21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 171 of 452
G. Zenatello and M. Gay, identified as operatic singers, performed the Italian operatic duet 'Ai nostri monti' (from La Traviata) and another piece for Columbia's prestigious A5000 series, an early electrical recording line.AI summary
Columbia A5370 Opera
Giordano Zenatello and Mario Gay, operatic singers, recorded the duet 'Ai Nostri Monti' and passages from unspecified repertoire on Columbia A5370.AI summary
Columbia A5370 Opera
Gabriello, an unidentified musician, recorded instrumental novelties on Cristal, a minor European label of uncertain date.AI summary
Cristal 5591 Instrumental
Johanna Gadski, the celebrated German soprano and Wagner specialist, is heard here in an excerpt from Tristan und Isolde on a German Grammophon 78 (GCo). Gadski was one of the most important Wagner singers of the early 20th century and a star at the Metropolitan Opera.AI summary
GCo 043077 Opera
Gaiety Theatre Orchestra under the direction of Wood performing light dance material on His Master's Voice. This is theatre music from the early twentieth century.AI summary
His Master's Voice B988 Orchestra
Gale Storm with Why Do Fools Fall in Love and I Walk Alone on London HL-D8286.AI summary
London HL-D8286 Rock
The Galimar String Quartet recorded Darius Milhaud's String Quartet No. 7 for Decca. This is a classical chamber music recording from the mid-20th century, representing modernist French composition.AI summary
Decca DE7054 Classical
Galina Werschenskaya, a Russian mezzo-soprano and vocal teacher, recorded this pair of short piano pieces by Antonín Dvořák for His Master's Voice in the acoustic era. The catalogue number DA5203 dates to the early 1920s.AI summary
His Master's Voice DA5203 Classical
Amelita Galli-Curci, a world-renowned Italian coloratura soprano, and Tito Schipa, a celebrated Italian lyric tenor, perform the famous duet 'Parigi, o cara' from Verdi's *La Traviata* on His Master's Voice. Both singers were major recording artists of the acoustic and early electric era.AI summary
His Master's Voice DA1133 Opera
Gamage Bijou, possibly a small ensemble or house band for Gamage's store label, recorded two dance tunes in the 1920s–early 1930s.AI summary
Gamage G630 Dance
An untitled Games record on His Master's Voice, featuring a 'Totalisator Game' and 'Football Pool Game'—apparent novelty or spoken-word game recordings from the early 20th century.AI summary
His Master's Voice BD333
Gandino's Orchestra recorded Liszt's "Hungarian Rhapsody No. 14" for Imperial, a British label. This is a salon-orchestra arrangement of concert repertoire on an obscure marque.AI summary
Imperial 2442 Orchestra
Garber with Hop Scotch Polka and You're Breaking My Heart on Capitol 13169.AI summary
Capitol 13169 Dance
Garber performing 'O sole mio' and 'Granny' (credited to the Columbians) on Columbia 3115, a popular-song recording from the mid-1920s.AI summary
Columbia 3115 Voice
Garber is credited with 'Since My Best Gal Turned Me Down' and 'Back in Your Own Back Yard' on Columbia 4912, a popular song side from the early 1920s. Without further identification this artist cannot be placed.AI summary
Columbia 4912 Voice
Garber on Columbia 4934, a dance-band recording of the 1920s–30s.AI summary
Columbia 4934 Dance
Credited to Garber on Columbia 5160, performing 'Round Evening' and 'Sonny Boy'.AI summary
Columbia 5160 Dance
Garber recorded 'Puttin' on the Ritz' and Somers' 'Alice in Wonderful' for Columbia, popular songs of the late 1920s.AI summary
Columbia CB46 Dance
An artist credited as 'Garber' on Columbia CB92, with a piece titled 'When a Woman loves a Man' and another credited to arranger 'Selvin': 'Oh how I adore you'. CB92 is among the earliest Columbia popular series, likely from the early 1920s.AI summary
Columbia CB92 Dance
His Master's Voice B5326 Dance
Garber (likely likely Jan Garber, a dance-band leader) on 'In other Words we're through' and a Whiteman number, from HMV B6481. This is a mid-1930s dance-band recording; both Garber and Whiteman were major American bandleaders whose sides were pressed in Britain.AI summary
His Master's Voice B6481 Dance
Garber (likely Jan Garber, the American dance-band leader) recorded 'Seminola' for Victor. Garber was a prolific 1920s–30s bandleader whose recordings were widely pressed.AI summary
Victor 19689 Dance
Garber's orchestra performing 'Baby Face' and 'That's Why I Love You' on Victor 20105, an American pressing from the mid-1920s.AI summary
Victor 20105 Dance
Jan Garber, the American bandleader, performing the novelty songs 'I Wish I Could Shimmy Like My Sister Kate' and 'Heartaches and Dreams' on Columbia 4935.AI summary
Columbia 4935 Dance
Garber and Davis, American dance bandleaders, recorded 'Sweetheart of Sigma Chi' and 'Dream Girl of Pi KA' (fraternity-themed novelties) for Columbia, catalogue A3793, in the 1920s.AI summary
