21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 302 of 450
Maria Victoria recorded fado material for Disco Simplex, a Portuguese or Spanish marque. Fado is Portuguese folk music, and this pressing represents early world-music recording on a regional label.AI summary
DiscoSimplex 48601 Voice
Maria von Basilides, an Austrian mezzo-soprano known for Lieder and sacred music, performing Bach's 'Ave Maria' and 'Geistliches Wiegenlied' on Parlophone E10989. Basilides was a noted concert artist of the 1920s and 1930s.AI summary
Parlophone E10989 Classical
Maria Zamboni on Columbia, this pressing of 'Cui si spesso' and 'La Tua nonla mano' is an operatic soprano's Italian aria coupling.AI summary
Columbia D12565 Opera
Marian Anderson, the celebrated American contralto, singing two spirituals, "Heav'n, Heav'n (I Got a Robe)" and "Sometimes I Feel Like a Motherless Child", issued on the little-documented Phonycord label.AI summary
Phonycord 94 Voice
Marian Caruso sang 'A Little Lie' and 'In the Old Willow Tree' for Jubilee 6049. Jubilee was a small British label active in the 1930s-1950s.AI summary
Jubilee 6049 Voice
Marie Benson with Twenty Tiny Fingers and I Wish We Were Sweethearts Again on Philips PB512.AI summary
Philips PB512 Voice
Marie Benson, credited on a Philips Phonographic Bulletin issue, performing popular sentimental material in the mid-20th century.AI summary
Philips PB431 Voice
Marie Benson with Oh! What a Day and One Girl, One Boy on Philips PB555.AI summary
Philips PB555 Voice
Marie Bryant, an American novelty and blues vocalist, performing two uptempo novelty numbers on Monogram, a minor American label; the material reflects the race-record and novelty traditions of the early 1930s.AI summary
Monogram 888 Jazz
Marie Bryant, an African-American singer, performing 'Tomato' and 'Rhumboogie Anna' on Lyragon J701, a UK reissue of her swing-era recordings.AI summary
Lyragon J701 Jazz
Marie Bryant, the American singer and dancer, with 'Banana Woman', backed by the Vincentian trumpeter Shake Keane's 'Creole Honey', on Lyragon, a London label of the 1950s for Caribbean music.AI summary
Lyragon J726 Calypso
Marie Burke recorded two sentimental ballad sides for Columbia. Burke was a British musical theatre performer and singer active in the mid-20th century.AI summary
Columbia 5348 Voice
Marie Burke was a British soprano and musical-theatre performer of the 1920s-30s, and this Columbia recording captures her in two romantic ballads typical of her repertoire.AI summary
Columbia 5375 Voice
Marie Burke and Dennis Noble performing waltzes from the operetta Vienna on Columbia, a duet recording of the 1940s–50s.AI summary
Columbia DB620 Opera
Marie Delna on CRS label 42, a French contralto, singing operatic or dramatic repertoire ('Ah mon fils' and 'Berceuse').AI summary
CRS 42 Opera
Marie Dietrich performing 'Gnadenarie' and the Salut demeure aria (Rosanov arrangement) on Beka, catalogue 8389. Beka was a major European label of the acoustic era.AI summary
Beka 8389 Opera
Marie Dietrich, presumably the famous cabaret and film star, performing classical vocal work on the Beka label, an early German pressing.AI summary
Beka 8390 Voice
Marie Dietrich recorded German vocal music ('Viljalied', 'Gnaden arie') for Homocord Records. The catalogue number and label place this in the 1920s–1930s German or European market.AI summary
Hom 1446 Voice
Marie Emskaja sings 'Troika' and 'Dich werde ich lieben' on Anker, a German or Central European label. Catalogue number 150 is very low and suggests an early pressing, possibly acoustic-era. Emskaja does not appear in standard reference discographies, making this difficult to value without further research.AI summary
Anker 150 Voice
Favorite 1-66027 Music Hall
Marie Gotze singing two German art songs—'Ach ich habe sie verloren' and the 'Spinning Song' from *La Dame Blanche*—on Beka 8378.AI summary
Beka 8378 Voice
Marie Götze sings Segens-Arie and Gebet on Gramophone Company 043105, a single-sided issue.AI summary
Gramophone Company 043105 Opera
Marie Gotze recorded German art songs—"Sieh mein Herz" ("Behold My Heart") and "O Lieb, mein hass steh'"—for GC, a small German label. The catalogue number -43883 suggests an early acoustic recording from the 1920s.AI summary
Gramophone Company -43883 Voice
Marie Hall, a celebrated British violinist, recorded Rameau's 'Sarabande et Tambourin' on His Master's Voice. The HMV 2-prefix catalogue number indicates a classical acoustic recording from the late 1920s–early 1930s.AI summary
His Master's Voice 2-07953 Classical
Marie Hall was a British violinist prominent in the 1930s–1950s; Le Cygne (The Swan) is Saint-Saëns' most famous miniature, and this HMV recording captures one of Britain's leading string soloists.AI summary
His Master's Voice 3-7972 Classical
Marie Hall, the English violinist to whom Vaughan Williams dedicated 'The Lark Ascending', plays an excerpt from the finale of Mendelssohn's Violin Concerto on a single-sided G&T.AI summary
