21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 345 of 450
Perry Como on His Master's Voice, recorded during his early years in British release. 'Till the End of Time' was one of his signature sentimental ballads.AI summary
His Master's Voice BD1120 Voice
Perry Como recorded 'You must have been a beautiful baby' and 'Little man you've had a busy day' for His Master's Voice. Como was one of the most successful popular singers of the 1940s and 1950s.AI summary
His Master's Voice BD1161 Voice
Perry Como recorded 'If I'm Lucky' and 'Blue Skies' for His Master's Voice BD1154. Como was one of the most commercially successful vocalists of the 1940s-1950s, and his recordings were widely distributed.AI summary
His Master's Voice BD1154 Voice
Perry Como, the American balladeer and film star, recording 'The Rosary' and 'Bless This House' for His Master's Voice. The EA-series number places this in the late 1950s.AI summary
His Master's Voice EA3955 Voice
Perry Como, the American crooner and television star, recorded this pair of popular standards for Brunswick in the early 1950s.AI summary
Brunswick 03806 Voice
Perry Como was one of the most successful American popular singers of the 1940s–1950s, with a vast recording career and crossover into film and television. 'Jingle Bells' and 'Winter Wonderland' are seasonal novelties, likely from the early 1950s.AI summary
His Master's Voice BD1187 Voice
Perry Como, one of the most successful American popular singers of the 1950s, on His Master's Voice BD1156 with two standards.AI summary
His Master's Voice BD1156 Voice
His Master's Voice B10595 Personalities (Prs)
Perry Como was a major American popular singer of the 1940s–1960s, known for his relaxed crooning style and crossover appeal. This RCA side pairs two of his hits, 'Catch a Falling Star' and 'Magic Moments', from the mid-1950s.AI summary
RCA 1036 Voice
Perry Como's US Victor recording of the Rodgers & Hammerstein numbers from South Pacific, a major hit for the American crooner in the early 1950s.AI summary
Victor S2 Voice
Pete Brown performing 'I Used to Sigh for the Silvery Moon' and 'Enjoy Yourself' on Alex 186. Alex was a small British label. Brown is not well-documented.AI summary
Alexander 186 Voice
A popular song recorded by Pete Brown for Bek, a small and obscure British label. The artist is not well known from standard reference, though the catalogue number suggests an early 1930s pressing.AI summary
Beka 40582/3 Voice
Pete Brown recorded 'The Trail of the Lonesome Pine' and 'Songs and Operas in Ragtime' (arranged by Courtney) for Dacap, catalogue 625. Brown was a minor American novelty and popular singer of the 1910s-1920s.AI summary
Dacapo 625 Music Hall
Pete Brown, an obscure or regional performer, on Lead Records with two comic novelty songs; both label and artist are not widely documented in jazz or music hall histories.AI summary
Lead 607 Music Hall
Pete Brown recorded 'Enjoy Yourself' and 'I Used to Sigh for the Silvery Moon' for J Bull, catalogue 40582.AI summary
John Bull 40582 Voice
Dacapo 586 Jazz
Pete Brown with Anywhere Is Alright When You're Doing Well and Captain Gingah on Britannic 3607.AI summary
Britannic 3607 Music Hall
Pete Johnson, the Kansas City boogie-woogie pianist, recorded "Death Ray Boogie" and "Basement Boogie" for Brunswick in 1938 or 1939. Johnson was an influential exponent of the boogie-woogie style.AI summary
Brunswick 03292 Jazz
Pete Johnson and Albert Ammons on HMV, catalogue B9251. Johnson and Ammons were leading American boogie-woogie and blues pianists of the 1930s–40s; their records are collectable by blues and jazz enthusiasts.AI summary
His Master's Voice B9251 Jazz
Pete Kelly's Orchestrion on Columbia with 'I never knew' and 'Pete Kelly's blues'; Pete Kelly's Blues was a hit novelty recording of the early 1950s.AI summary
Columbia 40592 Dance
Pete Mandell recorded 'Get Goin'' and 'Take Your Pick' for Duo Disc (523), a minor British label of the 1920s–30s. The artist is not further identified.AI summary
Duophone D523
Pete Mandell recorded on DuoD, a minor or short-lived British label, with novelty titles suggestive of 1920s–30s material.AI summary
Duophone D523
Pete Mandell on DuoD 523 with 'Get Goin'' and 'Take Your Pick'; an unidentified artist on an obscure British independent label.AI summary
Duophone D523
Pete Mandell, with the Savoy Orpheans, recorded 'Get going' and 'Take your pick' for HMV B5035 in the 1930s—likely dance or novelty sides.AI summary
His Master's Voice B5035 Dance
Pete Woolery recorded 'Then Came the Dawn' and 'If You Don't Love Me' for Columbia, catalogue 5114; both are sentimental popular songs, likely from the 1920s-1930s.AI summary
Columbia 5114 Voice
Peter Anders, the German tenor, singing arias from Weber's Der Freischütz on His Master's Voice, a prestige operatic recording from the pre-war era.AI summary
His Master's Voice DA5514 Opera
P Andrews singing 'Hi-Lee Hi-Lo' and 'Sing Along Sambo' (T Gordon) on Belt Records, catalogue 406; an unconfirmed artist on a small British label.AI summary
