21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 367 of 450
Robert Howe performing 'Bedouin's Love Song' and 'The Bandolero' on the Guar label, a short-lived British imprint from the 1920s.AI summary
Guardsman 2040
Robert Howe recorded two songs for Guar, a short-lived or obscure British label. The catalogue and artist are not readily identifiable in standard references.AI summary
Guardsman 2041
Robert Howe with Nirvana and An Old Garden on Marathon 113.AI summary
Marathon 113 Voice
Robert Howe is not identified in standard discographies. 'Until/Youth' and 'Two Grenadiers' are recorded on Mara 114, a small and poorly documented British label.AI summary
Marathon 114 Classical
Robert Howe performing two sentimental or descriptive songs on Mara, a small or undocumented British label from the acoustic era.AI summary
Marathon 126 Voice
Beka M180
Robert Howe, a baritone vocalist, performs two ballad standards—'The Rosary' and the 'Bedouin Love Song'—on a Scala record, catalogue 459; Scala was a budget British label of the 1920s–30s.AI summary
Scala 459 Voice
Robert Howe on Scala (581) with 'I loved you more than I knew' and 'Little Grey Home in the West', sentimental ballads from the 1920s.AI summary
Scala 581 Voice
Robert Irwin on His Master's Voice performing 'The Oyster Girl' and 'The One-Eyed Riley'. The titles suggest music-hall or novelty comedy material from the early acoustic era, likely 1910s-20s.AI summary
His Master's Voice B9523 Music Hall
Robert Kinnear performs 'You've Got That Irish Way Wid Ye' and 'A Smile Will Go a Long Long Way' on Imperial. The artist and recordings are unidentified in standard sources.AI summary
Imperial 1315
Robert Kinnear recorded 'Land of Gra-ma-Chree' and 'Danny Boy' for Imperial 1371, likely 1920s–1930s—Irish or sentimental material on a minor British label.AI summary
Imperial 1371 Voice
Robert Kinnear on Imperial, performing 'The Golden West' and 'Sahara'. Imperial was a minor British label; Kinnear is unrecognised.AI summary
Imperial 1376
Robert Kinnear, an obscure performer, on Imperial, a small early British label; catalogue number and artist suggest a 1920s release.AI summary
Imperial 1470 Personalities (Prs)
Robert Kinnear, a vocalist, recorded Romantic-era parlor songs—"Less Than the Dust" and "Kashmiri Song"—for Imperial.AI summary
Imperial 1033 Voice
Robert Kinnear recorded "Smilin' Thro'" and "Sheik of Araby" for the Imperial label, a small British imprint. Artist and context are unidentified.AI summary
Imperial 1055
Robert Kinnear performing 'Granny's Song at Twilight' and 'Just Like a Thief' on Imperial 1175, a British voice recording from the 1920s.AI summary
Imperial 1175 Voice
Robert Kinnear on Imperial 1193, performing 'Thro' the Night' and 'Wonderful One' (C. Bonheur). Kinnear's identity and recording history are not well established; Imperial was a mid-range British label.AI summary
Imperial 1193 Voice
Robert Kinnear, credited on Imperial with Irish traditional songs 'Bridget Donohue' and 'Hills of Donegal', a small-label recording from an obscure British imprint.AI summary
Imperial 1239
Robert Leonhardt performing two German classical pieces, 'Aus der Jugendzeit' and 'Wenn Schneeglockchen Lauten', on Columbia E3140, a German-language pressing.AI summary
Columbia E3140 Classical
Robert Maxwell on Trutone Records performing two popular standards including the famous operetta tune 'Rose-Marie'. Robert Maxwell was a violinist and light orchestra conductor of the 1950s; Trutone was an American budget label.AI summary
Trutone 1410 Instrumental
Robert Mitchum, the Hollywood film star, performing 'Just Like Me' and 'O-he-o-hi-o-ho' on Brunswick 04059.AI summary
Brunswick 04059 Personalities (Prs)
Robert Mitchum was an American film actor and occasional recording artist. 'Just Like Me' and 'O-he-o-hi-o-ho' on Brunswick are pop or novelty numbers from the 1950s, likely capitalising on his film fame.AI summary
Brunswick 04059 Voice
Robert Mitchum, the Hollywood actor and occasional singer, on Brunswick records; Mitchum recorded sporadically and his vocal records are less sought than his film work.AI summary
Brunswick 04059 Personalities (Prs)
Robert Nash recorded 'The Whist Drive' and 'Our Wedding' for Scala 172. Scala was a minor British label; the titles suggest novelty or topical material.AI summary
Scala 172 Music Hall
Robert Nash, credited on a Scala label release, recorded the novelty comic songs 'Our Wedding' and 'Whist Drive'.AI summary
