21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 343 of 450
Payne performing 'Please' and 'Here lies Love' on Imperial 2820, a cheap British marque of the early 1930s.AI summary
Imperial 2820 Voice
Credited to Payne on Imperial 2842, performing 'Butterflies in the Rain' and 'Yes Mr. Brown'; Imperial was a small British label.AI summary
Imperial 2842 Voice
An artist credited as Payne recorded two popular songs on Imperial 2947. The artist and Imperial label are not clearly identifiable in standard discographies.AI summary
Imperial 2947 Voice
Payne is credited with 'I Love the College Girls' and 'In a Little Spanish Town' on Regal 8864. This is a duplicate of record 19342 in the collection.AI summary
Regal 8864 Dance
Jack Payne was a prominent British bandleader and dance-music innovator of the 1920s and 1930s; this Imperial recording is an instrumental memory piece by one of the era's leading figures.AI summary
Imperial 2823 Orchestra
A recording by an unidentified artist credited to Payne on Columbia's CB series, a budget line of the late 1920s or early 1930s.AI summary
Columbia CB17 Voice
A 78rpm single by Payne on Columbia, catalogue 5518, from the early acoustic era of British recording; without more information about the artist or recording date, this remains difficult to place.AI summary
Columbia 5518 Dance
Payne Band performing two light songs on Columbia's early catalogue (5000 series), dating from the 1910s–1920s. The band is not identified in standard references.AI summary
Columbia 5118 Dance
Pearl Eddy is an unidentified vocalist; 'That's what a Heart is for' and 'Devil Lips' are generic popular song titles from the 1920s–30s. This HMV B10775 pressing is from the company's mainstream catalogue.AI summary
His Master's Voice B10775 Voice
Pedro Mondello on the Tropicana label, a small imprint of uncertain provenance, with 'Satan' and 'La tropicana'.AI summary
Tropicana 5002
Pee Wee Russell, influential clarinetist and jazzman, recorded for the American independent label HRS (Hot Record Society) founded by jazz enthusiasts in 1937. His catalogue number 1001 suggests an early HRS pressing, part of a series prized by jazz historians.AI summary
HRS 1001 Jazz
Peel recorded 'Sweeping the Clouds Away' and 'Any Time's the Time to Fall in Love' for Star Records (474), a minor British label. The artist is not identified.AI summary
Sterno 474 Voice
The Peerless Orchestra is not readily identified; this Zonophone disc from the early acoustic era carries two ragtime-era numbers, 'Turkey Trot' and 'Waiting for the Robert E Lee', likely recorded in the 1910s–early 1920s.AI summary
Zonophone 1001 Orchestra
The Peerless Quartet, a popular American vocal group, sing Melodious Jazz on Vocalion X9083, with the Sterling Trio on the reverse.AI summary
Vocalion X9083 Voice
The Peerless Quartette with Annie Laurie and, by a trio, Silver Threads Among the Gold on Scala 1211.AI summary
Scala 1211 Voice
Peggy Cochrane performing musical comedy memories on Broadcast 3097. Broadcast was a minor British label; the artist is not widely documented in general references.AI summary
Broadcast 3097 Music Hall
Peggy Cochrane, a minor British singer, on the Aco label with two sentimental songs; Aco was a cheap budget marque of the early 1930s.AI summary
Aco 15410 Voice
Peggy Cochrane with 'Too Much Harmony selection' and 'Moonlight and Melody' on Broadcast (3366), medley material from a film or musical of the early 1930s.AI summary
Broadcast 3366 Misc.
Peggy Cochrane performing 'Hejre Kati' and 'Hymne au Soleil' on Met, an obscure small label.AI summary
Metropole 1090 Voice
Peggy Cochrane on Rex with 'Melodies of the Moment', a light entertainment piece on a budget label.AI summary
Rex 8118 Misc.
