21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 151 of 452
Fats Waller on His Master's Voice B8967, with 'You Can't Have Your Cake and Eat It' and 'Smoke Dreams of You'. Waller was an American stride pianist, organist, bandleader and comedian, one of the most important and influential jazz pianists of the 1920s–1940s.AI summary
His Master's Voice B8967 Jazz
Fats Waller's 'Ain't Misbehavin'' and 'I've got a Feeling I'm falling', two of his most celebrated songs, on His Master's Voice B3243 — likely a 1930s UK pressing of a major American jazz and stride piano artist.AI summary
His Master's Voice B3243 Jazz
Fats Waller, the virtuoso pianist and entertainer, recorded these two sides for His Master's Voice; Waller was one of the greatest figures of jazz comedy and stride piano, and these tracks show his exuberance.AI summary
His Master's Voice B9885 Jazz
Fats Waller, the American jazz pianist, composer and entertainer, recorded 'Ain't Misbehavin'' and 'Moppin' & Boppin'' for His Master's Voice, catalogue C3737. 'Ain't Misbehavin'' is one of Waller's most famous compositions. This UK pressing is a document of Waller's international standing.AI summary
His Master's Voice C3737 Jazz
Fats Waller, the American pianist and entertainer, recorded 'My Very Good Friend the Milkman' and 'Shortnin' Bread' for His Master's Voice; the BD series from the mid-1930s captured his ebullient wit and stride piano technique in sides that remain central to early swing piano repertoire.AI summary
His Master's Voice BD1218 Jazz
Fats Waller, the virtuoso pianist and comic entertainer, on His Master's Voice BD1235—a late 1930s recording from one of jazz's most collected artists.AI summary
His Master's Voice BD1235 Jazz
Fats Waller, the virtuoso pianist and entertainer, performing 'S'posin'' and 'Sing an Old Fashioned Song' on His Master's Voice in the 1930s.AI summary
His Master's Voice BD5135 Jazz
Fats Waller, the virtuoso stride pianist and entertainer, recorded two sides for His Master's Voice during the swing era. 'Swing Out to Victory' and 'By the Light of the Silvery Moon' are period novelties and standards respectively.AI summary
His Master's Voice NE688 Jazz
Fats Waller, the major American jazz pianist, organist, singer and entertainer of the 1920s–40s, performing 'Romance a la mode' and 'By the light of the silvery moon' on His Master's Voice B10748. Waller was an influential stride pianist and bandleader.AI summary
His Master's Voice B10748 Jazz
Fats Waller, the brilliant jazz pianist, organist and entertainer, on His Master's Voice. 'Ain't Misbehavin' is his most famous song and signature tune, recorded many times throughout his career.AI summary
His Master's Voice C3737 Jazz
Fats Waller was an American jazz pianist, organist, and entertainer, and 'Valentine Stomp' and 'Gladsye' are characteristic recordings of his playful, swinging style. His recording for His Master's Voice under the JF label (likely a reissue or special series) represents scarce UK pressings of a widely collected jazz artist.AI summary
His Master's Voice JF4 Jazz
Fats Waller, the American stride pianist, organist and entertainer, recorded these two sides for His Master's Voice. Both are typical of his witty, jazz-inflected swing-era compositions and performances.AI summary
His Master's Voice JF7 Jazz
Fats Waller, the American jazz pianist and entertainer, recorded 'Ain't Misbehavin'', his signature novelty hit, for HMV in the 1930s.AI summary
His Master's Voice C3737 Jazz
Fats Waller, the major American jazz pianist and entertainer, performing 'I wanna hear Swing Songs' and 'That gets it Mr Joe' on His Master's Voice BD1028. Waller was prolific on HMV in the 1930s–40s.AI summary
His Master's Voice BD1028 Jazz
Fats Waller, the American jazz pianist, organist and entertainer, on His Master's Voice BD1229. These are festive novelty recordings, 'Send Me Jackson' and 'Jingle Bells', from Waller's prolific recording output.AI summary
His Master's Voice BD1229 Jazz
Fats Waller, the virtuoso pianist and entertainer, playing early blues material recorded for what appears to be an HMV catalogue number. The original E flat blues and the playful 'Eep, Ipe, Wanna Piece of Pie' are typical of Waller's 1920s output, recorded during his most fertile creative period.AI summary
Jazz
His Master's Voice BD5377 Jazz
His Master's Voice BD5387 Jazz
Fats Waller, the American jazz pianist and entertainer, recorded 'Little curly Hair in a High Chair' and 'Stayin' at Home' for His Master's Voice in the 1930s. This is a major artist, but the titles and pressing are routine.AI summary
His Master's Voice BD1235 Jazz
Fats Waller recorded 'Truckin'' and '12th Street Rag' for HMV BD262. Waller was an American jazz pianist, composer and entertainer; his recordings are major items in jazz and swing collecting.AI summary
His Master's Voice BD262 Jazz
Fats Waller performing novelty jazz numbers 'Imagine My Surprise' and 'Your Socks Don't Match' on His Master's Voice BD1073. Waller was one of the greatest stride pianists and entertainers in jazz history, known for his comic timing and prolific output.AI summary
His Master's Voice BD1073 Jazz
