21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 257 of 452
John Thorne recorded 'Spanish gold' and 'One of the guards' for Aco(G), a small British label.AI summary
Aco G16017
John Thorne was an unidentified British or American singer or performer, probably of the late nineteenth or early twentieth century. 'Thou Art Risen My Beloved' is a hymnal or sacred song, and 'Epitaph etc' suggests a recitation. This Aco G16064 pressing is from an obscure label and era.AI summary
Aco G16064 Voice
John Thorne recorded 'From Inverness to Fell' and 'Lute Player' for Aco (Acolian), a British label of the 1920s–1930s.AI summary
Aco G16085
John Thorne, credited on VocX (catalogue 10025), performing 'When Britain Really Ruled the Waves' and Buckley's 'Sentry's Song' — patriotic or military-themed material, likely from the 1920s–1930s. Limited information available about this artist.AI summary
Vocalion X10025 Voice
John Thorne performing 'Haul Away Joe Bound for the Rio Grande' and 'Shenandoah Billy Boy' on Aco 15824. Aco was a British label, and this record features sea shanties and traditional folk songs in a mid-20th-century arrangement.AI summary
Aco 15824 Voice
John Thorne on Winner Records, a British label active from the 1910s-30s, with the spiritual 'O Lord send us the Sunshine' and 'River stay 'way from my Door'.AI summary
Winner 5270 Voice
John Tilley on Columbia DB1265, performing 'The Loch Ness Monster' on both sides. This is a comic novelty recording about the famous Scottish cryptid, likely from the 1930s-40s.AI summary
Columbia DB1265 Comic
John Tilley recorded a novelty song about the Loch Ness Monster for Columbia—a comic or topical piece from the early 1930s.AI summary
Columbia DB1265 Comic
John Tilley on Imperial 2741, with 'Army estimates', a comic or spoken-word piece.AI summary
Imperial 2741 Comic
John Tilley on Columbia DB1265, performing 'The Loch Ness Monster', an apparently novelty or comic recording. Tilley is unidentified in standard sources, and this appears to be a routine Columbia release of the 1940s era.AI summary
Columbia DB1265 Comic
John Tilley recorded 'Missus Lowsborough Goodby' and 'Cycling' for Columbia, catalogue DB1508, in the late 1920s or early 1930s. Tilley was a monologist or comedy-spoken-word performer.AI summary
Columbia DB1508 Comic
John Tilley recorded 'Anti-Arson Squad' in two parts for Columbia. The title and catalogue number suggest a topical or novelty item from the 1930s–40s; Tilley is not documented.AI summary
Columbia DB1294 Music Hall
A spoken-word recording by John Tilley on the Imperial label, catalogue 2741. Imperial was a minor British marque of the 1920s–30s.AI summary
Imperial 2741 Personalities (Prs)
John Tilley recorded a novelty song about the Loch Ness Monster for Columbia (DB1265), a British label recording during the mid-1930s when monster stories were in vogue. Tilley was a minor music-hall entertainer.AI summary
Columbia DB1265 Music Hall
John van Zyl recorded 'Ek sing van de wind' and 'Sarie Marais'—South African Afrikaans folk songs—for His Master's Voice; van Zyl was likely a South African artist recording material for the South African market or for British release aimed at Commonwealth listeners.AI summary
His Master's Voice FJ19 Voice
John Watt's Songs from the Films, a collection from animated or film material on Decca. Watt was a British composer and songwriter of light music; this side represents the commercial film-music market of the 1940s–50s.AI summary
Decca F5462 Instrumental
John Watt's Songs from the Films perform 'Three little Pigs' on Decca F5312. Watt's groups recorded extensively for Decca in the 1930s and 1940s, often performing novelty and film-song material; 'Three Little Pigs' was a popular children's novelty of the mid-1930s.AI summary
Decca F5312 Voice
John Watt's Songs from the Films with Three Little Pigs in two sides on Decca F5312.AI summary
Decca F5312 Personalities (Prs)
John Watt's Songs from the Films, a British vocal group, performs 'Grasshopper & the Ants' and another track on Decca F5462. Watt's groups recorded extensively for Decca in the 1930s and 1940s, often featuring material from contemporary films.AI summary
Decca F5462 Voice
John Watts recorded songs from feature films for Decca. 'Pied Piper' is likely the Bing Crosby hit or a film-song cover; this Decca K755 pressing is from the label's film-song catalogue.AI summary
Decca K755 Voice