Columbia A3793 Dance
Garchery and Rigeaux performing the Aida overture on Odeon, a major German/European label with UK distribution.AI summary
Odeon 60801 Orchestra
Garchery and Rigeaux are credited to a recording of 'Sigurd' (likely an operatic or classical vocal work) on Odeon, a major European label. Without further identification of these artists, the recording's significance is difficult to assess.AI summary
Odeon 60804 Opera
Garcia performing 'Otello' (Verdi) on Odeon; an unidentified operatic baritone on a two-part operatic aria.AI summary
Odeon 37173 Opera
Garcia Romero performing 'Cavalleria Rusticana' and 'Lolita' on Fadas, a minor Spanish-British label; an operatic performance on an obscure marque.AI summary
Fadas 38036/7 Opera
The Garde Républicaine Band, a prestigious French military ensemble, performs 'Tout Paris' and 'Lothringer March' on Columbia, an early Is-series issue — a rare British pressing of Continental classical and march repertoire.AI summary
Columbia is90 Orchestra
The Garde Républicaine Band, the official military band of France, on Lead Records, performing two classical band pieces. Lead was a small British label.AI summary
Lead 4 Orchestra
La Garde Républicaine Band performing 'Salut' and 'Le Tram March' on Pathé 5367, French military band recordings.AI summary
Pathé 5367 Orchestra
The Garde Républicaine Band was the military band of the French Republican Guard; this Favourite pressing of a 'Sympathy Waltz' is a concert band recording, likely from the 1920s–30s.AI summary
Favorite 1-2047
The Garde Républicaine band of Paris plays Suppé's 'Poet and Peasant' Overture in two parts on John Bull.AI summary
John Bull 40640 Instrumental
Garde Républicaine Band, the famous French military band, on Corona 338. 'Les Lanciers Blancs' (The White Lancers) is a French quadrille and march repertoire piece, typical of concert-band recordings.AI summary
Corona 338 Orchestra
The Garde Républicaine band with 'En Vacances', and the band of HM Scots Guards with 'La Fleurette', on the Empire label.AI summary
Empire 21 Instrumental
The Garde Républicaine Band play Dauville and, by a band, the Viscount Nelson march on Empire 5885.AI summary
Empire 5885 Instrumental
The Garde Républicaine Band play the Zampa overture in two parts on Britannic 101; the label's artist credit may be incorrect.AI summary
Britannic it101 Instrumental
The Garde Républicaine Band is the famous French military brass band. This Scala label recording offers two well-known concert pieces, 'Entry of the Gladiators' and 'War March of the Priests', examples of the rousing march repertoire that was standard for such ensembles.AI summary
Scala 10 Instrumental
Garde Republiciane Band on Scala 11 with 'Under the Double Eagle' and 'Gold & Silver' — military and light-orchestral march numbers.AI summary
Scala 11 Orchestra
The Garde Republicaine Band on Scala 7, performing 'Little Duke' and 'Mill in the Forest'. The Garde Republicaine is a French military band; this is an early Scala-label pressing, a small British imprint.AI summary
Scala 7 Orchestra
Garland Wilson, the American jazz pianist, recorded 'Just One of Those Things' and 'Just a Mood' for Brunswick 03115 in the mid-1930s; Wilson was an important stride and swing pianist whose playing bridged the jazz styles of the 1920s and 1930s.AI summary
Brunswick 03115 Jazz
Garland Wilson, an American pianist of the Harlem stride tradition, performs 'Your Heart and Mine' and 'Shim Sham Drag' on Brunswick 02283.AI summary
Brunswick 02283 Jazz
Garland Wilson, pianist and vocalist, on Brunswick 1476 with "Blues in C Flat" and "Get up Bessie"—Wilson was a significant stride and jazz pianist active in the 1920s–30s, recorded for several major American and European labels.AI summary
Brunswick 1476 Jazz
Garland Wilson, an American jazz and blues pianist, on Brunswick 1476, performing jazz blues from the early 1930s; UK copies are less common than American pressings.AI summary
Brunswick 1476 Jazz
Garland Wilson on Brunswick 01784, performing two jazz-influenced vocal numbers from the early 1930s. Wilson was an American pianist and singer associated with jazz and blues styles.AI summary
Brunswick 01784 Jazz
Garland Wilson, an American jazz pianist and composer, on Brunswick 1476 performing two blues-inflected piano solos. Wilson was an accomplished stride and swing pianist who recorded from the late 1920s into the 1940s, though he remains less well known than his contemporaries.AI summary
Brunswick 1476 Jazz
Garland Wilson (piano) and Nat Gonella (trumpet) on Brunswick, performing 'Stormy Weather' and 'Nobody's Sweetheart' from the late 1930s. Wilson was an important stride pianist and Gonella was a popular British jazz trumpeter — both are significant jazz figures.AI summary
Brunswick 01537 Jazz