Beltona 406 Voice
Peter Bernard with Choo Choo Train to Tennessee and, by a band, Why Sell Kippers on Duophone M158.AI summary
Duophone M158 Voice
Peter Cornelius — presumably the German baritone of that name active in the early recording era — sings the Sword Song from 'Die Walküre' and Walther's Prize Song from 'Die Meistersinger' on Polyphon 22000. The Polyphon label was a German company active in the early 1900s, and its vocal pressings are less commonly encountered in British collections than HMV or Zonophone equivalents.AI summary
Polyphon 22000 Voice
Peter Dawson, the celebrated British baritone, performing 'Old Flagged Path' and 'Lackaday' on Zonophone 1282, an early recording from the acoustic era.AI summary
Zonophone 1282 Voice
Peter Dawson, one of Britain's finest baritones of the early 20th century, on Zonophone 2195. Dawson had an enormous recording career spanning four decades and recorded everything from ballads to comic songs.AI summary
Zonophone 2195 Voice
Peter Dawson, the Australian baritone celebrated for popular ballads and character songs, singing 'The Winding Road' and 'Waltzing Matilda' on His Master's Voice B9191 — the latter his signature recording.AI summary
His Master's Voice B9191 Voice
Peter Dawson, the Australian bass-baritone, sings The Bedouin's Love Song on Britannic 2344. The reverse is labelled as Blow, Blow, Thou Winter's Wind.AI summary
Britannic 2344 Voice
Peter Dawson, the Australian bass-baritone who was one of the most prolific recording artists of the 78rpm era, performing 'Bedouin Love Song' on the Nicole label, catalogue 5658. Nicole was a small British label; Dawson's catalogue is enormous and most of his popular sides are common, but a Nicole pressing is less standard than his HMV or Columbia equivalents.AI summary
Nicole 5658 Voice
Peter Dawson, the Australian bass-baritone who became one of the most prolific recording artists of the century, sings 'Let Me Love Thee' on an early G&T.AI summary
G&T 3-2483 Voice
Peter Dawson, the Australian bass-baritone, sings 'The Shipwright' on an early single-sided G&T.AI summary
G&T 3-2797 Voice
Peter Dawson, the Australian bass-baritone, sings 'The Bandolero' on an early single-sided G&T.AI summary
G&T 3-2857 Voice
Peter Dawson, the Australian baritone and one of the most prolific recording artists of the early 20th century, recorded classical ballad material for His Master's Voice; 'Hybrias the Cretan' is a narrative song in the classical-ballad tradition.AI summary
His Master's Voice B8513 Classical
Peter Dawson, the renowned Australian baritone, recorded two sailor songs, 'The Fleet's not in Port very long' and 'Rivetter', for His Master's Voice, catalogue B8554. Dawson was one of the most prolific and collected vocalists of the acoustic and early electrical era, known for narrative ballads and folk songs.AI summary
His Master's Voice B8554 Voice
Peter Dawson, one of Britain's finest baritones of the acoustic era, recorded 'Silver Patrol' and 'Old Plantation' for His Master's Voice; Dawson's HMV catalogue is extensive and highly collected.AI summary
His Master's Voice B8583 Voice
Peter Dawson was a dominant Australian baritone who recorded prolifically for His Master's Voice; 'Hotel Pimlico' and 'I Never Knew' are comic-sentimental songs typical of his British vaudeville repertoire.AI summary
His Master's Voice B1158 Voice
Peter Dawson, one of Britain's finest baritones of the early twentieth century, recorded two classical English songs—"Down Among the Dead Men" and "O Mistress Mine"—for His Master's Voice B851.AI summary
His Master's Voice B851 Voice
Peter Dawson, a major British baritone and ballad singer of the late 1800s–1930s, performing 'Smuggler's song' and 'Pauper's drive' on His Master's Voice B1311. Dawson was one of the most prolific classical-voice recording artists in British history.AI summary
His Master's Voice B1311 Voice
Peter Dawson, the great Australian baritone, recorded these two songs for His Master's Voice, likely in the 1920s based on the early catalogue number.AI summary
His Master's Voice B1348 Voice
Peter Dawson, the celebrated Australian baritone, in ballad songs for His Master's Voice. Dawson's HMV sides from the acoustic and early electrical era remain highly sought after.AI summary
His Master's Voice B777 Voice
Peter Dawson was one of the finest British baritones of the 20th century, with a recording career spanning five decades. This HMV side pairs two of his signature pieces: 'On the road to Mandalay' and 'Sylvia', which he recorded repeatedly throughout his life.AI summary
His Master's Voice B8886 Voice
Peter Dawson, the celebrated Australian baritone, recorded "Sleepy Hollow Tune" and "Song of the Homeward Bound" for Zonophone in the early 1900s. Dawson was one of the most prolific recording artists of the acoustic era.AI summary
Zonophone 2623 Voice
Peter Dawson, the Australian-born baritone and one of the most prolific recording artists of the 1900s–1920s, on Zonophone performing two sacred songs.AI summary
Zonophone 743 Voice