21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 194 of 452
Winner 5344 Dance
A piano or instrumental duo credited as Gross-Bart on Winner 5408, performing 'There's Something in your Eyes' and 'Pagan Serenade'; Winner was a small British label active in the 1920s and 1930s.AI summary
Winner 5408 Instrumental
Credited to Gross-Bart, performs 'Close your Eyes' and 'Trees' on Winner, a British label active in the 1930s–1950s.AI summary
Winner 5454 Voice
Grosso, recorded 'Thinking of You' and the gospel tune '(Bidgood) Shepherd of the Hills' for Columbia is2011 in the early 1920s.AI summary
Columbia is2011 Dance
Guardsman 2028
Aco 15214
GS Melvin was a performer on the Metropolitan label, a cheap British marque; this pressing carries two comic novelty songs, likely from the late 1920s or early 1930s.AI summary
Metropole 1063 Comic
G. S. Morris with A Pair of Nicky Tams and Muckin' o' Geordie's Byre on Beltona 1573.AI summary
Beltona 1573 Music Hall
The Guardmen recorded 'Don't Take the Blue and White' and 'Night the Floor Fell In' for Theme 116, a British marque of uncertain date and output.AI summary
Theme 116
Guardsman 1083
Guido Deiro, an Italian-American pianist and accordionist, performing 'Karavan' and 'Kismet' on Columbia's A series. Deiro was a popular recording artist in the early acoustic era (1900s–1920s), known for his dexterity on both instruments.AI summary
Columbia A2931 Instrumental
Guido Gialdini is credited on this VF (Victory) label pressing of operatic extracts—"Parla" and music from La Bohème. VF was a short-lived British imprint, and neither the artist nor the specific recordings are well documented.AI summary
Velvet Face 1015 Opera
Guido Gialdini performs two orchestral waltz selections on Operaphone 2552: "Titania" and the "Waltz from The Waltz Dream," likely from the 1920s. Operaphone was a small British label and the conductor is otherwise untraced.AI summary
Opera 2552 Orchestra
His Master's Voice DA570 Instrumental
Guilhermenia Suggia was a celebrated Portuguese cellist of international standing in the early twentieth century. This His Master's Voice recording of the Allemande and Spanish Dances is from the classical DB series, pressing date uncertain but likely 1920s–1930s.AI summary
His Master's Voice DB680 Classical
Guilio Crimi, an Italian tenor, recorded two operatic arias for Vocálion's B-series: "Donna Non Vidi Mai" from *Don Carlos* and "Ninna Nanna" (Lullaby).AI summary
Vocalion B3101
Brunswick 30109 Voice
Giuseppe Danise, an Italian baritone and major operatic singer of the early 20th century, performing two arias from Verdi's *Othello* ('Credo' and 'Nemico della Patria') on Brunswick 50079. Danise was a significant opera recording artist.AI summary
Brunswick 50079 Opera
Giuseppe Danise was an Italian baritone opera singer, active in the early 20th century. 'Avant de quitter ces Lieux' (from La Juive by Halévy) and 'In Provenza il Mar' (from I Vespri Siciliani by Verdi) are operatic arias, recorded on Brunswick 50083, a catalogue number consistent with the 1920s–1930s.AI summary
Brunswick 50083 Opera
Giuseppe de Luca was one of the greatest Italian baritones of the early 20th century, celebrated for his legit, refined tone and his interpretive depth; these arias from Giordano's *Andrea Chénier* and Verdi's *La favorita* document his artistry on His Master's Voice.AI summary
His Master's Voice DB220 Opera
Giuseppina Huguet, a classical vocalist, on a G&T record performing a 'Shadow song'. The catalogue marking indicates this is a sample or test pressing.AI summary
G&T SAMPLE Opera
Giuseppina Huguet, the Spanish soprano, sings from Rossini's 'The Barber of Seville' on a single-sided G&T.AI summary
G&T 053090 Opera
Gunnar Viklund, a Swedish artist, recorded these two Swedish-language songs for Karusell Records, a Swedish label from the 1950s era.AI summary
Karusell K91 Voice
Gus Arnheim led a dance band that recorded for HMV; this side preserves light dance-band material from the late 1920s.AI summary
His Master's Voice B5711 Dance
Gus Elen was one of Britain's greatest music-hall stars of the late 19th and early 20th centuries, known for his cockney character songs and his influence on British popular song; this Decca side captures him late in his career.AI summary
Decca 2721 Music Hall
Gus Elen, a celebrated British coster-song comedian, performing two signature monologues for Decca in the 1930s.AI summary
Decca F3097 Music Hall
Gus Elen, one of the greatest coster comedians of the Victorian and Edwardian music hall — whose 'Wait Till the Work Comes Round' and 'It's a Great Big Shame' defined the genre — appears here alongside George Robey performing 'Mormon's Song' on HMV B466. Elen is a major collected music-hall name, and a coupling with Robey on an early HMV pressing is doubly desirable.AI summary
