21,557 shellac records · mostly British pressings, 1900s–1950s
21,557 records · page 288 of 450
Novelty instrumental sides by Lord Rockingham's XI on Decca (catalogue F11024). This recording dates to the mid-1950s. Lord Rockingham's XI was a British rock and roll novelty group that became notorious for one hit; these sides are less well-known.AI summary
Decca F11024 Rock
Lord Rockingham's XI, the novelty instrumental group, perform 'Wee Tom' and 'Lady Rockingham I presume' on Decca. This is likely from the 1950s when the group was active.AI summary
Decca F11104 Instrumental
Lord Rockingham's XI on Decca F11139, performing a novelty two-sided recording. This ensemble and record title are from the 1950s skiffle and novelty recording era.AI summary
Decca F11139 Rock
Lorenzi on Columbia performing 'We've Got Rhythm', a popular song from the 1930s.AI summary
Columbia FB1418 Voice
Lorenzi, recorded 'After You've Gone' and 'Some of These Days' for Columbia FB1168: a singer or musician untraced in major discographies.AI summary
Columbia FB1168 Dance
Lorenzi on Columbia FB1406 with novelty instrumental items 'Celebratin'' and 'The Whistling Waltz'; an unidentified performer on Columbia's budget FB series.AI summary
Columbia FB1406 Instrumental
Lorenzi performing 'Miss Annabelle Lee' and 'I'll see you in my dreams' for Columbia, FB1358. Both are popular standards; Lorenzi is unidentified.AI summary
Columbia FB1358 Voice
Lorenzi performing 'We've Got Rhythm' on Columbia, circa early 1930s.AI summary
Columbia FB1418 Voice
Eclipse 502
Lorrae Desmond recorded 'Don't' and 'Where will the Dimple be' for Decca. These are light sentimental songs from a recording artist whose wider career is not well documented.AI summary
Decca F10510 Voice
Lorry Raine with Love Me Tonight and What Would I Do on London HL8132.AI summary
London HL8132 Voice
Los Clippers Orchestra performing two Latin-American novelty numbers on Decca. The outfit is unidentified, but the repertoire and catalogue number suggest a mid-1950s London or European pressing.AI summary
Decca C16017 Dance
LoScalzo recorded two medley pieces for Pathé: 'Songs of Other Days' and 'Southland'.AI summary
Pathé 1067 Orchestra
Joe Loss, the popular British dance-band leader, performing 'Ode to Spring' and 'Why Don't You Look Me Up' on an ENSA label disc, catalogue 190. ENSA (Entertainments National Service Association) produced records for the British armed forces during the Second World War; pressings on this label were not commercially distributed and are genuinely uncommon.AI summary
ENSA 190 Dance
Loss performing 'It's Always You' on His Master's Voice BD5669, from the late 1930s.AI summary
His Master's Voice BD5669 Voice
Loss (or The Loss Ensemble) recorded 'Miss You' and 'Charmaine' for His Master's Voice's budget POP line, circa 1950s — a post-war popular record, likely representing light orchestral or dance-band repertoire.AI summary
His Master's Voice POP507 Dance
Untitled
Parlophone PXO1013
Lotte Lehmann, the great Austrian-American soprano, recorded extended excerpts from Wagner's *Tristan and Isolde* and *The Valkyries* on Parlophone. These are from her celebrated operatic repertoire.AI summary
Parlophone 20122 Opera
Lotte Lehmann, the celebrated Austrian Lieder and operatic soprano, recorded 'Entrance of Butterfly' from Puccini and 'Pamina's aria' from Mozart for Parlophone in the early 1930s.AI summary
Parlophone PO157 Opera
Lotte Lehmann, one of the greatest lyric sopranos of the 20th century and a towering interpreter of Lieder and opera. Parlophone R20014 records 'Dei Primo Piento' and 'In Questa Reggia', capturing a legendary voice.AI summary
Parlophone R20014 Opera
Lotte Lehmann, the celebrated Austrian lieder and operatic soprano, performing Leonore's Aria (two parts) on Parlophone PXO1013. Lehmann was one of the preeminent vocal artists of the 20th century.AI summary
Parlophone PXO1013 Opera
Lotte Lehmann, the great Austro-German mezzo-soprano, singing Schubert's 'Aufträge' and 'Nussbaum' on Parlophone RO20071, a foreign repertoire series of the 1930s.AI summary
Parlophone RO20071 Opera
Lotte Lehmann, the celebrated Austrian soprano and Lieder specialist, performs two of the most famous German art songs: Schubert's 'An die Musik' and 'Du Bist die Ruh'. This Parlophone recording captures one of the greatest interpreters of the repertoire.AI summary
Parlophone RO20051 Classical