G&T 7990 Classical
Marie Hall, the English violinist to whom Vaughan Williams dedicated 'The Lark Ascending', plays Raff's 'Cavatina' on a single-sided G&T.AI summary
G&T 07902 Classical
Marie Hall was a celebrated British violinist and concerto soloist of the early 20th century; this His Master's Voice 78 is a solo violin recording of 'Jota Aragonesa', a Spanish showpiece.AI summary
His Master's Voice 2-07956 Instrumental
Marie Hall was a celebrated British violinist and professor at the Royal Academy of Music. This His Master's Voice recording of Bach's "Cavatina" (catalogue 07972) dates to the acoustic era, circa 1920–1925, and represents an important early recording of Bach on the violin.AI summary
His Master's Voice 07972 Classical
Marie Kendall, a British music-hall star of the Edwardian and inter-war periods, singing 'Memories' on Decca catalogue F5169, likely a 1930s–1940s pressing.AI summary
Decca F5169 Music Hall
Marie Lloyd was the greatest star of the Victorian and Edwardian music hall, and any recording under her name commands serious collector attention. This Regal pressing, catalogue 7263, contains 'Revue' and 'Now You've Got the Khaki On'. Regal was a Columbia subsidiary used for cheaper pressings; Lloyd's recordings on any label are among the most sought in British music-hall collecting.AI summary
Regal 7263 Music Hall
Marie Lloyd, the greatest British music-hall and variety star of the late Victorian and Edwardian era, recorded two of her signature comic songs for Regal: "Every Little Movement Has a Meaning of Its Own" and "The Coster Girl in Paris". Lloyd was an institution in British popular entertainment and her recordings remain highly sought after.AI summary
Regal T897 Music Hall
Broadcast 518 Music Hall
Marie Lloyd Jr., daughter of the iconic British music-hall star Marie Lloyd, performing 'Wink of the Old Glad Eye' and 'Coster's Wedding' on the Broadcast label 547.AI summary
Broadcast 547 Music Hall
This Winner pressing is a memorial or tribute record featuring Alice Lloyd, Rosie Lloyd, Marie Lloyd Jr and Daisy Wood — members of Marie Lloyd's family and circle — likely issued around the time of Marie Lloyd's death in 1922 or shortly after. Winner was a budget label of the early 1920s. A tribute disc featuring this cluster of names in a family memorial context is an unusual historical document of the music-hall world.AI summary
Winner 5623 Music Hall
Marie Morrisey on Brunswick 10154, performing 'Cradle song' and 'Rosary'—sentimental ballads from the pre-electrical era.AI summary
Brunswick 10154 Voice
Marie Novello performing Beethoven's 'Moonlight Sonata' on the VF label, a short-lived British imprint of the 1920s-1930s, catalogue 529.AI summary
Velvet Face 529 Classical
Marie Novello recorded 'Norwegian Bridal Procession' and 'The Rustle of Spring', classical piano pieces, for Winner, catalogue 3424. Winner was a secondary British label. The pianist Novello is not a known name in major recorded repertoire.AI summary
Winner 3424 Classical
Marie Novello recorded instrumental or light orchestral material for Winner, a small British label. The titles suggest salon piano or orchestral arrangements typical of the early 20th century. Winner was a budget imprint, and pressings are generally common.AI summary
Winner 3768 Orchestra
Marie Rappold, a soprano active in the 1910s–20s, recorded two classical vocal standards: Gounod's 'O Divine Redeemer' and a medley from Flotow's 'La Dame Blanche' ('Last Rose of Summer'). Rappold was a concert and operatic singer of the early acoustic period.AI summary
Edison 4478/862 Opera
Edison Diamond 82536
Soprano Marie Rappold with violinist Albert Spalding in an 'Ave Maria' on an Edison Diamond Disc. These thick vertical-cut discs need an Edison machine or a suitable stylus to play.AI summary
Edison Diamond 82536 Classical
Marie Spink on Columbia 667, a whistling novelty recording 'Zig zag Whistling selection' in two parts, from the early 1900s–10s.AI summary
Columbia 667 Misc.
Marie Sundelius, a soprano of the early 20th century, performing the classical solo 'Elegie' for Vocallion 30147.AI summary
Vocalion 30147 Classical
Marie Titiens singing an operatic or classical aria on Fav (Favorite), a budget British label. Both sides are the same title, suggesting a single-sided performance split across two sides.AI summary
Favorite 66022/3
Marie-Thérèse Gauley, a French soprano, singing both sides of 'Les Noces de Jeannette' (The Wedding of Jeannette), a popular mid-19th-century opéra comique by Victor Massé, on Pathé X.2255.AI summary
Pathé X.2255 Opera
Marilyn Monroe recorded 'Heat Wave' and 'After you get what you want' for His Master's Voice in the early 1950s, from her early film and recording career before she became a major star.AI summary
His Master's Voice B10847 Voice
Marilyn Monroe performs 'I'm Gonna File My Claim' and 'River of No Return' on His Master's Voice B10723. These songs are from the 1954 film of the same name.AI summary
His Master's Voice B10723 Voice