His Master's Voice B466 Music Hall
Gus Elen, the great cockney coster singer, performs his own ''E Dunno Where 'E Are' and 'Mrs Carter' on Sterno, a British label of the early 1930s.AI summary
Sterno 788 Music Hall
Gus Elen, the cockney music hall star, with If It Wasn't for the 'Ouses in Between and The Golden Dustman on Sterno 789.AI summary
Sterno 789 Music Hall
Gus Elen, the legendary Victorian and Edwardian music-hall star, performing two of his signature comic songs 'It's a Great Big Shame' and 'Arf a Pint of Ale' on Decca F2721, a reissue or late-era recording.AI summary
Decca F2721 Music Hall
Gus Elen, a legendary Cockney music-hall star of the Edwardian era, recorded for Decca: 'Nice Quiet Day' and 'Golden Dustman', both character songs in his tradition.AI summary
Decca F3252 Music Hall
Gus Elen was a famous British music-hall singer and comic. Ariel 2177 records 'Pretty Little Villa Down in Barking' and 'Don't Stop My Arf a Pint o' Beer'; a small early label.AI summary
Ariel 2177 Music Hall
Gus Elen, the great cockney character comedian and music-hall star of the Edwardian era, recorded his signature material for Regal; a collector's item of British variety history.AI summary
Regal MR2630 Music Hall
Gus Elen on His Master's Voice B466, a British music-hall comedian and character vocalist, with 'Wait Till the Work Comes Round' and a piece credited to George Robey.AI summary
His Master's Voice B466 Music Hall
Gus Elen, the great cockney coster singer of 'It's a Great Big Shame' and 'If It Wasn't for the 'Ouses in Between', sings 'Wait Till the Work Comes Round' on a single-sided Gramophone Company disc.AI summary
Gramophone Company 3-2478 Music Hall
Gus Harris with Marriage and, by Jack Charman, Hold Your Hand Out, Naughty Boy on Empire 1698.AI summary
Empire 1698 Music Hall
Gus Harris with Abe-Ab'rams and Hi Hi, I'm Learning the Way to Fly on Popular 1033.AI summary
Popular 1033 Music Hall
Gus Harris appears to have been a music-hall comedian working the patriotic and comic vein during or shortly after the First World War, as both titles suggest. Regal catalogue number 6909 places this in the early 1920s. Harris is not a well-documented name in standard references, and this appears to be an unexceptional Regal pressing of period topical comedy.AI summary
Regal 6909 Music Hall
Gus Harris performs 'Hello Silvery Sea' and 'Whoops Let's Do It Again' on Winner 2451. Winner was the Woolworths budget label and Harris is not a widely recognised recording name; standard budget pressing of modest value.AI summary
Winner 2451 Music Hall
Gus Harris performs 'Telling the Old Old Story' and 'Show Me a Train' on Winner 2489. Winner was the Woolworths budget label; Harris is not a widely recognised recording name and Winner pressings carry only modest collector value.AI summary
Winner 2489 Music Hall
Gus Jenners Duo recorded Hawaiian numbers for Standard Records, a short-lived British label; the Hawaiian repertoire and obscure label suggest a small regional pressing.AI summary
Standard 509 Hawaiian
The Guy Lombardo band, America's leading sweet-music orchestra, recorded for Columbia. Lombardo was enormously popular on both sides of the Atlantic, though his style has dated.AI summary
Columbia CB112 Dance
Columbia 2062D
Guy Lombardo was a Canadian bandleader celebrated for his smooth 'Royal Canadians' orchestra style and his signature rendition of 'Auld Lang Syne'; this Decca record is from his vast recording output.AI summary
Decca SAMPLEXYZ269487 Dance
Guy Lombardo, the Canadian bandleader famous for his 'Sweetest Music This Side of Heaven', was one of the most commercially successful dance band leaders of the 1930s–40s. This Brunswick recording pairs two popular standards from his peak era.AI summary
Brunswick 03567 Dance
Guy Lombardo and his orchestra performing 'Corn Silk' and 'Taking a Chance on Love' on Brunswick 03187. Lombardo was the leading exponent of the sweet-jazz 'Lombardo sound' and remains one of the most recorded bandleaders of all time.AI summary
Brunswick 03187 Orchestra
Guy Lombardo's orchestra, the 'Royal Canadians', performing 'Little Kiss Each Morning' and 'You're My Silver Lining of Love' for Columbia, representing the smooth ballroom dance style that made Lombardo a household name.AI summary
Columbia 5728 Dance
Guy Lombardo and his Royal Canadians, one of the biggest and most commercially successful dance orchestras of the 1920s–1950s, performing two novelty numbers on Brunswick. Lombardo's orchestra was prolific and mass-produced; surviving stock is enormous and the band is widely collected.AI summary
Brunswick 03526 Dance