Scala 172 Comic
Robert Radford, a British baritone popular in Edwardian Britain and the 1920s, recorded in the early acoustic era for His Master's Voice. The E-series catalogue indicates a very early pressing, circa 1910–1912.AI summary
His Master's Voice E303 Voice
Robert Radford was a British baritone and Savoy Opera singer of note; this Zonophone disc couples two operatic arias from the 1910s–20s acoustic period.AI summary
Zonophone GO34 Opera
Zonophone GO16 Voice
Robert Radford singing traditional English songs on Zonophone GO20. Radford was a respected British baritone of the early 20th century, recorded frequently in the acoustic era.AI summary
Zonophone GO20 Voice
Robert Radford was a leading British tenor of the early 20th century; this Zonophone pressing of two dramatic songs—'Rage thou angry Storm' and the 'Armourer's Song'—dates from the acoustic era.AI summary
Zonophone GO21 Voice
Robert Radford was a British baritone singer known for his concert and operatic performances. This Zonophone GO26 pressing of Mozart's "Osmin's Aria" from The Abduction from the Seraglio and Verdi's "Eri Tu" from A Masked Ball documents his classical voice repertoire on an acoustical or very early electrical recording.AI summary
Zonophone GO26 Opera
Robert Radford was a British baritone concert singer. G&T 3-2788 ('Rocked in the Cradle of the Deep') is an acoustic recording of a late-19th-century drawing-room ballad.AI summary
G&T 3-2788 Voice
Robert Radford, the English bass, sings Stanford's 'Drake's Drum' on a single-sided G&T.AI summary
G&T 3-2799 Voice
Robert Radford, a British baritone of the late 19th and early 20th centuries, recorded for His Master's Voice; "Why Do The Nations" is from *The Messiah*.AI summary
His Master's Voice D1213 Voice
Robert Radford was a British bass-baritone singer and light opera performer active in the early 20th century; this HMV D series pressing offers two songs.AI summary
His Master's Voice D272 Voice
Robert Radford, a celebrated British concert baritone, recorded Gounod's "Serenade from Faust" and the church scene from Faust for Zonophone in the early 1900s. Radford was an important Edwardian art-song and opera singer.AI summary
Zonophone GO16 Opera
Robert Radford on His Master's Voice E 77, with two ballads. Radford was a respected British bass-baritone and concert vocalist of the Edwardian and early acoustic era.AI summary
His Master's Voice E77 Voice
Robert Speaight speaks from T. S. Eliot's Murder in the Cathedral in two sides on HMV B8499. Speaight created the role of Becket in the original productions.AI summary
His Master's Voice B8499 Personalities (Prs)
Decca K2314
Robert Tredinnick's 'Sampler Record 41' on Columbia, one of a series of demonstration or promotional discs issued by Columbia to showcase their catalogue.AI summary
Columbia BXO41 Misc.
Robert Wilson, a Scottish vocalist, recorded these two Highland character songs for His Master's Voice. Both are traditional or traditional-style Scottish songs.AI summary
His Master's Voice B10083 Voice
Robert Wilson recorded Scottish and Irish traditional material, 'Scotland the Brave' and 'The Pride of Donaghadee', for His Master's Voice. A British vocalist in the popular ballad tradition of the 1930s-40s.AI summary
His Master's Voice B10401 Voice
Robert Wilson recorded two Scottish songs, 'Hame o' Mine' and 'Green Grew the Rushes O', on His Master's Voice; a singer specialising in traditional Scottish repertoire.AI summary
His Master's Voice B9968 Voice
The Roberta Martin Singers, a prominent gospel group, recorded 'That Great Judgement Day' and 'He's All I Need' for Savoy Records, a major American independent label.AI summary
Savoy 4125 Voice
Roberts and Wilson performing novelty material ('Goodbye Dixie' and 'I don't want to go back') on Diamond, a minor American label with limited UK pressing.AI summary
Diamond 426 Dance
Robertson on two old music-hall standards, 'I wonder what's become of Sally' and 'Two little Girls in Blue', from Decca F6844. Robertson's identity and the exact date of this pressing are unclear, but the songs suggest a 1930s-1940s popular vocal or novelty recording.AI summary
Decca F6844 Voice
The Robeyphone Military Band performing 'The Whistler and His Dog' and 'Coronation Bells' on Robey 154, a British label of the 1920s–30s.AI summary
Robey 154 Orchestra
Robins and White with Ragtime Hopping in Kent and Yaaka Hula Hickey Dula on Scala 898.AI summary
Scala 898 Ragtime