21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 211 of 452
Harry Roy and his band perform 'On the Night of June Third' and 'Jubilation Rag' on Parlophone's early F series from the early 1930s.AI summary
Parlophone F158 Dance
Harry Roy and his dance orchestra perform two Cole Porter numbers from Anything Goes, 'You're the Top' and 'I Get a Kick Out of You', on Parlophone's F series, the label's mainstream dance catalogue of the 1930s.AI summary
Parlophone F176 Dance
Harry Roy, the British bandleader and saxophonist who led the Mayfair Hotel orchestra through the 1920s and 1930s, recorded 'Believe it, Beloved' and 'Haunting Me' for Parlophone; Roy was known for his hot dance and swing-influenced sides.AI summary
Parlophone F177 Dance
Untitled
A Harry Roy recording on Parlophone; the catalogue number (F2150) and format suggest early 1930s, but side titles are not recorded.AI summary
Parlophone F2150 Dance
Harry Roy and his band on Parlophone, catalogue F458, performing 'Jazz Me Blues' and 'Cheerful Blues'. Roy was a prominent British bandleader and jazz enthusiast of the 1920s-30s.AI summary
Parlophone F458 Jazz
Harry Roy, a British dance band leader, on Decca; the titles suggest novelty or comic dance numbers, likely late 1930s.AI summary
Decca F8802 Dance
Harry Roy was a popular British bandleader and saxophonist of the 1930s-40s, known for his novelty vocal numbers and energetic dance sides. This Regal pressing of 'Mister Brown of London town' and 'Rock a bye baby at twilight' shows his variety repertoire. Regal was a budget label, making surviving copies common.AI summary
Regal MR3526 Music Hall
Harry Roy was a British bandleader, violinist and entertainer of the 1920s–1940s, known for his wit and showmanship; this Regal label side pairs 'Russian Serenade' and 'Yours', likely dance-band or novelty items from the late 1920s or 1930s.AI summary
Regal MR3576 Dance
Harry Roy and his orchestra performing 'Deep in the Heart of Texas' and 'Miss You' on Regal; Roy was a British dance-band leader and accordionist of the 1920s–1940s.AI summary
Regal MR3634 Dance
Harry Roy and his band, with The Cage in the Window and Lily of Laguna on Odeon 194028.AI summary
Odeon 194028 Dance
Harry Roy with Roy Rag and Casa Loma Stomp on Odeon 194159.AI summary
Odeon 194159 Dance
Harry Roy on Regal MR3528, performing 'Russian Rose' and 'Dear Old Lady, London Town'. Roy was a British dance-band leader, popular from the 1930s onward.AI summary
Regal MR3528 Dance
Harry Roy and his band performing 'Goosey' and 'Beer Barrel Polka' on Parlophone. Roy was a well-known British bandleader and entertainer of the 1930s-1940s, famous for his dance-band arrangements and comic timing.AI summary
Parlophone F1452 Dance
The Harry Roy Band was a prominent British dance orchestra of the 1930s and 1940s, known for sophisticated and sometimes risqué entertainment; this Regal record of 'Missouri Scrambler' and 'Overnight Hop' showcases their swing-influenced style.AI summary
Regal MR3607 Dance
Harry Roy Band on Parlophone, a British bandleader known for hot dance music in the 1930s, with 'Heigh Ho' and 'Two Lovely People'—syncopated dance sides from the early 1930s.AI summary
Parlophone F1082 Dance
Harry Roy and his band, a prominent British dance orchestra of the 1930s, recorded novelty numbers for Parlophone's early F-series.AI summary
Parlophone F109 Dance
Harry Roy and his orchestra, one of Britain's leading dance bands, recorded these two big-band sides for Parlophone in the late 1930s; Roy was known for his exuberant showmanship and this is a typical example of his style.AI summary
Parlophone F1204 Dance
Harry Roy was a prominent British dance bandleader and entertainer of the 1930s; this Parlophone recording pairs 'I'm Just Wild About Harry' with 'Talk to Me'.AI summary
Parlophone F1415 Dance
Harry Roy's band on Parlophone F1452 from the 1930s or 1940s.AI summary
Parlophone F1452 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s, known for their tight swing style. This Parlophone F-series side shows the quality of Roy's output, and his recordings remain actively collected.AI summary
Parlophone F1478 Dance
Harry Roy was a prominent British bandleader of the 1930s–40s, known for his theatrical and novelty-oriented approach to dance music. This Parlophone recording pairs two popular standards.AI summary
Parlophone F1596 Dance
Harry Roy's dance band on Parlophone's F series with "Goody Goodbye" and "I Want the Waiter", typical British swing-era entertainment.AI summary
Parlophone F1679 Dance
Harry Roy's band on two popular songs, Parlophone F pressing from the late 1930s. Roy led one of Britain's most prolific dance orchestras.AI summary
Parlophone F2090 Dance
