21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 314 of 450
Miller on Brunswick 2830, performing 'Tessie' and 'Will you remember me', from the 1920s or early 1930s dance-band era.AI summary
Brunswick 2830 Dance
An artist credited as 'Miller' on Brunswick 3676, performing 'Yep I long about June' and 'Blue baby'. Without fuller identification, this cannot be placed precisely.AI summary
Brunswick 3676 Voice
A dance band recording on Brunswick of the jazz standard 'I wish I could shimmy like my Sister Kate', from the early 1920s.AI summary
Brunswick 3731 Dance
An artist credited as 'Miller' recorded two sentimental ballads for Brunswick: 'My Beautiful Rose' and 'I'm Sorry Sally'.AI summary
Brunswick 4108 Voice
A popular song recorded by Miller on Brunswick 4194, from the dance-band era of the early 1930s.AI summary
Brunswick 4194 Dance
A recording artist credited only as Miller performing popular standards on Brunswick. The catalogue number and era suggest 1930s dance-band material.AI summary
Brunswick 3892 Dance
Miller on Brunswick, catalogue 3975, a popular vocal ballad from the late 1920s or early 1930s. Mass-market Brunswick pressing.AI summary
Brunswick 3975 Voice
Miller and Harvey on the obscure VF label with 'The Ghost of the Violin' and 'There's a Girl in Havana'. The VF imprint is not identified in standard discographies, and almost nothing is known about this recording or the artists.AI summary
Velvet Face 1204
The Mills Blue Rhythm Band, one of Irving Mills's Harlem big bands, with Jungle Madness and Blue Rhythm Fantasy on Variety 503, from Mills's short-lived Variety label.AI summary
Variety 503 Jazz
Okeh 6119 Jazz
Mills Blue Rhythm Band performing 'Low Down on the Bayou' and 'Futuristic Jungleism' on Decca F2728, a mid-1930s pressing; the Mills Blue Rhythm Band were a swinging Harlem dance orchestra.AI summary
Decca F2728 Jazz
The Mills Blue Rhythm Band was an accomplished American swing orchestra of the 1930s; this Decca side pairs two adventurous jazz numbers, 'Low down on the Bayou' and 'Futuristic Jungleism', reflecting the band's sophisticated jungle-jazz style.AI summary
Decca F2728 Jazz
The Mills Brothers, an American vocal quartet, recorded these songs for Brunswick; the Mills Brothers were one of the most popular and enduring vocal groups of the 20th century.AI summary
Brunswick 6490 Voice
The Mills Brothers were an American vocal group famous for their close harmony and novelty effects; this Rex disc is from their early recording period in the late 1920s.AI summary
Rex 8896 Jazz
The Mills Brothers with Chinatown, My Chinatown and Bugle Call Rag on Perfect 13061.AI summary
Perfect 13061 Jazz
Mills Brothers performing 'Tiger Rag' and 'Nobody's Sweetheart' on Brunswick 1229. The Mills Brothers were one of the most popular and recorded American vocal groups of the 1930s–40s, celebrated for their tight harmonies and innovative whistling effects. This appears to be an early Brunswick recording from the late 1920s or early 1930s.AI summary
Brunswick 1229 Jazz
The Mills Brothers, an enormously successful American vocal quartet, recorded prolifically for Brunswick from the early 1930s; this pressing of 'Baby won't you please come Home' and 'You Rascal you' dates from their peak years.AI summary
Brunswick 01255 Voice
The Mills Brothers, the American vocal quartet famous for their close harmonies and instrumental imitations, recorded 'Shoe Shine Boy' and 'Rhythm Saved the World' for Brunswick; both were popular numbers of the late 1930s and early 1940s.AI summary
Brunswick 02245 Voice
The Mills Brothers, one of the most successful and influential American vocal groups of the 1930s–40s, on Brunswick 1296 with 'Rockin' Chair' and 'Goodbye Blues'.AI summary
Brunswick 1296 Voice
Milly Laskine, the renowned French harpist, on His Master's Voice K7621, performing the 'Concertstück pour Harpe et Orchestre'. This is a showcase for her virtuoso playing in the French Romantic repertoire.AI summary
His Master's Voice K7621 Classical
Milly Laskine, a celebrated French harpist, recorded 'Concertstück pour Harpe et Orchestre' in two parts for HMV—a bravura harp concerto that showcases the instrument's technical range.AI summary
His Master's Voice K7622 Classical
Milt Shaw's dance band recorded for Columbia in the late 1920s or early 1930s; an unidentified orchestra in the hot-jazz dance-band idiom.AI summary
Columbia 5426 Dance
Milton Charles, with C Edwards, performing 'Can you blame me' and 'How about me' for Columbia, 5252. Both are popular songs; the artist is unidentified beyond this single release.AI summary
Columbia 5252 Voice
Milton Hayes, a celebrated British monologist and reciter of the 1920s and 1930s, recorded theatrical monologues 'Monty on Advertising' and 'Monty at Wembley' for Columbia 3475.AI summary
Columbia 3475 Personalities (Prs)