John Witwer Trio recorded traditional jazz on Exner, a small American label of uncertain date.AI summary
Exner 2 Jazz
MGM 309
Johnnie Francis recorded 'Funny Thing' and 'Give Me the Right' for Decca, catalogue F10440, likely from the late 1950s.AI summary
Decca F10440 Voice
Johnnie Ray with A Heart Comes in Handy and Who's Sorry Now on Philips PB546.AI summary
Philips PB546 Voice
Johnnie Ray with Ain't Misbehavin' and Walk Along with Kings on Philips PB580.AI summary
Philips PB580 Voice
Johnnie Ray with Just Walking in the Rain and In the Candlelight on Philips PB624.AI summary
Philips PB624 Voice
Johnnie Ray with I Miss You So and So Long on Philips.AI summary
Philips Voice
Johnnie Ray with Yes Tonight, Josephine and No Wedding Today on Philips B22056H.AI summary
Philips B22056H Voice
Johnnie Ray and Jessie Matthews with Let's Walk That-a-Way and Candy Lips on Philips PB157.AI summary
Philips PB157 Voice
Regal Zonophone MR3815 Dance
Johnny Aubert plays Schumann's Kinderszenen in two parts on Polydor B67105/107.AI summary
Polydor B67105/107 Classical
Columbia 20502 Country
Johnny Brandon with Tomorrow and High as a Mountain on Polygon P1131.AI summary
Polygon P1131 Voice
Johnny Carroll, an early rockabilly and rock-and-roll performer, recorded 'Hot Rock' and 'Crazy lovin' for Brunswick 05603, an important document of British or early American rock and roll from the mid-1950s.AI summary
Brunswick 05603 Rock
Johnny Dankworth, a British jazz vibraphonist and bandleader, recorded "Experiments with Mice" and "Applesauce" for Parlophone R4185 in the early 1950s.AI summary
Parlophone R4185 Jazz
Johnny Dodd's Chicago Footwarmers were a jazz band of the 1930s. This Columbia DB-series side pairs two Afro-American jazz pieces: 'Grandma's ball' and 'Ballin a jack', representing the hotter end of 1930s swing repertoire.AI summary
Columbia DB3131 Jazz
Johnny Dodds was a New Orleans clarinetist and one of the most influential voices in early jazz. Vocalion V1025 ('Oh Lizzie' and 'Clarinet Wobble') is a classic hot-jazz recording.AI summary
Vocalion V1025 Jazz
Johnny Dodds was one of the finest New Orleans jazz clarinettists of the 1920s, recording with King Oliver and Louis Armstrong; this pressing on the "American" label appears to be a later specialist reissue of his sides rather than a first pressing.AI summary
American V2 Jazz
Johnny Dodds was a New Orleans clarinetist (1892–1940) who defined the classic New Orleans jazz style; this Brunswick pressing of '29th and Dearborn' and 'Blues Galore' places him among the most important figures in early jazz.AI summary
Brunswick 03205 Jazz
Johnny Dodds, the New Orleans clarinetist and key member of King Oliver's and Jelly Roll Morton's groups, is credited here on Columbia DB3131, though the catalogue number and date require verification.AI summary
Columbia DB3131 Jazz
Johnny Dodds, the New Orleans clarinettist, plays 'Joe Turner Blues' and 'When Rastus Plays His Old Kazoo' on British Vocalion.AI summary
Vocalion V1022 Jazz
Johnny Dodds, the New Orleans clarinetist and a pioneering hot jazz musician, performing 'Goober Dance' and 'Too Tight' on His Master's Voice, recorded in 1929.AI summary
His Master's Voice B10419 Jazz
Johnny Dodds, the New Orleans clarinettist of King Oliver's and Louis Armstrong's bands, performing "Careless Love" and "19th Street Blues" — though the unfamiliar "American" label and low catalogue number here suggest this may be a later reissue rather than the original Brunswick/Vocalion pressing.AI summary
American V1 Jazz
Johnny Dodds, the New Orleans clarinettist, plays his 1927 'Wild Man Blues', backed by Sharkey Bonano with 'I'm Satisfied with My Girl', in British Vocalion's Swing Series.AI summary
Vocalion S231 Jazz
Johnny Dodds, the New Orleans clarinettist, with 'New Orleans Stomp' and 'Weary Blues', both from his 1927 Chicago recordings, on British Vocalion.AI summary
Vocalion V1008 Jazz
Johnny Dodds was the clarinettist in King Oliver's and Louis Armstrong's bands and one of the defining voices of New Orleans jazz; this Vocalion disc carries his own-name recordings 'Clarinet Wobble' and 'Oh Lizzie'.AI summary
Vocalion V1025 Jazz
Johnny Dodds on Brunswick 03168, the New Orleans clarinettist, with 'Gravier street blues' and 'Red onion blues', seminal early jazz.AI summary
Brunswick 03168 Jazz
Johnny Duncan, a Scottish country and novelty singer, recorded for Columbia; "Last Train to San Fernando" was a chart hit in the UK in 1957.AI summary
Columbia DB3959 Country