Lotte Lehmann, an internationally celebrated soprano, recorded 'We All Believe in One God' and 'Come Holy Ghost' for Parlophone—sacred vocal music from one of the greatest singers of the 20th century.AI summary
Parlophone 20320 Voice
Lotte Lehmann, the celebrated Austrian mezzo-soprano of the lieder and operatic repertoire, performing German art song on Parlophone.AI summary
Parlophone PO163 Classical
Lotte Lehmann was a celebrated Austrian-American soprano and lieder interpreter; these are Schubert songs recorded for the British Parlophone label, preserving her intimate vocal art on disc.AI summary
Parlophone RO20061 Opera
Lotte Lehmann, the legendary Austrian mezzo-soprano and lieder interpreter, recorded both sides as "Arabella" for Parlophone, likely two movements from Richard Strauss's opera of that name.AI summary
Parlophone RO20237 Opera
Lotte Lehmann was an Austrian dramatic soprano (1888–1976) of international standing, celebrated for her Lieder and Wagner roles; this Parlophone pressing of sacred vocal music is from the late acoustic or early electrical era.AI summary
Parlophone RO20309 Opera
Lotte Lehmann and Jan Kiepura in duets from the third act of Puccini's 'Tosca' on Parlophone.AI summary
Parlophone R20048 Opera
Lotte Lehmann, the Austrian-American soprano, and Lauritz Melchior, the Danish tenor, recorded a duet from Schubert's 'Schwanengesang' for His Master's Voice (1716). This pairing represents two of the greatest singers of the mid-20th century.AI summary
His Master's Voice 1716 Opera
Lotte Lehmann, one of the greatest opera singers and Lieder interpreters of the 20th century, performing a duet with the legendary Lauritz Melchior, the greatest Wagnerian tenor of the era, on His Master's Voice—a meeting of two canonical voices.AI summary
His Master's Voice DA1717 Opera
Lotte Lehmann, Richard Tauber and others from the German operatic world recorded the Finale of Act 2 from Die Fledermaus on Parlophone PXO1032, a deluxe issue.AI summary
Parlophone PXO1032 Opera
Lou Abelardo singing two popular sentimental ballads on Decca F1855 from the late 1930s.AI summary
Decca F1855 Voice
Lou Abelardo on Decca F1751, performing ballads 'With You' and 'Just Can't Be Bother with Me'.AI summary
Decca F1751 Voice
Lou Abelardo on Decca performing popular ballads from the 1930s. 'Singing a Vagabond Song' is a romantic sentimental number of the period.AI summary
Decca F1778 Voice
Lou Abelardo recorded 'Should I' and 'Blue Melody' for Decca, catalogue F1827, in the 1930s. An obscure vocalist on a major label.AI summary
Decca F1827 Voice
Lou Abelardo recorded two popular ballads—'It Happened in Monterey' and 'When It's Springtime in the Rockies'—for Decca, catalogue F1855, likely in the 1930s.AI summary
Decca F1855 Voice
Lou Abelardo performing jazz-influenced popular songs on Decca, early in the label's history. 'Exactly Like You' was a standard of the period.AI summary
Decca F1896 Voice
Decca F1592 Personalities (Prs)
Lou Abelardo credited on Decca F1603, performing 'If I had a Talking Picture of you' and 'In the Moonlight', popular songs of the early 1930s.AI summary
Decca F1603 Voice
Lou Alter on Columbia 4131. Alter was a prolific 1920s–30s songwriter and performer, but this specific record is not clearly identified beyond the catalogue number.AI summary
Columbia 4131 Misc.
Lou Bernard recorded 'C'est comme ça qu'ça commence' and 'Le Complet Gris' for Chant—French popular songs by an untraced performer on a minor British label.AI summary
Chant 1529 Voice
Capitol CL14592 Jazz
Lou Gold on 'Just the Same' and 'Dawn of Tomorrow'. Released on Bell Records 514, a short-lived small British label of the late 1920s.AI summary
Bell 514 Dance
Lou Gold recorded 'Pretty Cinderella' and 'Black Bottom' for Winner, a budget label; Lou Gold was a well-known accordionist and bandleader of the 1920s–1930s, though this particular side is not among his best-known recordings.AI summary
Winner 4569 Dance
Lou Gold's orchestra recorded two popular ballads on Harmonic, a minor budget label identifiable from the catalogue number as early pressing, likely mid-1920s or earlier.AI summary
Harmony 124 Dance
Lou Gold was a dance-band leader who recorded extensively in the 1920s. This Rom-label pressing offers two standard dance numbers from the hot-jazz era. Rom was a minor British imprint with low output.AI summary
Romeo 1159 Dance
The Lou Gold Band on Rom 1304, performing 'Longing Just for You' and 'I'm in the Market for You' (credited to Lanin). Lou Gold was an American dance bandleader of the 1920s; Rom was a minor British label.AI summary
Romeo 1304 Dance