21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 129 of 452
Okeh 41410 Jazz
Ed Lang performing two untitled pieces on Parlophone R2068. Lang (1901–1933) was an American jazz guitarist who recorded for various labels in the late 1920s and early 1930s.AI summary
Parlophone R2068 Jazz
Ed Lloyd recorded "Throw Another Log on the Fire" and "In the Little White Church on the Hill" for Rex (8142), a minor American label of the 1920s–1930s. Lloyd was likely a country or novelty singer.AI summary
Rex 8142 Country
Ed Lloyd on OK, performing 'I Get the Blues When It Rains' and 'Pagan Love Song', sentimental and novelty material from the early 1930s.AI summary
Okeh 41250 Voice
Ed Lloyd's orchestra recorded two numbers associated with early sound film musical sequences on Rex Records, a minor British budget label of the early 1930s.AI summary
Rex 8005 Dance
Ed Smalle recorded two light popular songs for Columbia 4235 in the 1920s–30s.AI summary
Columbia 4235 Voice
Ed Smalle recorded 'Side by Side' and 'Deed I do' for Columbia, likely from the 1930s.AI summary
Columbia 4463 Voice
Ed Smalle on Columbia 4464; 'Positively Absolutely' and 'Half a Moon' are light vocal numbers, likely from the 1920s–early 1930s.AI summary
Columbia 4464 Voice
Ed Smalle recorded 'A Little Girl, a Little Boy, a Little Moon' and 'Magnolia' for Columbia 4546. Without further context, the artist is not identifiable in standard references.AI summary
Columbia 4546 Voice
Ed Smalle and Dick Robertson recorded 'Stay out of the South' and 'Wobaly Walk' for Brunswick. Robertson was a American vocalist; Smalle is less well identified.AI summary
Brunswick 3758 Voice
Columbia 25843
Eda Kersey, credited to DuoD (Duophone), recorded what appear to be vocal numbers in German ('Schlummerlied' and 'Liebeslied') in the 1920s-30s; DuoD was a small British label.AI summary
Duophone D518
Eda Kersey recorded 'Le Luthier de Crémone' (The Luthier of Cremona) and 'Gavotte Mozart' for Decca F2061, classical or art-song material. Little is known of this artist.AI summary
Decca F2061 Classical
Esquire 5-001
Eddie 'Piano' Miller plays 'Chug-A-Lug' and 'Fifi' on Esquire, the British jazz label founded by drummer Carlo Krahmer in the late 1940s.AI summary
Esquire 5-001 Jazz
Eddie and Rex performed 'Ain't that the Way it goes' and 'Me' for His Master's Voice, B3961, in the early 1930s.AI summary
His Master's Voice B3961 Dance
Eddie Butler recorded two comic songs for Winner, a small British label: 'If Your Face Wants to Laugh Well Let It' and 'We All Said No'.AI summary
Winner 4780 Comic
Eddie Calvert, a British trumpet virtuoso famous for his 1950s hits, recorded 'Nocturne for Trumpet' and 'The Bells of Home' for Columbia; the latter paired him with comedian Issy Bonn.AI summary
Columbia DB3303 Instrumental
Columbia DB3975 Classical
Eddie Calvert, the British trumpet player and bandleader, recorded 'Never Say Goodbye' and 'Mandy (La Panse)' for Columbia in the early 1950s. Calvert was a popular dance-band and solo recording artist during this period.AI summary
Columbia DB3956 Dance
Eddie Cantor, the American entertainer and singer, recording for Imperial Records with "The Man on the Flying Trapeze" and "Over Somebody Else's Shoulder". Imperial was a small British label of the early 1930s, so UK copies are less common than his major-label releases.AI summary
Imperial 4011 Personalities (Prs)
Eddie Cantor, the American entertainer and Broadway star, recorded 'The Man on the Flying Trapeze' and 'Over Somebody Else's Shoulder' for Imperial Records—novelty comedy songs that were among his signature pieces.AI summary
Imperial 4011 Personalities (Prs)
Eddie Cantor, the vaudeville star and entertainer. Emerson 10105 records 'When I Come to Loving the Girls' and 'Give Me'. Emerson was a US label; UK copies are uncommon.AI summary
Emerson 10105 Personalities (Prs)
Eddie Cantor with 'When They're Old Enough to Know Better', backed by Irving Kaufman's 'I Don't Want a Doctor', on Emerson, the American label he recorded for early in his career.AI summary
Emerson 1094 Personalities (Prs)
Eddie Cantor, the American vaudeville star, singing 'Doodle doo doo' and 'Oh you can't fool an old Hoss Fly' on Columbia 213D.AI summary
Columbia 213D Personalities (Prs)
Eddie Cantor was an American vaudeville star and early recording artist, famous for his energetic comic performances and songs. 'Goo-Goo-Goodnight Dear' was recorded for Columbia in the acoustic era, around 1920; this is a British Columbia pressing of a recording by a major American star.AI summary
Columbia 277D Personalities (Prs)
Eddie Cantor, the American comedian, singer, and vaudeville star, records 'How Ya Gonna Keep Your Mind on Dancing' and 'Joe Is Here' on Columbia A3784, an American acoustic pressing from around 1921. Cantor's early Columbia acoustic sides are collected by enthusiasts of American vaudeville and popular song.AI summary
