, part of the budget Popular series of the 1950s.AI summary
His Master's Voice POP133 Personalities (Prs)
Dora Stroeva on Piccadilly 5012 performing French or Russian songs 'Deja' and 'Tu Sais'. Stroeva was likely a light classical or art song vocalist for budget labels in the 1930s.AI summary
Piccadilly 5012 Classical
Dora Stroeva performing continental material on Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 5031 Voice
Doreen Harris on His Master's Voice BD pressing from the 1940s.AI summary
His Master's Voice BD1140 Voice
Doris Cowan and G. Baker, credited on His Master's Voice B493, recorded two dance or popular numbers, "Boy and Girl" and "Dance with Me". HMV B-series were mass-produced vocal and dance records of the early 1930s.AI summary
His Master's Voice B493 Dance
Doris Day performing two popular standards on Columbia's DB series, recorded in the late 1940s–early 1950s.AI summary
Columbia DB2681 Voice
Doris Day, recorded 'When I Fall in Love' and 'My Love and Devotion' for Columbia in the early 1950s.AI summary
Columbia DB3157 Voice
Doris Day with Hold Me in Your Arms and There's a Rising Moon on Philips PB401.AI summary
Philips PB401 Voice
Doris Day with Foolishly Yours and Two Hearts, Two Kisses on Philips B21570H.AI summary
Philips B21570H Voice
Doris Day on Columbia DB3334 with 'Why Should We Both Be Lonely' and 'Mister Tap Toe', from the early years of one of the most recorded vocalists in popular music.AI summary
Columbia DB3334 Voice
Doris Day with Ten Cents a Dance and I'll Never Stop Loving You on Philips 497.AI summary
Philips 497 Voice
Doris Day with Love's Little Island and Jimmy Unknown on Philips 542.AI summary
Philips 542 Voice
Doris Day performing two popular standards—'Too Marvellous for Words' and 'With a Song in My Heart'—for Columbia in the late 1940s.AI summary
Columbia DB2681 Voice
Doris Day with Ten Cents a Dance and I'll Never Stop Loving You on Philips 497.AI summary
Philips 497 Voice
Doris Day recording for Columbia, one of the most popular American singers of the 1950s. A playable copy of this mass-market release.AI summary
Columbia DB2887 Voice
Doris Day, the Hollywood star and one of the best-selling recording artists of the 1950s, recorded these two songs for Columbia, with vocal support from Joe Smith on the B-side.AI summary
Columbia DB3487 Voice
Doris Day performing "When I Fall in Love" and "My Love and Devotion" on Columbia DB3157, likely recorded in the early 1950s. Day was one of the most successful popular singers of the era, and this UK pressing reflects her transatlantic appeal.AI summary
Columbia DB3157 Voice
Doris Day with In the Light of the Silvery Moon and Let It Ring on Philips PB560.AI summary
Philips PB560 Voice
Columbia DB2629
Doris Day with Everybody Loves a Lover and Instant Love on Philips PB843.AI summary
Philips PB843 Voice
Doris Day on Columbia DB 2862, two jazz-influenced popular songs from the early 1950s, her peak commercial period.AI summary
Columbia DB2862 Voice
Doris Day was one of the most commercially successful American pop singers of the 1940s–50s; this Columbia coupling from the early 1950s presents two ballads typical of her vast recorded output.AI summary
Columbia DB3334 Voice
Doris Day with Blue Bells of Broadway and I Speak to the Stars on Philips 21276.AI summary
Philips 21276 Voice
Doris Day with Ten Cents a Dance and I'll Never Stop Loving You on Philips 497.AI summary
Philips 497 Voice
Doris Day with Julie and I've Gotta Sing Away These Blues on Philips PB634.AI summary
Philips PB634 Voice
Doris Day with Ready, Willing and Able and You My Love on Philips PB402.AI summary
Philips PB402 Voice
Doris Day and Buddy Clark, two leading popular vocalists of the 1940s, perform two sentimental standards on Columbia. This is a typical pop vocal duet of the era.AI summary
Columbia DB2584 Voice