21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 188 of 452
Giuseppe Garuti, an Italian tenor, recorded two arias from Verdi's *Il Trovatore* on Parlophone. Both pieces are from the operatic core repertoire of the era.AI summary
Parlophone E10657 Opera
Giuseppe Luco recorded 'O Douces Mains' and 'Me Grimer' for Decca. The titles suggest foreign-language or novelty repertoire; Luco is not documented.AI summary
Decca DE7023 Voice
Giuseppe Pacini, an Italian baritone, recorded two operatic arias: the aria from Verdi's *Il Trovatore* ('Il Balen del Suo Sorriso') and the 'Credo' from Verdi's *Otello*, for Fon Records. Pacini was an operatic singer of the early-to-mid 20th century.AI summary
Fonotipia 39003/24 Opera
Giuseppina Huguet sings two of the most famous operatic arias from the Italian repertoire, 'Ah fors e lui' from Verdi's La traviata and 'La donna è mobile' from Rigoletto, on this Victor acoustic recording.AI summary
Victor 62084 Opera
Glantz on Gen, a small British label of the 1920s–30s, playing light dance music with 'Fox Trot of the Bells' and 'Barcelona'.AI summary
Gen 5006 Dance
Glantz recorded 'I don't believe it but say it again' and 'My Carmenita' for Guarantee Records (Guar), a small British imprint. The artist is not established.AI summary
Guardsman 1968
Glantz recorded 'It ain't Gonna Rain no Mo'' and 'Down on the Farm' for HomC (Home), catalogue 592, a small British or imported label of the early 1920s–30s.AI summary
Hom C592
Glantz on HomC (Home Classique) 683, a vocal or dance record on an obscure label.AI summary
Hom C683
Glantz performs 'Mister Gallagher & Mister Sheen' and '(Samuels)You remind me of my Mother' on the Act label, catalogue 10380.AI summary
Actuelle 10380 Music Hall
Glantz recorded 'Too Many Parties Too Many Pals' and 'Along the Old Lake Trail' for Duo-Brit 5152. Glantz was an American bandleader; Duo-Brit was a small British label.AI summary
Duophone B5152 Dance
Two popular dance numbers credited to Glantz on Pathé, from the 1920s or early 1930s.AI summary
Pathé 1676 Dance
Glantz performing 'Who did you fool after all' and 'Journey's End' on Pathé 1705, likely from the 1920s-1930s.AI summary
Pathé 1705 Voice
Glantz was a performer on the Domino label, a cheap British marque; this pressing pairs two sentimental popular songs from the 1920s.AI summary
Domino 367 Voice
Glantz recorded two popular songs for VF, a minor British label of the 1910s-20s. The artist is not documented in standard references.AI summary
Velvet Face 1051 Voice
Glantz on VF Records, artist and period unknown; catalogue number suggests 1920s–30s.AI summary
Velvet Face 1053 Dance
Credited to Glantz on Imperial, a jazz-dance side from the 1920s–early 1930s with a cheerful title and novelty feel.AI summary
Imperial 1822 Dance
Glantz recording two sentimental popular songs for Imperial, a minor British label active in the 1920s-1930s.AI summary
Imperial 1908 Voice
The Glantz Band performs 'Blue Danube Blues' and Green Bros' 'Toodles' on Winner 3747. Winner was a British budget label; the Glantz Band was a dance ensemble active in the 1920s–1930s.AI summary
Winner 3747 Dance
The Glantz Band was a dance orchestra active in the 1920s–30s, recorded here on Winner. 'Marcheta' and 'La Mome' are light dance pieces typical of the period.AI summary
Winner 3870 Dance
The Glantz Dance Band performing Spanish-themed novelty material on Imperial, a budget British label from the 1920s.AI summary
Imperial 1503 Dance
The Glantz Dance Band recorded for Imperial, a British budget label, in the late 1920s or early 1930s; unidentified London ensemble.AI summary
Imperial 1573 Dance
Glanyz Band recorded 'Goodbye Shanghai' and 'Gypsy Rose' (Markel) for Lindstrom Records, catalogue 4139; Lindstrom was a German label distributed in the UK.AI summary
Lindstrom 4139 Dance
Glaslyn Lewis on St 748, performing 'Sospan Fach' and 'Cymru Fydd', both Welsh songs. The artist is not identified in standard references; St (Sterno) was a minor British label. These are Welsh-language or Welsh-interest recordings.AI summary
Sterno 748 Voice
Alexander Glazunov's 'Dance of the Flowers' and a second part, likely a classical orchestral recording, issued on Columbia's prestigious Lx series.AI summary
Columbia Lx30 Classical
Glen Gray and the Casa Loma Orchestra were a sophisticated hot-dance band of the early 1930s, recorded here for Brunswick playing "This Is Romance" and "Weep No More My Baby".AI summary
Brunswick 01618 Dance
Glen Gray and the Casa Loma orchestra recorded "Louisiana Hayride" in two takes for Brunswick in the late 1930s. Gray was a popular swing-era bandleader.AI summary
Brunswick 01627 Dance
Glen Mason was a Scottish singer and entertainer of the 1950s, known for novelty and pop songs. 'Hot Diggity' was a popular novelty hit of 1956. This Parlophone R4176 pressing is from the mid-1950s.AI summary