Columbia A3784 Personalities (Prs)
Eddie Cantor was one of the greatest entertainers and recording stars of the 1920s and 1930s; this Columbia A3934 contains two of his songs, 'Oh Gee Oh Gosh Oh Golly I'm in Love' and 'Eddie Steady'.AI summary
Columbia A3934 Personalities (Prs)
Eddie Cantor on Columbia C10163, performing two popular songs from the late 1920s or early 1930s. Cantor was one of the most successful American entertainers of the era, known for his theatre work, comedy and signature songs.AI summary
Columbia C10163 Personalities (Prs)
Eddie Cantor on Columbia DB1935, 'Little Curly Hair in a High Chair' / 'Margie'. Eddie Cantor was a star comedian, singer and entertainer, famous for his vaudeville career and 1920s–1930s recordings and films.AI summary
Columbia DB1935 Personalities (Prs)
Eddie Cantor was one of the greatest American entertainers of the early sound era; 'Makin' Whoopee' was his signature song from the 1928 Broadway revue, and this His Master's Voice recording captures his unique comic delivery and tenor voice.AI summary
His Master's Voice B3116 Personalities (Prs)
Eddie Cantor, the American vaudeville and stage star, performing 'Hello Sunshine hello' and 'If I give up the Saxophone' on His Master's Voice, recorded in the early 1930s.AI summary
His Master's Voice B3738 Personalities (Prs)
Eddie Cantor with 'And She Gave Them All the Ha-Ha-Ha' and 'Palesteena' on Emerson, the American label he recorded for at the start of his recording career around 1920.AI summary
Emerson 10292 Personalities (Prs)
Oriole 3011 Personalities (Prs)
Eddie Cantor was one of the biggest American entertainers and recording stars of the 1920s–30s, known for his distinctive high tenor and comedic style. This Decca side, from the later 1940s, captures his enduring popularity in the British market.AI summary
Decca F6748 Personalities (Prs)
Eddie Cantor, the American vaudeville and film star, on Columbia DB-series; Cantor was one of the most famous entertainers of the 1920s–30s, known for his distinctive voice and comedy timing.AI summary
Columbia DB1047 Personalities (Prs)
Eddie Cantor, the American vaudeville star and radio personality, recorded 'The Man on the Flying Trapeze' and 'Over Somebody Else's Shoulder' for Imperial Records, a small British label active in the early 1930s.AI summary
Imperial 4011 Personalities (Prs)
Eddie Cantor, the celebrated American entertainer and comedian, recorded 'Earful of Music' and 'Mandy' for Imperial catalogue SP103, likely mid-to-late 1920s.AI summary
Imperial SP103 Personalities (Prs)
Eddie Cantor with When They're Old Enough to Know Better and, by I. Kaufman, I Don't Want a Doctor on Emerson 1094.AI summary
Emerson 1094 Personalities (Prs)
Eddie Cantor, the American vaudeville star, singing 'Makin' Whoopee' and 'Yes Sir That's My Baby' on Brunswick 03216, from the late 1920s or early 1930s.AI summary
Brunswick 03216 Personalities (Prs)
Eddie Cantor, the American vaudeville and recording star, accompanied by Ambrose's dance orchestra on Decca, performing 'Lambeth Walk', the hit song from Noël Coward's 1938 revue *Me and My Girl*, alongside 'Says My Heart' and 'Little Lady Make Believe'.AI summary
Decca F6741 Personalities (Prs)
Eddie Carroll was a British vocalist and entertainer active in the 1930s–40s. This His Master's Voice BD-series pressing of a "Top of the World" selection documents his popular ballad style in medley form.AI summary
His Master's Voice BD866 Voice
Eddie Carroll, a pianist, recorded two sides of "Piano Pops": fox trots and waltzes, for His Master's Voice BD849 in the late 1920s or early 1930s.AI summary
His Master's Voice BD849 Instrumental
Eddie Carroll led a light-music ensemble for Parlophone, recording popular melodies and operetta selections. This F-series pairing of sentimental material is typical of early 1930s light entertainment, and Carroll himself is not a known collector focus.AI summary
Parlophone F163 Voice
Eddie Carroll Swing Music performing two instrumental swing standards on Parlophone. This is likely a mid-1940s British swing recording from an unidentified or ephemeral orchestra.AI summary
Parlophone R2395 Jazz
Guitarist Eddie Condon's band with 'Strut Miss Lizzie' and 'It's All Right Here for You' on Commodore, the New York label that recorded Condon's circle of Chicago-style musicians.AI summary
Commodore 530 Jazz
Eddie Condon was a pioneering guitarist and bandleader central to the Chicago and New York jazz scenes. Commodore 531 ('I Ain't Gonna Give Nobody None of My Jelly Roll' and 'Ballin' the Jack') is from Condon's own important label, founded in 1938 to document small-group jazz.AI summary
Commodore 531 Jazz
Eddie Condon, the Chicago-style guitarist and bandleader, on Commodore 532 with Fidgety Feet, a tune associated with the Original Dixieland Jazz Band, and Don't Leave Me Daddy.AI summary
Commodore 532 Jazz