21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 131 of 452
Eddy Reilly's Onyx Club Boys on Brunswick RL pressing from the 1920s or early 1930s.AI summary
Brunswick RL325 Jazz
Eddy South, a renowned violinist and bandleader, performing 'Honeysuckle Rose' and 'Black Gypsy' on Brunswick, likely from the 1930s.AI summary
Brunswick 81504 Jazz
Eddy Walis Jazz Orchestra performing instrumental jazz numbers 'Unerhort kusst die Malwine' and 'Mondscheinfahrt' on Phony 667, a budget British label.AI summary
Phonycord 667 Jazz
Eddy and Reilly performing 'Lookin' for Love' and 'The Music Goes Round and Round' on Brunswick. The latter is a novelty number from the 1930s swing era; this appears to be a mid-1930s dance-band recording.AI summary
Brunswick RL325 Dance
Edgar Adeler's Hawaiian Players on St, a small British label, performing Hawaiian instrumental music in the early 1900s.AI summary
Sterno 551 Hawaiian
Edgar Bergen and Charlie McCarthy, the American ventriloquist and his famous dummy, in comedy sketches on Audiencerecords, a small American label.AI summary
Audiencerecords Personalities (Prs)
Edgar Coyle was a British or American vocalist. This Columbia recording of sentimental ballads 'Vacant Chair' and 'Song that Reached My Heart' is from the acoustic or early electric era, but Coyle is not a widely remembered name in vocal recording history.AI summary
Columbia 5295 Voice
Edgar Coyle performing two sentimental ballads on early Columbia, catalogue 746 suggesting late 1900s or early 1910s. Nothing is known of the artist.AI summary
Columbia 746 Voice
Edgar Jackson performing 'Sunday' and 'Poor Butterfly' on Decca F3085 from the 1930s-1940s era.AI summary
Decca F3085 Voice
Edgar Jackson sings two popular ballads, 'Oh How I Love My Darling' and 'Sweet Little You', on Decca, the major British label.AI summary
Decca F3156 Voice
Edgar Wallace, the prolific crime novelist, reciting or narrating 'Man in the Ditch' in two parts on Columbia 5026, likely from the 1920s.AI summary
Columbia 5026 Personalities (Prs)
Edgar Wallace, the prolific British thriller writer, on Columbia 5026 with The Man in the Ditch in two parts.AI summary
Columbia 5026 Personalities (Prs)
Edgar Wallace, the prolific British thriller writer, on Columbia 5026 with The Man in the Ditch in two parts.AI summary
Columbia 5026
Edie Phillips performing 'By the Light of the Silvery Moon' and 'I like your Apron & your Bonnet' on Eclipse, a minor British label of the early 1910s.AI summary
Eclipse 203 Voice
The Edison Bell Dance orchestra with Avalon and Secrets of Love on Winner 3535, marked as a test pressing.AI summary
Winner 3535 TEST Dance
Edit Mezey leads health and slimming exercises, numbers 1-4 and 5-8, on HMV B3948.AI summary
His Master's Voice B3948
Edith Barnett and Vladimir Cernikoff perform Brahms Waltzes on this Columbia classical side, a part-1 and part-2 recording likely from the acoustic era or early electric period, probably 1920s or 1930s.AI summary
Columbia 9230 Classical
Edith Clifford on Columbia 4849 recorded 'Love Lies' and 'I've Made up My Mind to Marry Mary'; light vocal material from the 1920s–early 1930s.AI summary
Columbia 4849 Voice
Edith Day, an American stage and recording star, performing two theatrical numbers on Columbia in the 1920s; Day was well known in British variety and revue.AI summary
Columbia 3639 Voice
Edith Day was a British stage and film actress and singer of the 1920s–30s; 'Romance' and 'Sabre Song' are light song material from her theatrical repertoire. Columbia 4388 indicates a 1920s pressing.AI summary
Columbia 4388 Voice
Edith Day, an American musical-theatre star and vocalist, recorded these two popular songs on Columbia DB115, likely early 1930s. Day was a well-known stage and recording artist.AI summary
Columbia DB115 Voice
Edith Day, a major American musical theatre star of the 1920s, on Columbia 9211 singing from 'The Desert Song'. Day was English-born and recorded frequently for British labels.AI summary
Columbia 9211 Opera
Edith Day recorded "Dance Away the Night" and "You Are Love" (with H Worster) for Columbia catalogue 9429. Day was an American musical theatre star of the 1920s-1930s, famous for her roles in light operas and musical comedies on both the London and New York stages.AI summary
Columbia 9429 Voice
Edith Day, the American-born operetta star, performing 'Alice Blue Gown' and 'Irene' on Columbia F1044, songs from the 1920s musical theatre repertoire.AI summary
Columbia F1044 Voice