Peggy Cochrane, a light soprano, recorded Berceuse and Paraphrase for Aco, a short-lived British budget label of the late 1920s and early 1930s.AI summary
Aco 16089 Voice
Peggy Cochrane singing two popular standards, A foggy Day and Moon got in my Eyes, on Decca F6624.AI summary
Decca F6624 Voice
Peggy Cochrane performing classical piano pieces on the Aco label. Little is known of this artist; the titles suggest conservatoire-level repertoire.AI summary
Aco G15826 Classical
Peggy Cochrane performing medley selections from Rodgers and Hammerstein's musicals—'Guys and Dolls' and 'The King and I'—on Decca in the 1950s.AI summary
Decca F10802 Voice
Broadcast 3278 Instrumental
Peggy Cochrane and P York on Broadcast 3134, performing 'Life Is Just a Bowl of Cherries' and 'Guilty'.AI summary
Broadcast 3134 Voice
Peggy Dell performing two classic blues standards on Decca. Dell was a British popular singer of the 1930s–40s, and her recordings are moderately collectible. This is likely a mid-1930s pressing.AI summary
Decca F5606 Voice
Peggy English on Oriole 2001 — 'High Up in the Hills' and 'How Long Must I Wait for You.' Catalogue number 2001 is extremely low for Oriole, suggesting this is among the very first pressings on the label. Oriole was a British budget label that later became significant in the early 1960s; its earliest pressings are uncommon.AI summary
Oriole 2001 Voice
Peggy Lee with Goodbye John and When You Speak with Your Eyes on Capitol CL13329.AI summary
Capitol CL13329 Voice
Peggy Lee with It Takes a Long Long Train with a Red Caboose and Don't Smoke in Bed on Capitol CL13050.AI summary
Capitol CL13050 Voice
Peggy Lee, the American jazz and popular vocalist, with 'River river' and 'Sans Souci' on Brunswick 05006 from the 1940s–1950s.AI summary
Brunswick 05006 Voice
Peggy Lee with She Didn't Say Yes and Them There Eyes on Capitol CL13305.AI summary
Capitol CL13305 Voice
Peggy Lee with Simalau and Riders in the Sky on Capitol 13111.AI summary
Capitol 13111 Voice
Peggy Lee with It Takes a Long Long Train with a Red Caboose and Don't Smoke in Bed on Capitol 13050.AI summary
Capitol 13050 Voice
Peggy Marshall on Alvin, an obscure small British label, with "Saint Catherine" and "Let's Pray for Peace".AI summary
Alvin 1650 Voice
Peggy O'Neil and A W Bascomb on Columbia 3000 series, an early dance or popular vocal recording, likely from the mid-1920s.AI summary
Columbia 3808 Voice
Columbia 3808 Personalities (Prs)
Peisachke Burstein sings Shyka Fifer and Bei Goyim Hut Man Mazel on Melotone 5001.AI summary
Melotone 5001 Yiddish
J&B/S-PEL-001 &B/S-PEL-001
Dance-band sides by the Pennsylvania Syncopaters: Victorina Blues, and What'll I Do, the Irving Berlin song of 1923.AI summary
Hom H646 Dance
Penrose and Whitlock on Winner 3930, performing 'Old Clock' and 'Going to the Hunt'.AI summary
Winner 3930 Dance
Penrose & Whitlock on Winner 3931, 'Yuletide Coach', a seasonal side from a short-lived British marque; Winner pressings from the 1930s are uncommon.AI summary
Winner 3931 Music Hall
Penrose & Whitlock, British entertainers, on Winner 3932, performing a comic sketch or novelty piece about tourism.AI summary
Winner 3932 Music Hall
'The Nervous Policeman', a comic sketch by Penrose & Whitlock, the partnership of Charles Penrose (later famous for 'The Laughing Policeman') and Billy Whitlock, backed with 'Snappy Stories' by Harry Bluff, on the Curry's label.AI summary
Curry's 313 Comic
Penrose and Whitlock, a British music hall duo, performing two novelty and character numbers on Columbia; the is780 catalogue number places this in Columbia's early electrical or late acoustic period, circa 1925–1928.AI summary
Coliseum 780 Music Hall
Penrose and Whitlock recorded novelty titles 'Gouty but Gay' and 'Merry and Bright' for Regal, a secondary British label.AI summary
Regal 7566 Comic
Pepe Pinto singing 'Como mi mare' and 'Fandangos de Guadalupe' on His Master's Voice JOS24, part of HMV's 'Overseas' series for Spanish and Latin American repertoire. Pinto was a Spanish guitarist and singer.AI summary
His Master's Voice JOS24 Voice
Per Aabel was a Norwegian entertainer and comedian; this His Master's Voice AL-series disc carries two Norwegian songs, 'Karl Johan' and another number, likely recorded in the 1930s–40s.AI summary
His Master's Voice AL3212 Personalities (Prs)