21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 201 of 452
Harry Bedford performing 'I'll Fight Him for It' and the wartime number 'The Germans Are Coming So They Say' on the Jumbo label, catalogue 94 — an extremely low catalogue number suggesting one of the very earliest Jumbo pressings. Jumbo was a cheap British budget marque; a catalogue number as low as 94 warrants closer examination.AI summary
Jumbo 94 Music Hall
Harry Belafonte, the American folk and calypso singer, recorded 'Annabelle Lee' and 'Venezuela' on Jub, an unidentified label.AI summary
Jubilee 515 Calypso
Harry Belafonte on His Master's Voice B10293, with 'A-Roving' and 'Chimney Smoke'. Belafonte was a hugely popular folk and calypso recording artist from the 1950s onwards, known for his bass-baritone and charismatic presence.AI summary
His Master's Voice B10293 Calypso
Harry Bidgood performing a novelty impression piece related to Maurice Chevalier on Broadcast 665, a minor British label.AI summary
Broadcast 665 Music Hall
Columbia is2004 Misc.
Harry Bidgood and his band recorded these two sides for Broadcast, a small British label, likely in the early 1930s.AI summary
Broadcast 2596 Dance
Harry Bidgood's Band recorded 'Just Friends' and 'My Hiking Girl' for Unison Records 840.AI summary
Unison 840 Dance
Harry Bidgood's band, a British dance orchestra, perform 'Round the Marble Arch' and 'Gypsy Wanderer' on Unison, a small British label. Bidgood and Unison are not widely documented in standard discographies.AI summary
Unison 858 Dance
Harry Bidgood band performing 'S'posin'' and 'Sleepy Valley' on Broadcast, a small British label of the early 1930s.AI summary
Broadcast 2509 Dance
Harry Bidgood's band recorded for Broadcast, the British budget label; this early-1930s pressing of 'Through' and 'Let Me Have My Dreams' represents light orchestral dance repertoire.AI summary
Broadcast 2530 Dance
Harry Bidgood led a British dance band in the early 1930s; this Broadcast label side features two light dances from an obscure and short-lived label.AI summary
Broadcast 2550 Dance
Harry Bidgood's orchestra recorded two light selections on Broadcast Records, a minor British budget label of the 1930s-40s.AI summary
Broadcast 5154 Dance
Harry Bluff with Top o' the Morning and Take Me Up with You Dearie on John Bull 40946/9.AI summary
John Bull 40946/9 Music Hall
Harry Bluff performed 'Shopwalker' and 'Jap' on Winner 2613, likely comic or novelty numbers on a British budget label of the early 1920s.AI summary
Winner 2613 Comic
Harry Bluff with She Only Started Giggling and Other Department Please on Favorite 338.AI summary
Favorite 338 Music Hall
Harry Bluff recorded 'Come and Have a Drink with Me' and 'Waldmere' for Bell, an obscure British label; the titles suggest music-hall or novelty comedy from the 1920s–1930s.AI summary
Bell 42 Music Hall
Harry Bluff is credited on this Winner label pressing from the early 1930s; Winner was a cheap British marque and little is known of this artist or these titles.AI summary
Winner 2004
Harry Bluff on Winner 2004, a comic or novelty recording on a British budget label; Winner Records was a cheap marque and the titles suggest slapstick or domestic comedy.AI summary
Winner 2004 Comic
Harry Bluff sings Tax the Bachelors and I'll Saw His See-Saw Down on John Bull 40710/1.AI summary
John Bull 40710/1 Music Hall
Harry Bluff with I'm the Bailiff to the Caliph and Fishing on Favorite 67238/9.AI summary
Favorite 67238/9 Music Hall
Harry Bluff with Ship Ahoy and I've Got Rings on My Fingers on Klingsor 8641.AI summary
Klingsor 8641 Music Hall
Popular 889 Music Hall
John Bull H29 Music Hall
Harry Bluff on J Bull B, a short-lived British label, with comic material 'I've got rings on my fingers' and 'Flanagan'.AI summary
John Bull B14 Comic
Harry Bluff with Oh the Girls I Left Behind Me and, by C. Denton and H. Scott, We Don't Want a Girl on John Bull H29.AI summary
John Bull H29 Music Hall
Harry Bluff performing 'Country Curate' and 'There Are Nice Girls Everywhere' for Polyphon, a minor British label of the early 1930s—likely novelty or music-hall material.AI summary
Polyphon 8642 Music Hall