Fats Waller, 'Waller Stomp' and 'Red Hot Dan', on His Master's Voice B10472; Waller was a virtuoso stride pianist and entertainer, one of the most important figures in jazz and popular music, and his HMV recordings date to the early swing era.AI summary
His Master's Voice B10472 Jazz
Fats Waller on His Master's Voice JF 1, performing two novelty jazz numbers. Waller was a virtuoso stride pianist, organist, and entertainer, one of the great figures of American jazz and popular music.AI summary
HMV JF1 Jazz
Fay Compton, the English stage and screen actress, performs 'Kiddi-logues' across two sides on Electron.AI summary
Electron 0203 Personalities (Prs)
Fay Compton, the distinguished British stage and film actress, performing the art songs 'When thou art dead' and 'Searching for Lambs' on His Master's Voice B3969.AI summary
His Master's Voice B3969 Classical
Fay Compton, a British actress and revue star, recorded 'Kiddi-logues' (probably comic monologues for children) for Electra (Elec), probably in the early 1920s. Compton was a well-known stage entertainer and occasional recording artist.AI summary
Electron 0203 Comic
Fay Compton, the English actress, with Kiddies Hour in two sides on Electron 0204.AI summary
Electron 0204 Personalities (Prs)
Fay Compton recorded 'Kiddies Hour' for Elec Records (0204). Fay Compton was an established British actress and entertainer of stage and early film; Elec (Electrical) was a budget British label of the 1930s.AI summary
Electron 0204 Music Hall
Fay Sargent performing two ballads, 'A Bargee's Barcarolle' and 'Ballad of Medical Student', on Henecy, a small and obscure British label.AI summary
Henecy 109 Voice
Freddy Randall, the British jazz trumpeter and bandleader, recorded two jazz blues numbers—'I Ain't Gonna Give Nobody None o This Jelly Roll' and 'Dark Night Blues'—for Parlophone. Randall was a significant figure in British revivalist jazz of the 1950s.AI summary
Parlophone R3525 Jazz
Felicia Sanders with Blue Star and My Love's a Gentleman on Philips PB492.AI summary
Philips PB492 Voice
Felicia Sanders with Blue Star and My Love's a Gentleman on Philips PB492.AI summary
Philips PB492 Voice
Felicia Sanders with From Nine to Five and How Long Has This Been Going On on Philips PB416.AI summary
Philips PB416 Voice
Felicie Huni-Mihacsek performing 'Nun Eilt Herbei' and another piece on Brunswick 50105. Huni-Mihacsek was a soprano of some prominence, likely from the central European operatic tradition.AI summary
Brunswick 50105 Opera
This Columbia record is listed as 'Felix Mendelssohn' performing 'Farewell Blues' and 'Caravan' — an apparent cataloguing error, as both are jazz standards not by or typically associated with Mendelssohn.AI summary
Columbia FB3280
A musician named Felix Mendelssohn (not the composer, who died in 1847) recorded "Crazy Rhythm" and "St Louis Blues" for Columbia FB2882, early swing-era arrangement in the late 1930s.AI summary
Columbia FB2882 Jazz
Felix Mendelssohn and the Hawaiian Serenaders recorded these two songs for Columbia. The group name is likely that of a house ensemble or bandleader; 'La Cumparsa Cubanas' is a Cuban melody, and this is a World Music/Latin novelty recording of the 1920s-1930s.AI summary
Columbia FB2783 Hawaiian
Felix Weingartner conducting the Berlin Symphony Orchestra in Weingartner's own Symphony No. 1 in C Minor on Columbia L2145/2156/2147/2148/2149, a multi-disc classical set.AI summary
Columbia L2145/2156/2147/2148/2149 Classical
Untitled
Felix Weingartner, the Austrian conductor and composer, recording for Columbia L-series (L1488). The artist and label indicate a classical conductor, but no titles are recorded.AI summary
Columbia L1488 Classical
Female vocalist on Pathé 36003, performing 'Three Coins in a Fountain' and 'Mama'. The artist is unidentified, and without further details, this cannot be placed beyond its label and catalogue information.AI summary
Pathé 36003 Voice
Fenton on Brunswick, performing 'Louisian'' and 'My Cradle Melody'.AI summary
Brunswick 2304 Voice
Fenton on Brunswick 2759, two popular songs from the early 1930s.AI summary
Brunswick 2759 Voice
Fenton is credited with 'Lady Be Good' and 'Fascinating Rhythm', both Gershwin standards, on a Brunswick 12-inch pressing. Without further identifying information this artist cannot be placed with confidence.AI summary
Brunswick 2790 Dance
Fenton's Rainbows recorded 'Little love song' and 'King's horses' for Filmo, catalogue 161, a small or short-lived British label.AI summary
Filmophone 161 Dance
Feodor Sholzoff performing 'Grand Waltz Caprice' and 'Polonaise' on Homochord, catalogue 252. An unidentified performer on a small British label.AI summary
Hom H252
Feodor Sholzoff, credited with performing *Grand Waltz Caprice* and *Polonaise* on HomH, a small British imprint. Sholzoff was likely a pianist or instrumentalist of the early 20th century.AI summary
Hom H252 Classical
Ferera & Franchini performing Hawaiian music on Imperial 1207, a British pressing. The duo were known performers of Hawaiian guitar music in the 1920s–30s.AI summary
Imperial 1207 Hawaiian
Ferera & Franchini, Hawaiian string duo, on Imperial 1246, performing "Kawaha" and "Pua Mohala"; Hawaiian guitar and ukulele were hugely popular in 1920s–30s Britain, and Imperial issued many such sides.AI summary
Imperial 1246 Hawaiian