21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 190 of 452
Columbia 26114
Columbia 26112
A record credited to 'Goering' on Beltona, a British budget label, performing two popular ballads.AI summary
Banner 1694 Voice
Okeh 40289 Jazz
Gogi Grant with The Wayward Wind and No More Than Forever on London HL-B.8282. The Wayward Wind was her 1956 hit.AI summary
London HL-B.8282 Voice
Gogi Grant with The Wayward Wind and No More Than Forever on London HL-B.8282. The Wayward Wind was her 1956 hit.AI summary
London HL-B.8282 Voice
Credited only as 'gogorza' on a G&M label pressing, recording 'God my father', a sacred or devotional vocal piece from an unidentified artist and label.AI summary
Gramophone Monarch 02110
Gold on Regal 8876, a British dance or vocal side from the 1920s–30s.AI summary
Regal 8876 Dance
Perfect 14460 Dance
Gold with How Long Has This Been Goin' On and, by Salter, Bluebird Sing Me a Song on Perfect 385.AI summary
Perfect 385 Dance
Gold with Here Am I Broken Hearted and, by G. Hall, Under the Moon on Perfect 393.AI summary
Perfect 393 Dance
Credited to Gold on VT, a British label of the late 1920s or early 1930s, this disc of 'Ittle Ootsie Oo' and 'It's Tight Like That' is novelty or comic material from an unidentified source.AI summary
VT 1851 Dance
'Who wouldn't be blue' and 'That's my Mammy' credited to Gold on Diva, a minor British label.AI summary
Diva 2635 Voice
Gold (likely a Gold orchestra or ensemble) recorded 'Sweet Little You' and (Lange) 'I Never Care About Tomorrow' for Linc 2254, a small British label with obscure history.AI summary
Lincoln 2254 Dance
Gold's vocal recording on Imperial, a British budget label.AI summary
Imperial 2022 Voice
Gold's orchestra recorded "Weary River" and "Avalon Town" for Imperial catalogue 2063. "Weary River" was a popular song of the late 1920s, and this appears to be a dance band recording from that era.AI summary
Imperial 2063 Dance
Gold performing blues-influenced popular songs on Imperial, a British budget label of the 1930s.AI summary
Imperial 2109 Voice
Gold performs two jazz-era standards for Imperial, a British budget label.AI summary
Imperial 2114 Voice
Gold on Imperial Records with 'A Cottage for Sale' and 'White Dove' (Dixie Marimba).AI summary
Imperial 2292 Voice
Gold on Imperial 2482, performing a popular song and Schubert arrangement on a minor American label from the 1920s–30s.AI summary
Imperial 2482 Voice
A performer credited as Golden in two early dance numbers, "In the Evening" and "Get out and get under", on Imperial, a British label of the 1920s.AI summary
Imperial 1933 Dance
Golden on Brunswick, a major American label, with two piano or light-instrumental pieces with poetic titles; marked as a sample pressing.AI summary
Brunswick 3475(sample) Instrumental
Golden performs 'My Blackbirds are Bluebirds Now' and 'She's Funny That Way' on Imperial 2065. The artist Golden is likely a dance-band or vocal group of the early 1930s.AI summary
Imperial 2065 Voice
Golden and Hughes perform two comic novelty songs on Victor 16547: "The Liars" and C. Case's "How Mother Made the Soup," likely from the 1920s. Victor was an American label with some UK distribution; the artists are otherwise untraced.AI summary
Victor 16547 Comic
Golden Gate Orchestra (noted as C Ramblers) performing 'Rose Marie' and the 'Bar Harbor Indian love call' on Imperial; an obscure small-label dance recording of the 1920s.AI summary
Imperial 1417 Dance
The Golden Gate Quartet, a celebrated African-American gospel group, performing spirituals for Columbia. The group was one of the most recorded and commercially successful gospel ensembles of the 1930s-1950s, and their recordings remain popular with collectors of American vocal harmony.AI summary
Columbia DC593 Voice
Goldkette's orchestra, a prominent American dance band, recorded two popular dance numbers for HMV in the late 1920s.AI summary
His Master's Voice B5080 Dance
