21,670 shellac records · mostly British pressings, 1900s–1950s
21,670 records · page 226 of 452
Hylton (Jack Hylton, or his orchestra) recorded 'Yes we have no Bananas' and 'Seven or Eleven' for Zonophone, catalogue 2371, in the early 1920s. Hylton was a leading British bandleader of the era.AI summary
Zonophone 2371 Dance
Jack Hylton's dance band, one of the most prolific British recording ensembles of the late 1920s and early 1930s, performing sentimental dance sides on Zonophone.AI summary
Zonophone 5996 Dance
Jack Hylton, the prominent British dance-band leader, on His Master's Voice performing 'When You & I Were Dancing' and 'Moon Love', from the late 1920s.AI summary
His Master's Voice B1743 Dance
Jack Hylton and the Savoy Orpheans, a major British dance band of the 1920s, performing two dance numbers on HMV B-series; the Savoy Orpheans were a celebrated London hotel orchestra.AI summary
His Master's Voice B1781 Dance
Jack Hylton's Band performing 'Rose of the Moonlight' and 'Eat More Fruit' on His Master's Voice B1959, a late 1920s British dance recording.AI summary
His Master's Voice B1959 Dance
Jack Hylton's dance band on His Master's Voice B5246, performing novelty and swing titles 'Cock a doodle I'm off my Noodle' and 'Blue Train Song'.AI summary
His Master's Voice B5246 Dance
Jack Hylton's dance orchestra recorded 'Good News' and 'Varsity Drag' for His Master's Voice in the late 1920s. Hylton was one of Britain's most successful and professional dance bandleaders of the era, known for large ensemble arrangements.AI summary
His Master's Voice B5506 Dance
Hylton, the pioneering British dance bandleader of the 1920s and 1930s, recorded this His Master's Voice side with two popular dance tunes.AI summary
His Master's Voice BD142 Dance
Jack Hylton was one of Britain's most popular bandleaders and recording artists of the 1920s and 1930s. This Decca release from the F series (electrical recording) features two popular songs of the early 1930s: 'On a Dreamy Afternoon' and the evergreen 'Say It Isn't So'.AI summary
Decca F3240 Dance
Jack Hylton Band, one of Britain's most popular and prolific dance bands of the 1920s-1930s, performing two novelty dance sides on Decca. Hylton's orchestra was ubiquitous on British dance floors and recordings.AI summary
Decca F2672 Dance
Jack Hylton's orchestra on Decca F2672, performing 'Oh What a Night' and 'Tom Thumb's Drum', novelty and dance material from the early 1930s.AI summary
Decca F2672 Dance
The Hylton Band (led by Jack Hylton, one of Britain's most celebrated bandleaders) on Zonophone Records, performing 'On a Cold & Frosty Morning' and 'Life's Desire' — though recorded by a major bandleader, the budget label and mid-range catalogue suggest a reissue or economy pressing.AI summary
Zonophone 5994 Dance
The Hylton Band recorded 'Bitter Sweet' for Zonophone, offering both fox trot and waltz arrangements of the same tune. Jack Hylton's orchestras were among the most prolific British dance bands of the 1920s–30s, recording extensively for multiple labels.AI summary
Zonophone 6014 Dance
Ambrose Hylton and his Hyltonians recorded 'When You Smile' and 'Tinker Tailor' for HMV B5192. These are dance-band recordings by Jack Hylton, Britain's most celebrated bandleader of the interwar era.AI summary
His Master's Voice B5192 Dance
Jack Hylton was a major British dance band leader of the late 1920s-30s, known for sophisticated hot dance and novelty arrangements. This His Master's Voice B5247 pressing features the Hyltonians, his orchestra.AI summary
His Master's Voice B5247 Dance
Ambrose Hylton and his Hyltonians recorded 'Ain't She Sweet' and 'Blame It on the Waltz' (composed by Hylton) for HMV B5211. Jack Hylton was a major British bandleader and composer; 'Ain't She Sweet' was a hit standard.AI summary
His Master's Voice B5211 Dance
His Master's Voice B5101 Dance
The Hylton Kit-Kat was an ensemble associated with Jack Hylton's orchestra, recorded 'That's why I love you' and 'Hugs and Kisses' for His Master's Voice.AI summary
His Master's Voice B5127 Dance
Kit-Kat Hylton on His Master's Voice, a British dance band of the late 1920s–early 1930s, with 'That Night in Araby' and 'June Rose'.AI summary
His Master's Voice B5142 Dance
The Hylton Kit-Kat was a novelty vocal group led by Jack Hylton, the most commercially successful British bandleader of the 1930s; this His Master's Voice coupling is typical of light entertainment fare.AI summary
His Master's Voice B5142 Dance
Jack Hylton's orchestra, led by the popular British bandleader, with vocalist Flo Desmond, perform a medley featuring 'Alexander's Ragtime Band' and character impersonations (C. Mayne, Paul Robeson, Cicely Courtneidge, Ronnie Fox) on His Master's Voice. This is likely from the late 1920s or early 1930s.AI summary
His Master's Voice C2886 Dance
I. and J. Kaufman on Perf 435. Perf was a small British label of the 1920s-1930s. The Kaufmans are unidentified in standard sources, and this early catalogue number suggests a limited pressing from the label's early years. The titles suggest novelty or light comedy material.AI summary