Harry Roy was a British dance bandleader of the 1930s–40s, known for novelty numbers and comedy records; this Parlophone disc from the mid-1930s carries two light numbers.AI summary
Parlophone F2107 Dance
Harry Roy and his band, a popular British dance orchestra of the 1930s, play two ballads—'Avalon' and 'Margie'—on Parlophone. Roy was a prolific recording artist and remained popular throughout the swing era.AI summary
Parlophone F483 Dance
Harry Roy was a well-known British bandleader and entertainer of the 1930s, here recorded by Parlophone with two popular standards from the musical *Pennies from Heaven*. Roy's band was one of the most commercially successful British dance orchestras of the decade.AI summary
Parlophone F666 Dance
Harry Roy's band, one of the most popular British dance orchestras of the 1930s, recorded 'From Monday On' and 'She's Funny That Way' for Parlophone; Roy was a celebrated and prolific recording artist.AI summary
Parlophone F668 Dance
Harry Roy and his orchestra recorded these two sides for Parlophone in the 1930s; Roy's energetic and humorous approach to dance music made him popular across Britain.AI summary
Parlophone R1938 Dance
Parlophone F1299
Parlophone F205
Harry Roy and his band were a leading British dance orchestra of the 1930s; this Parlophone F-series recording pairs novelty and comic titles, and Roy's sides are sought by dance-band enthusiasts.AI summary
Parlophone F130 Dance
Harry Roy was a dance-band leader and entertainer active from the late 1920s through the 1950s; this early Parlophone side captures his swing style.AI summary
Parlophone F131 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s. This Parlophone F-series side captures the band's tight swing style. Roy remains actively collected by British dance-music enthusiasts.AI summary
Parlophone F2107 Dance
Harry Roy and his orchestra recorded these two spirited sides for Parlophone in the 1930s; Roy was known for exuberant, rhythmic dance music and this is a characteristic example.AI summary
Parlophone F411 Dance
Harry Roy and his band on Parlophone F484 with 'That's a Plenty' and 'Someday Sweetheart'. Roy was a celebrated British dance-band leader and saxophonist of the 1920s–30s era.AI summary
Parlophone F484 Dance
Harry Roy and his band, with I'd Rather Lead a Band and Let Yourself Go, two Irving Berlin songs of 1936, on Odeon OF5144.AI summary
Odeon OF5144 Dance
A dance band recording credited to Harry Roy (or possibly 'Rpy' as a print variant) on Decca F8773, dating to the late 1930s. The catalogue number is consistent with late-period swing-era dance sides.AI summary
Decca F8773 Dance
Harry S Pepper on Westinghouse Echo 1015, performing popular songs of the 1920s. The artist is unidentified.AI summary
World Echo 1015 Voice
Harry S. Pepper performing two sentimental popular songs on Wireless Echo Records, catalogue 1025. Wireless Echo was a small British label active in the late 1920s.AI summary
World Echo 1025 Voice
Harry Sculthorpe's Novelty Band recorded 'We're Friends Again' and 'Baby's Birthday Party' for St (Sterno or similar small label), catalogue 698, in the 1920s. Sculthorpe's novelty recordings are uncommon.AI summary
Sterno 698 Dance
Harry Secombe, the Welsh baritone, comedian, and star of the Goon Show, recorded two sentimental love songs, "One Love, One Lifetime" and "I'll Make You Mine", for His Master's Voice; this reflects his recording career alongside his comedy fame.AI summary
His Master's Voice B10512 Personalities (Prs)
Harry Shalson recorded 'Just Imagine' and 'Same as We Used to Do' on His Master's Voice, catalogue B3647. Shalson was a British light comedian and singer of the 1920s–30s era.AI summary
His Master's Voice B3647 Music Hall
Harry Shalson performs two popular sentimental songs for His Master's Voice in the 1920s.AI summary
His Master's Voice B3088 Voice
Harry Shalson, a singer, recorded these two popular songs for HMV's B-series in the early 1930s, capturing the dance-band and light popular repertoire of the period.AI summary
His Master's Voice B3427 Voice
Harry Shalson was a British vocalist; this Brunswick pressing pairs two popular sentimental songs from the very early electrical era, circa 1929–1931.AI summary
Brunswick 118 Voice
Harry Shalson, a British dance-band bandleader and recording artist, recorded 'Souvenirs' for Brunswick. Shalson was active in the 1920s–30s as a prolific sessionman.AI summary
Brunswick 128 Instrumental
Harry Shalson, a British dance-band musician and prolific sessionman of the 1920s–30s, recorded 'The One I love can't be bothered with me' for HMV. Shalson was a working bandleader known for his prolific output.AI summary
His Master's Voice B3427 Dance
Harry Short performing 'You're My Baby' and T Davis's 'Way Down South' on Lyc 0122, a British small-label pressing.AI summary
Lyceum 0122 Voice