21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 412 of 450
A record with minimal information: artist credited as 'Theme Song,' side A titled 'Piper,' on an unidentified label; insufficient data for description or valuation.AI summary
Theo Carle singing two sentimental ballads—'Little Mother of Mine' and 'I'll Sing Thee Songs of Araby'—on Brunswick in the 1930s.AI summary
Brunswick 13001 Voice
Theodor Bertram recorded 'Rondo vom goldnen Kalle' and 'Prolog aus Bajazzo' (from Leoncavallo's *Pagliacci*) for Harmograph Records 32263, an early catalogue number. Bertram is unidentified but the titles suggest operatic or dramatic vocal material in German.AI summary
Harmograpgh 32263 Opera
Theodor Scheidl performing Viennese songs 'Ich muss wieder einmal im Grinzing sein' and 'Wien du Stadt meiner Traume' on Polyphon, a German label. Scheidl was an Austrian tenor popular in Germany and Austria during the 1920s–1930s.AI summary
Polyphon 90077 Voice
Theodore Bertram recorded two German art-song or operatic pieces—'Wie aus der Ferne' and a selection from Wagner's Tannhäuser—on a blank-label pressing from before the First World War (pre-1914). The catalogue numbers 32264/5 suggest an early recording, and the blank label indicates either a test pressing or a special private issue.AI summary
blanklabel 32264/5(preWW1) Opera
His Master's Voice B10701 Personalities (Prs)
Theodore Chaliapine, the legendary Russian bass-baritone, recorded 'They won't let Masha walk by the Brook' (a Russian folk song) for His Master's Voice, catalogue 022213. Chaliapine was one of the greatest operatic singers of the 20th century, and his records are widely collected. This appears to be an early acoustic recording from the 1920s.AI summary
His Master's Voice 022213 Opera
Feodor Chaliapin, the legendary Russian bass and one of the greatest opera singers of the early 20th century, recorded two pieces 'The Prisoner' and 'Black Eyes' on HMV DB3463. Chaliapin was a principal artist for HMV and his records remain highly collectable.AI summary
His Master's Voice DB3463 Opera
Feodor Chaliapin, the legendary Russian bass, recorded these arias from Gounod's Faust and other operatic works for His Master's Voice, the major British label that held exclusive rights to his recordings.AI summary
His Master's Voice DB942 Opera
Feodor Chaliapin (also Chaliapine) was the greatest bass of the early 20th century, celebrated worldwide for his dramatic interpretive power and his recordings of Russian opera and song. 'Vieni la mia Vendetta' is a Verdi aria, and this His Master's Voice pressing preserves the voice of one of the most significant opera singers in the history of recording. His Master's Voice 2693c is from the acoustic or early electric era.AI summary
His Master's Voice 2693c Opera
Feodor Chaliapin (Théodore Chaliapine), the greatest bass singer of his era, on His Master's Voice catalogue 022093, performing a dramatic recitative or vocal piece 'How the King went to War'. Chaliapin's recordings on HMV were prestigious productions.AI summary
His Master's Voice 022093 Opera
Theresa La Cava, performing 'The thrush' on TeyTone, a label and artist both unidentified. No catalogue number is recorded.AI summary
Thom Denijs performing sacred music on HMV's B-series, a mainstream British catalogue.AI summary
His Master's Voice B4801 Opera
Thomas performing 'Sahara' and 'I'm Somebody Nobody Loves' on Hom H (Home label), catalogue 714. Artist and label context are not established.AI summary
Hom H714 Dance
Thomas with Indian Dawn and Rose Marie on Vocalion X9564.AI summary
Vocalion X9564 Dance
Thomas & West performing 'Barney Google' and 'I Love Me' on Imperial 1178, a British dance-music pressing of the mid-1920s.AI summary
Imperial 1178 Dance
Thomas Chalmers, an American baritone of the early 20th century, on Columbia 161: two hymn or religious vocal standards, recorded in the acoustic era (before c. 1925).AI summary
Columbia 161 Classical
Parlophone E10722
Thomas Howell is not identified in standard discographies. 'The Deathless Army' and 'A Soldier's Song' are recorded on VF 607, a small and poorly documented British label, likely dating from the 1920s or early 1930s.AI summary
Velvet Face 607 Voice
Thomas Jackson, a British vaudeville and music-hall performer, recorded for Regal with two novelty numbers including one credited to Fred Douglas; Jackson was active in the 1920s-30s and is now largely forgotten.AI summary
Regal G8450 Music Hall
Thomas Jackson, a traditional Irish tenor, on Regal; the titles suggest rural or sentimental Irish repertoire, likely 1920s–1930s.AI summary
Regal G8514 Voice