Milton Hayes, the celebrated monologist and raconteur, performs two of his humorous spoken-word pieces 'Monty's Hints on Health' and 'Monty on Bolshevism' on Columbia 3504. Hayes' 'Monty' character was one of his most popular creations — a pompous, gossipy figure through which he delivered his satirical commentary on contemporary life.AI summary
Columbia 3504 Personalities (Prs)
Milton Hayes, the celebrated British actor and monologist, performing two humorous monologues about fashion and burglars on Columbia. Hayes was a major music-hall star and his recorded monologues are well known.AI summary
Columbia 3726 Music Hall
Milton Hayes, a British character vocalist and actor, performing two Monty monologues ('Monty on Bananas' and 'Monty Meanders Through the Ads') on Columbia 3801, from the early 1920s.AI summary
Columbia 3801 Personalities (Prs)
Milton Hayes, a British actor and monologuist, on Columbia 3834. Hayes was famous for his dramatic recitations and character monologues in the early 1900s; these titles are characteristic of his speciality work.AI summary
Columbia 3834 Personalities (Prs)
Milton Hayes, a celebrated monologist and raconteur of the early gramophone era, performs two of his characteristic humorous spoken-word pieces on Columbia 4482. Hayes was one of the most popular recording artists of the 1920s, known for his witty and sometimes risqué monologues.AI summary
Columbia 4482 Personalities (Prs)
Milton Hayes on Columbia 4509, performing spoken-word comic pieces 'Why every married Man should have a Wife' and 'Do Film Actresses make good Husbands'.AI summary
Columbia 4509 Comic
Milton Hayes, a British actor and raconteur famous for his monologues and character sketches, recorded 'Is China worth going to' and 'Is China worth leaving' for Columbia, catalogue 4634, likely from the early 1920s.AI summary
Columbia 4634 Personalities (Prs)
Milton Hayes performing two further Monty monologues ('Monty Attends a Board Meeting', parts 1 and 2) on Columbia 4744, from the early 1920s.AI summary
Columbia 4744 Personalities (Prs)
Milton Hayes performing comedic monologues on Columbia: 'Why Every Married Man Should Have a Wife' and 'Do Film Actresses Make Good Husbands?'. Hayes was a popular reciter and monologist of the 1920s-1930s, known for his theatrical delivery and dramatic character pieces.AI summary
Columbia 4509 Music Hall
Milton Hayes, a British actor and monologist known for his dramatic recitations and character sketches, recorded for Columbia in the 1920s. Hayes was a popular revue and theatrical performer.AI summary
Columbia 3233 Voice
Columbia 4892 Personalities (Prs)
Milton Hayes, a British reciter and monologuist, recorded "Monty's Hints on Health" and "Monty on Bolshevism & the Like" for Columbia. Hayes was known for his dramatic and comic spoken-word routines.AI summary
Columbia 3504 Comic
Mimi Martel recorded 'Wheel of Fortune' and 'Tiger Rag' (credited to Les Morgan Quartet) for Tops, catalogue 318. Tops was a budget British label of the 1930s. Nothing is known of Martel, though 'Tiger Rag' is a jazz standard.AI summary
Tops 318 Personalities (Prs)
Mindy Carson, an American popular singer, performing 'I'm Bashful' and 'A Rainy Day Refrain' on His Master's Voice B9986. Carson was known as a country and novelty vocalist in the 1940s–50s.AI summary
His Master's Voice B9986 Voice
Mindy Carson and Guy Mitchell, two popular American singers of the 1950s, on Columbia DB3203 with 'Train of Love' and 'That's a-Why'.AI summary
Columbia DB3203 Voice
Minnie Mearns was recorded by the Belt label, a short-lived British imprint; her recordings are scarce and little is known of her career.AI summary
Beltona 785 Voice
Minnie Nast, the Dresden soprano who created Sophie in Strauss's 'Der Rosenkavalier', sings music from Bizet's 'Carmen' in German on G&T.AI summary
G&T G.C.-2-44465/6 Opera
Zonophone 694
A minstrels ensemble performing an overture on Columbia, from the acoustic era. The catalogue number 1109 and title suggest a standard music-hall or comic song recording of the early 1910s–1920s.AI summary
Columbia 1109 Music Hall
A group credited as 'Minstrels' performing 'Sadie Ray' on Columbia 646. The catalogue number is very early, likely pre-1920, but the group is not further identified.AI summary
Columbia 646 Music Hall
A Minstrels ensemble performs two traditional songs on Millar (Mil) 283: "Going Back to Dixie" and "Old Folks at Home," likely from the 1920s or early 1930s. Millar was a minor British label and the ensemble is otherwise untraced.AI summary
Millophone 283 Music Hall
A minstrel ensemble performs an introductory overture on this early Columbia record, catalogue 1109, from the acoustic era.AI summary
Columbia 1109 Orchestra
Miriam Licette, a British opera singer, performing an aria from Mozart's 'Le nozze di Figaro' on His Master's Voice. Licette was a prominent soprano who recorded opera and lieder for HMV in the late 1920s–1930s.AI summary
His Master's Voice 03596 Opera
Mirko Stork on two Czechoslovak-language recordings, Jumbo pressing. Jumbo was a minor European label of the 1930s.AI summary
Jumbo bola17108