Harry Bluff recorded 'The Mayor of Muckedydke' and 'We're All Going to the Seaside' for the J Bullí B label, catalogue 72. J Bullí was a small British label; both titles are comic patter and variety songs typical of Music Hall.AI summary
John Bull 72 Music Hall
Harry Bluff recorded two sea shanties or nautical songs for J. Bullough (JBullH), a tiny British label: 'I'll Be Out in the Lifeboat' and 'Mary Ann She's After Me' (credited to Naish). The artist is obscure and the label extremely rare.AI summary
John Bull H33/32 Music Hall
Harry Bluff on the Invicta label, a minor British imprint of the 1920s. The titles 'Oh Joe I want to go to the Picture Show' and 'I wish I lived next door to you' suggest popular dance or novelty numbers of the period, but neither artist nor recordings are established in discography.AI summary
Invicta 72 Music Hall
Harry Bluff recorded 'I saw 6 short soldiers' and 'Which Switch is the Switch Miss for Ipswich' for Scala, a minor British label. Both are comic or novelty titles typical of the 1920s–30s, with the second a phonetic pun or tongue-twister novelty.AI summary
Scala 709 Comic
Harry Bluff on J Bull 40710, two comic novelty numbers 'Tax the Bachelors' and 'I'll saw his See-Saw down', from the 1920s–30s.AI summary
John Bull 40710 Comic
Harry Bluff recorded two comic novelty pieces, 'Oh Joe I want to go to the Picture Show' and 'Archibald Certainly Not', for JBull, an unidentified British label.AI summary
John Bull 40910/1 Comic
Harry Bluff with Top o' the Morning and Take Me with You Dearie on John Bull 40946.AI summary
John Bull 40946 Music Hall
Harry Bluff with All Clear Out of the Park and, by C. Denton, Why Do You Think I Look So Gay on John Bull 5328.AI summary
John Bull 5328 Music Hall
Harry Bluff on Winner 2669, performing comic or novelty songs 'Salvage Man' and 'Buying a House'. Winner was a cheap British imprint of the 1920s–30s, often used for budget or fill-in material.AI summary
Winner 2669 Comic
Harry Bluff on Winner 2773, with two sketches featuring Cohen making phone calls to his typist and tailor — Jewish-themed comedy monologues on a cheap British label, late 1920s or early 1930s.AI summary
Winner 2773 Comic
Harry Bluff on Winner 2787, two comic monologues from the late 1920s or early 1930s. Winner was a British label of this period.AI summary
Winner 2787 Comic
Harry Bluff on Winner, a cheap British marque. 'The Auctioneer' and 'Outside the Theatre' suggest comic or narrative songs, typical of music-hall inspired material.AI summary
Winner 3951 Music Hall
Harry Bluff recorded 'Living Animals' and 'I Pity Myself I Do' for Columbia D264. Bluff appears to have been a British entertainer, possibly music hall.AI summary
Columbia D264 Music Hall
Harry Bluff with Oh Joe I Want to Go to the Picture Show and Archibald Certainly Not on John Bull 40911/2.AI summary
John Bull 40911/2 Music Hall
Harry Bluff performs 'The Other department please' and 'Our Wedding' on Winner 2004. Winner was a British budget label of the 1920s–1930s; the titles suggest novelty or comic material.AI summary
Winner 2004 Comic
Harry Bluff on Winner, catalogue 2773. 'Cohen phones his typist' and 'Cohen phones his tailor' are Jewish comic-novelty pieces typical of the 1930s British music-hall tradition. Winner was a cheap British label.AI summary
Winner 2773 Comic
Harry Bluff performing 'La la la la' and 'Yip-I-addy-I-ay' (a popular song by Jack Drislane and John H. Flynn) on the Champ label, catalogue 42. The artist Harry Bluff is not a known major recording name.AI summary
Champion 42 Voice
Harry Bluff on Winner Records with the comic sketches 'Shopwalker' and 'Jap', representative of British music hall humour of the 1920s-30s.AI summary
Winner 2613 Music Hall
Harry Bluff on Winner 2841 with 'You Don't Take a Sandwich to a Picnic' and 'At 10 O'Clock at Night'. Winner was a British label of the 1920s–1930s; Bluff's identity is unclear.AI summary
Winner 2841 Music Hall
Harry Bluff recorded 'Tram Conductor' and 'Man Behind the Bar' for Winner, a budget British label. Winner was known for cheap pressings of music-hall novelties in the 1920s–30s.AI summary
Winner 2997 Music Hall
Opera 23 Music Hall
Harry Bluff with Salvage Man and Huntsman on Favorite 361.AI summary
Favorite 361 Music Hall