Thomas Jackson with 'Fairyland' and 'When my Ship comes sailing home' on Pil (5765), early sentimental vocal material.AI summary
Pilgrim 5765 Voice
Thomas Jackson credited on OlyJA 90, an unidentified label variant. The titles are standard sentimental ballads typical of the 1920s–1930s; the artist is unidentified.AI summary
Oly JA90 Voice
Thomas Jackson with Your Eyes Have Told Me So and, by H. Trevor, Red Wing on Pick of All 36-4444.AI summary
Pickofall 36-4444 Voice
Thomas Jensen conducting the Carl Nielsen work 'Saul og David' (a four-act opera) for the Danish Tono label; this is a classical issue with both sides devoted to the same work.AI summary
Tono 1655 Classical
Thomas Mills performing 'Four Little Blackberries' and the Scottish reel 'White Cockade' on Columbia D207, an early vocal or novelty recording from the acoustic era.AI summary
Columbia D207 Music Hall
Thomas Whittaker and possibly Billy Whitlock performing a military march on Melot 1041, a small British label. The attribution is uncertain.AI summary
Meloto 1041 Instrumental
Thompson and Brockton credited on Fav, an obscure small British label, performing American popular songs of the late 1920s.AI summary
Favorite 967
Thompson and Brockton performing 'While We Were Dancing 'Round' and 'Kitty the Telephone Girl' on Fav 786, a minor British label.AI summary
Favorite 786
Thorpe Bates sings In Summertime on Bredon and The Fishermen of England on Duophone M162.AI summary
Duophone M162 Voice
Thorpe Bates, a British baritone with a substantial recording career, performing two ballads on Columbia's L-series long-playing format. Bates was a concert singer and teacher active from the acoustic era through electrical recording.AI summary
Columbia L1159 Voice
Thorpe Bates, a celebrated British baritone and actor, recorded two dramatic character songs, 'Company Sergeant Major' and 'Lighterman Tom', for Columbia in the 1920s.AI summary
Columbia L1346 Voice
Thorpe Bates, a British tenor, performing sentimental vocal standards on Columbia F1048 — a commercial label release from his career.AI summary
Columbia F1048 Voice
Thorpe Bates, a British baritone singer, on Columbia catalogue F1081, performing 'Land o' mine' and 'Call to Arms' (with Ivy Tresmand). A solo voice recording from the late 1920s or early 1930s.AI summary
Columbia F1081 Voice
Thorpe Bates sings Phil the Fluter's Ball and Widdicombe Fair on Sterno 490.AI summary
Sterno 490 Voice
Thorpe Bates, the English baritone, sings 'At Santa Barbara' and 'Four Jolly Sailormen' on Sterno.AI summary
Sterno 505 Voice
Thorpe Bates on St 939. 'St' is an unidentified British label, likely short-lived. The titles suggest popular vocal material. Thorpe Bates was a British baritone with some recording career in the early-to-mid 20th century, but this particular pressing is unconfirmed in standard discographies.AI summary
Sterno 939 Voice
Thorpe Bates was a British baritone and concert singer of the early 20th century. This Columbia recording of 'Sincerity' and 'Flower of All the World' is from the acoustic era (catalogue 447 suggests early Columbia). Bates was a respected but not hugely famous classical vocalist.AI summary
Columbia 447 Voice
Thorpe Bates, a British baritone, performing a romantic ballad on HMV's 02000 series, likely from the early 1920s.AI summary
His Master's Voice 02158 Voice
Those Four Chaps performing 'Derby of 1930' (parts 1 and 2) on Broadcast (616), a novelty or musical sketch from the early 1930s.AI summary
Broadcast 616 Comic
The Three Australian Boys were a novelty vocal group recorded by Parlophone in the 1920s. 'Coo-ee' and 'From Monday On' represent their charming if ephemeral style. Parlophone R series copies are common.AI summary
Parlophone R249 Voice
Hom H171 Dance
Three Ginx performing two popular songs on the small Rad label.AI summary
Radio (Edison Bell) 1567 Voice
Three Ginx recorded 'Sweep' and 'Sundown in a Little Green Hollow' for Broadcast, catalogue 3334; Broadcast was a small British label active in the 1930s-1940s.AI summary
Broadcast 3334 Personalities (Prs)
The Three Ginx, a vocal or novelty group, recorded 'While We Danced at the Mardi Gras' and 'Old Man of the Mountain' for Broadcast, catalogue 3265; Broadcast was a small independent British label.AI summary
Broadcast 3265 Dance
The Three Ginx on Decca F1907, a novelty or comedy number from the late 1930s. The group is not widely documented in general reference works.AI summary
Decca F1907 Comic
Winner 5395 Personalities (Prs)
The Three Peters Sisters were a female vocal group popular in the early 1940s; this Decca disc carries two novelty numbers, 'Highland Swing' and the well-known 'A Tisket A Tasket'.AI summary
Decca F6794 Voice