Perfect 435 Personalities (Prs)
I Andresen and E Habich on Parlophone E10670, performing 'Gott Grüsst Euch' and 'Mein Herr & Gott', German-language religious or folk songs. The performers are unidentified; E-series Parlophone records were European issues.AI summary
Parlophone E10670 Voice
I Curwood singing two hymns on Curry's, a small British label, in the early acoustic period.AI summary
Curry's 23 Voice
I Ferraris and C Formichi performing parts 7 and 8 of the Rigoletto quartet from Verdi's opera for Columbia D17735, a long-playing double-sided 12-inch.AI summary
Columbia D17735 Opera
I Ferraris and C. Formichi performing two takes of 'Rigoletto' on Columbia D17747. This represents operatic duet material, likely from the 1920s–30s era, by Italian singers on a British Columbia pressing.AI summary
Columbia D17747 Opera
Ignacy Jan Paderewski (1860–1941), the legendary Polish pianist and composer, recorded Schumann's Aufschwung for His Master's Voice; Paderewski was among the most recorded artists of the acoustic and early electrical eras.AI summary
His Master's Voice 2-044506 Classical
Isabel Jay, the Savoy soprano who became a musical-comedy star, sings 'A Marriage Has Been Arranged' with Louis Bradfield on a single-sided G&T.AI summary
G&T 4372 Voice
Isabel Jay, the Savoy soprano who became a musical-comedy star, sings the duet 'You and I' with Louis Bradfield on a single-sided G&T.AI summary
G&T 4373 Voice
I. Jones recorded 'Dreamy Paradise' and 'Sweet Woman' for Brunswick, catalogue 5028. The artist is identified by initials only and is not known from major recording careers.AI summary
Brunswick 5028 Voice
I Jones, credited on His Master's Voice B6300, performing 'One Little Word Led to Another' and an arrangement of Bestor's 'My Darling'. Limited information available about this artist.AI summary
His Master's Voice B6300 Voice
I. Jones recorded 'Virginia Blues' and 'You're Only a Baby' for Brunswick, catalogue 2195, in the late 1920s.AI summary
Brunswick 2195 Voice
I Jones recorded for Brunswick in what appears to be the 1920s or early 1930s; 'Those longing for you blues' and 'After the Rain' suggest light popular ballad or blues-inflected material.AI summary
Brunswick 2243 Voice
I Jones credited on Brunswick 2244, apparently a blues or spiritual artist; the titles suggest blues or folk material from the 1920s–1930s.AI summary
Brunswick 2244 Dance
I Jones recorded 'Sun God' and 'High Brown Blues' for Brunswick (2271), an American label, likely dating to the 1920s. The titles suggest blues or jazz repertoire, but the artist is not identified.AI summary
Brunswick 2271 Dance
I Jones performing 'Don't Bring Me Posies' and 'Some Sunny Day' on Brunswick 2274 — a mid-period Brunswick pressing.AI summary
Brunswick 2274 Voice
I Jones performing 'My Honey's Loving Arms' and 'Nobody Lied' on Brunswick 2301.AI summary
Brunswick 2301 Voice
I Jones recorded these two blues-influenced pieces for Brunswick 2358 in the 1920s, a prolific session musician with numerous minor labels.AI summary
Brunswick 2358 Jazz
I Jones performed these two blues and jazz-influenced popular songs for Brunswick, a major American and British label; Brunswick 2374 places it in the mid-to-late 1920s.AI summary
Brunswick 2374 Jazz
I. Jones recorded these blues and vocal jazz numbers for Brunswick. The titles and style suggest American jazz-blues material of the late 1920s, though the artist is not widely documented in jazz reference works.AI summary
Brunswick 2400 Jazz
I Jones on Brunswick 2412 with 'That Red Head Gal' and 'Sweet One', a dance-band recording from the late 1920s.AI summary
Brunswick 2412 Dance
I Jones playing 'Foolin around' and 'By the Shalimar' on Brunswick 2420. A blues or jazz item on a Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 2420 Jazz
I. Jones recorded 'Swingin down the Lane' for Brunswick. The artist is unidentified; the title suggests a 1920s–30s dance or novelty recording.AI summary
Brunswick 2438 Dance
I Jones recorded 'Someone else walked right in' and 'Blue Hoosier Blues' for Brunswick, catalogue 2456. The title 'Blue Hoosier Blues' suggests American blues or race-record material reissued in the UK, but artist identity is unknown.AI summary
Brunswick 2456 Dance
I Jones recorded 'Somebody's Wrong' and 'Easy Melody' for Brunswick 2500 in the 1920s, part of the prolific Brunswick catalogue from this period.AI summary
Brunswick 2500 Dance
I Jones (identity unclear) on Decca F2971 performing 'Keepin' Out of Mischief Now' and a sweet duet arrangement of 'We Will Always Be Sweethearts'. The catalogue number places this in the mid-1930s.AI summary
Decca F2971 Voice
I Jones playing 'Wabash blues' and 'Ma' on Brunswick 5065. A blues title on a Brunswick catalogue number from the mid-1920s acoustic era.AI summary
Brunswick 5065 Jazz
I Jones on Brunswick 2738, a dance side from the late 1920s with 'Land o' Lingo blues' and 'Tell me dreamy Eyes'.AI summary
Brunswick 2738 Dance