An orchestra credited as 'Goldkette' recorded 'My pretty Girl' and 'Yesterday' for His Master's Voice, probably in the mid-1920s. This is likely the Jean Goldkette orchestra or a related group—Goldkette led one of the major American jazz and dance orchestras of the mid-1920s.AI summary
His Master's Voice B5324 Dance
Jean Goldkette and his orchestra recorded 'Slow River' and '(Crawford) I'd Walk a Million Miles' for His Master's Voice (B5397), a 1920s hot-jazz or dance side. Goldkette was a prominent bandleader of the era.AI summary
His Master's Voice B5397 Dance
His Master's Voice B5402 Dance
A jazz dance recording by Goldkette on His Master's Voice (catalogue B5470). Jean Goldkette was an important American bandleader of the 1920s; his recorded sides are collected by hot-jazz enthusiasts.AI summary
His Master's Voice B5470 Jazz
Jean Goldkette, the pianist and bandleader whose orchestra was one of the most sophisticated jazz ensembles of the mid-1920s, recorded these two sides for HMV's B-series.AI summary
His Master's Voice B5600 Jazz
His Master's Voice B9237 Dance
Jean Goldkette's orchestra, an important American dance band of the 1920s, recorded two numbers for Victor.AI summary
Victor 21805 Dance
Jean Goldkette's orchestra—one of the great American dance bands of the 1920s—on His Master's Voice, a premium British pressing from the late 1920s or early 1930s.AI summary
His Master's Voice B5623 Jazz
Biltmore 1012 Jazz
Nat Gonella, a British trumpeter and bandleader popular in the 1930s swing era, recorded 'Georgia on my Mind' and 'Sweet Sue' for Decca. These were among his signature numbers, showcasing his punchy, swing style.AI summary
Decca F3992 Jazz
Nat Gonella was a celebrated British swing-era trumpeter, and this Columbia recording with Claes captures him in hot dance-band style. Gonella is extensively collected by jazz enthusiasts.AI summary
Columbia FB2688 Jazz
Credit and catalogue entry incomplete; artist 'Good' with sides 'Fabulous' and 'A White Sport Coat' on EmbWB 244.AI summary
EmbWB WB244 Rock
Goodhart with Le Lys Noir and Spain on Vocalion X9682.AI summary
Vocalion X9682 Dance
Goodhart recorded popular song material for VocX, a British voicing of the Zon-o-phone group. 'I want to be happy' from the 1924 musical 'No, No, Nanette' was widely recorded across the period.AI summary
Vocalion X9565 Voice
Goodhart (artist unidentified) on VocX Records 9568: 'Indian Love Call' and 'Rose Marie' (Thomas). No information is available on the artist; VocX was a small label.AI summary
Vocalion X9568 Dance
Goodman recorded 'You're a heavenly Thing' and 'Restless' for His Master's Voice BD182, likely an early 1930s pressing.AI summary
His Master's Voice BD182 Jazz
Benny Goodman, the 'King of Swing', recorded these two sides for Victor, the major US label; Victor 25840 catalogue places it in the mid-to-late 1930s swing era.AI summary
Victor 25840 Jazz
Goodman recorded these two jazz pieces for Victor 26021, an American label sometimes distributed in Britain.AI summary
Victor 26021 Jazz
The Goofus Five were an early jazz novelty group recording for Parlophone in the 1920s. 'I Wonder What Became of Joe?' and 'Poor Papa' are light novelty jazz sides from the acoustic era. The Goofus (a unique wind instrument) gave the group its distinctive sound. Parlophone pressings from this period survive in moderate quantities.AI summary
Parlophone lE5618 Jazz
The Goofus Five recorded 'Oh How I Love My Darling' and 'Everybody Loves My Baby' for Parlophone E5326. The Goofus was a saxophone-like novelty instrument popular in early jazz; the Goofus Five were an ensemble built around it, active in the late 1920s.AI summary
Parlophone E5326 Jazz
The Goons, the British comedy and surrealist radio group, recorded 'I'm walking backwards for Christmas' and 'Bluebottle Blues' for Decca F10756 in 1956. The Goons were a hugely popular radio show, and their records, particularly those featuring their famous characters and comedy routines, remain collected.AI summary
Decca F10756 Comic