Parlophone R4176 Voice
Glen Mason's cover of 'Green Door' on Parlophone R4244; Mason was a Scottish vocalist who recorded for Parlophone in the mid-1950s, and 'Green Door' became a popular standard after its US release.AI summary
Parlophone R4244 Voice
Glenn Miller was an American big-band leader of the 1930s and 1940s, one of the most commercially successful bandleaders of the swing era. This HMV side pairs 'Alice Blue Gown' and 'Wonderful One', standard popular songs from his early recording period.AI summary
His Master's Voice BD5654 Dance
Glenn Miller's famous wartime hit 'That Old Black Magic' and 'At Last', pressed by His Master's Voice under licence from the American Brunswick original. Miller's swing orchestra recordings are among the most collected of all big-band era discs.AI summary
His Master's Voice BD5811 Orchestra
Glenn Miller and his orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice BD5678. Miller is one of the most famous bandleaders in history, and both sides are well-known swing standards.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's orchestra on His Master's Voice with 'Story of a Starry Night' and 'Moonlight Sonata', recordings from the bandleader whose orchestra defined the swing era.AI summary
His Master's Voice BD5768 Dance
Glenn Miller led the most commercially successful swing band of the 1940s, and 'Moonlight Serenade' was his signature tune; this His Master's Voice UK pressing of two of his classic sides is a standard collector's item.AI summary
His Master's Voice BD5942 Jazz
Glenn Miller, the American bandleader and composer, recorded 'Story of a Starry Night' and a jazz-influenced 'Moonlight Sonata' for His Master's Voice. Miller's orchestra defined the swing era in the early 1940s.AI summary
His Master's Voice BD5768 Instrumental
Glenn Miller's orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice, releasing Miller's American Victor material in the UK. These are from his peak years in the early 1940s.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's 'Rhapsody in Blue' and 'Along the Santa Fe Trail' on the American Victor label, catalogue 20-1529.AI summary
Victor 20-1529 Dance
Glenn Miller's orchestra performing two swing standards for His Master's Voice. This is from the second phase of Miller's recording career, equally iconic but a separate pressing from his many other British releases.AI summary
His Master's Voice B10235 Dance
Glenn Miller's big band on HMV, featuring two novelty-era dance standards; a UK pressing from the wartime or immediate postwar period.AI summary
His Master's Voice B10662 Orchestra
Glenn Miller and his orchestra, the most commercially successful big band of the 1940s, recorded these two iconic sides for His Master's Voice; 'Moonlight Serenade' became the theme and signature piece of the Miller sound.AI summary
His Master's Voice BD5942 Dance
Glenn Miller's big band recorded 'I'll Never Smile Again' with Tex Beneke vocal, one of the most commercially successful records of the wartime era; this is an HMV UK pressing of the period.AI summary
His Master's Voice BD1216 Orchestra
His Master's Voice BD5779
Glenn Miller, the most popular big-band leader of the swing era, recorded Verdi's "Anvil Chorus" for His Master's Voice on an MH (Music Hall) series pressing.AI summary
His Master's Voice MH183 Orchestra
Glenn Miller and his Orchestra recorded 'Blueberry Hill' and 'Nearness of You' for HMV MH92. Miller was America's biggest swing bandleader of the early 1940s and one of the most recorded musicians of the era; his band's distinctive sound—trumpet, clarinet, and trombone leads over a swinging rhythm section—defined the swing era. Both sides are popular standards.AI summary
His Master's Voice MH92 Dance
Glenn Miller on His Master's Voice; these light popular titles do not represent his most celebrated big-band orchestra recordings but capture his broader session work in the late 1930s.AI summary
His Master's Voice MH95 Dance
Glenn Miller was one of the most famous and influential bandleaders of the 1930s-40s swing era; this His Master's Voice BD pressing of 'Melancholy Lullaby' and 'Blue Moonlight' represents his recordings on the HMV label in that period.AI summary
His Master's Voice BD5822 Dance
Glenn Miller and his orchestra recorded 'Blue orchids' and 'Baby me' for Victor A1157 in the late 1930s.AI summary
Victor A1157 Orchestra
Glenn Miller's 'Falling Leaves' and 'Beat Me', recorded during his peak years and issued on His Master's Voice; a major American bandleader whose UK pressings remain popular with collectors.AI summary
His Master's Voice BD5651 Dance
Glenn Miller, the famous American bandleader, performing "Why Couldn't It Last Last Night" and "Lingering on Your Doorstep" on Regal, a British budget outlet for his recordings.AI summary
Regal Zonophone MR3198 Dance