Edith Day, American operetta star, performing 'Castle of Dreams' and 'To Be Worthy of You' on Columbia F1045, romantic ballad sides from the 1920s.AI summary
Columbia F1045 Voice
Edith Day (1896–1971), an American stage and film actress, performing the title song 'Alice Blue Gown' and 'Irene' on Columbia; Day was a Broadway and West End musical-comedy star of the 1920s–1930s.AI summary
Columbia F1044 Personalities (Prs)
Edith Evans—an actress best known for Shakespearean and theatrical roles—recorded comic novelty vocals for Brunswick in the early 1930s.AI summary
Brunswick 3849 Music Hall
Edith Evans — if this is the celebrated British actress Dame Edith Evans — performing 'Land of Our Chosen Race' on HMV catalogue 03515, an early single-sided pressing. The HMV 03000-series is an early acoustic-era catalogue; if this is indeed the great actress, any recording of her is of significant cultural interest and warrants specialist examination.AI summary
His Master's Voice 03515 Voice
Edith Evans singing 'Kansas City Kitty' and 'My kinda love' on Brunswick 4291. Evans is an unidentified vocalist from the early 1930s.AI summary
Brunswick 4291 Voice
Dame Edith Evans and Sir John Gielgud, two of Britain's greatest classical actors, performed scenes from Oscar Wilde's *The Importance of Being Earnest* for His Master's Voice—a historic recording of spoken word theatre.AI summary
His Master's Voice B8883 Personalities (Prs)
Edith Evans and John Gielgud in scenes from Oscar Wilde's The Importance of Being Earnest, on HMV B8883. Evans's Lady Bracknell and Gielgud's Jack Worthing were among the defining performances of the play.AI summary
His Master's Voice B8883 Personalities (Prs)
Edith Furmedge performing the hymn 'Lost Chord' and 'Land of Hope and Glory' on Aco 33001, a British label of the early 1900s or 1910s.AI summary
Aco 33001 Classical
Edith Furmedge performs 'Lost Chord' and 'Land of Hope & Glory' on Aco 33001. Aco (Acolian) was a British label active in the 1920s–1930s; both titles are classical/patriotic standards.AI summary
Aco 33001 Classical
Edith Furmedge, an obscure soprano or vocalist, recorded two ballad numbers on Electron, a small and poorly documented British label of indeterminate era.AI summary
Electron 0181 Voice
Edith Furmedge, an unidentified vocalist, on Edis, a small British label.AI summary
Edison 1179 Voice
Victor 35214 Voice
Edith Lorand, an unidentified vocalist, singing 'Love me' and 'My Irish home sweet home' on Parlophone E5639.AI summary
Parlophone E5639 Voice
Brunswick 10263 Voice
Edith Penville on the obscure Homophone label (Homh). 'Le Babillard' and the 'Hungarian Fantasy' are classical pieces. Neither the artist nor the label is established in standard discographies.AI summary
Hom H655 Classical
Edith Piaf sings 'De l'autre côté de la rue' and 'Y a pas d'printemps' on French Polydor.AI summary
Polydor 590155 Voice
Edith Piaf, the French chanson legend, early career recording for Decca, performing 'Monsieur X' and 'Les vieux Bateaux'—scarce pre-fame or early fame pressings.AI summary
Decca C16075 Voice
Edith Piaf, the iconic French chanson singer, on Columbia with 'Les Trois Cloches' (The Three Bells), a major hit and signature song. This is likely an early Columbia pressing of the recording.AI summary
Columbia 242 Voice
Edith Wilson, a pioneering Black American blues and jazz vocalist, recorded 'Dixie Blues' and 'He Used to Be Your Man' for Columbia. Wilson was active in the 1920s and was one of the earliest female blues recording artists; her recordings remain important to collectors of early American blues and vocal jazz.AI summary
Columbia A3787 Jazz
Edith Wilson, an African American jazz and blues singer of the 1920s, recorded 'Frankie' and 'Old Time Blues' for Columbia A3506.AI summary
Columbia A3506 Jazz
Edith Wilson, an African-American blues and jazz singer active in the 1920s, recorded 'Vampin' Liza Jane' and 'Nervous Blues' for Columbia. These are blues titles characteristic of Wilson's work during the early jazz age, recorded for one of the major labels of the period.AI summary
Columbia A3479 Jazz
Columbia A3537 Jazz
Edith Wilson, the blues and jazz vocalist, with trumpeter Johnny Dunn on two blues sides: Birmingham blues and Wicked blues, Columbia A3558. A scarce coupling of two important early jazz soloists.AI summary
Columbia A3558 Jazz
Edith Wilson, an early jazz and blues singer, accompanied by Johnny Dunn's jazz ensemble, performing 'Evil blues' and 'Pensacola blues' on Columbia Records. Both are significant recordings from the hot-jazz era of the early 1920s.AI summary
Columbia A3746 Jazz