21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 414 of 450
Tolchard Evans and conductor Kunz recorded medleys of waltzes and light tunes on Rex, a minor British label. Evans was a minor composer of the early 20th century.AI summary
Rex 8364 Instrumental
Tom Barrasford recorded 'He Played the Wedding March' and 'I Love Kids' for Winner, a small British label; an obscure performer from the 1920s–30s.AI summary
Winner 4033 Voice
Tom Burke on Imperial Records 4026 performing two sentimental ballads. Burke was an Irish tenor and early recording artist of the acoustic era; Imperial was a cheap British budget label.AI summary
Imperial 4026 Voice
Tom Burke, the Lancashire tenor known as the Lancashire Caruso, sings Ombra mai fu and O Primavera on Dominion C345.AI summary
Dominion C345 Voice
Tom Burke, the Lancashire tenor known as the Lancashire Caruso, sings Vesti la giubba and Sea Rapture on Dominion C314.AI summary
Dominion C314 Voice
Tom Burke, the Lancashire tenor billed as 'the Lancashire Caruso', sings Handel's 'Ombra mai fu' and 'O primavera' on Dominion, a short-lived British label of the late 1920s.AI summary
Dominion C345 Voice
Tom Burke recorded 'Nightfall' and 'Masquerade' for Broadcast, a short-lived British label of the late 1920s.AI summary
Broadcast 3251 Voice
Romantic songs by Tom Burke on Imperial, a British label active in the early twentieth century.AI summary
Imperial 136 Voice
Imperial Z136
Tom Burke performing 'The Two Grenadiers' and 'Queen of My Heart' on Imperial Z121. Burke was an American baritone active in the early 20th century, known for concert and operatic repertoire.AI summary
Imperial Z121 Opera
Tom Burke recorded 'Serenata' for Imperial, a small British budget label. This is likely a solo vocal performance on a minor label.AI summary
Imperial Z120 Voice
Tom Burke on Imperial, recording sentimental standards from the early 1900s. The artist is not a major name; Imperial was a small British label. A vocal record from the early acoustic era whose scarcity is uncertain.AI summary
Imperial Z126 Voice
Imperial 4000 Voice
Tom Burke performing the operatic tenor showpieces 'La Donna è Mobile' and 'On with the Motley' on Imperial 4021, an obscure small British label.AI summary
Imperial 4021 Opera
Tom Burke recorded two songs for Columbia's 'D' series: 'The Minstrel Boy' and 'Thank God for a Garden'. These are traditional ballads recorded in the acoustic era, likely the mid-1920s.AI summary
Columbia D1594 Voice
Tom Burke, the Lancashire-born tenor billed as 'the Lancashire Caruso', sings 'You, Just You' and 'Tell Me Tonight' on Broadcast, a British label of around 1930.AI summary
Broadcast 3264 Voice
Tom Clare performing the comic song 'My Beastly Eyeglass' on His Master's Voice, circa early 1910s.AI summary
His Master's Voice 4-2135 Comic
Tom Clare on His Master's Voice B450, two comic novelty songs from the late 1920s.AI summary
His Master's Voice B450 Comic
Tom Clare on Columbia, recording light comic or novelty material: 'One Little One More' and 'This Freedom (My Wife is Away)'. British music-hall style performer.AI summary
Columbia 3561 Comic
Tom Clare singing novelty songs 'At home I'm my Wife's Husband but when I'm away I'm me' and 'Where does Daddy go to?' for Columbia (3978), early comic material from the acoustic era.AI summary
Columbia 3978 Comic
Tom Clare on His Master's Voice 4-2152, recorded in the 1920s; a popular song of that era.AI summary
His Master's Voice 4-2152 Voice
Tom Clare recorded a comic monologue, 'Fishy Story', for HMV in the early 1920s, likely from the acoustic era given the catalogue number format.AI summary
His Master's Voice 4-2190 Comic
Tom Clare on His Master's Voice with 'We'll sigh for the Days of the War', from the HMV 5-2000 series suggesting an early 1920s recording.AI summary
His Master's Voice 5-2051 Voice
Tom Clare performing novelty songs 'On the Day When the World Goes Dry' and 'Captain Cutts of the Cruiser What Not' for His Master's Voice E198. The second title suggests a music-hall comedy character piece.AI summary
His Master's Voice E198 Music Hall
Tom Clare recorded for Columbia and HMV in the early 1920s, primarily comic and novelty material. 'Telephone' is likely in this tradition, though recorded for the major HMV label.AI summary
His Master's Voice 01047 Comic
Tom Clare on His Master's Voice with 'Winkelheimer's Motor Ride', a comic novelty number from the early 1920s HMV catalogue.AI summary
His Master's Voice 01096 Music Hall
Tom Clare performing the music hall novelty 'Night when the old Cow died', recorded for His Master's Voice; catalogue 02403 places this in the early acoustic era, circa 1903–1908.AI summary
His Master's Voice 02403 Music Hall
'Won't You Waltz with Me' recorded by Tom Clare for His Master's Voice, catalogue 02414. An acoustic or early electrical recording; the artist and title are not identified in standard reference works.AI summary
His Master's Voice 02414 Music Hall
Tom Clare was a British comedy singer, recorded here on His Master's Voice, one of the major British labels. 'Cohen Rings Up His Tailor' is a comic song typical of the 1920s–30s music-hall tradition.AI summary
His Master's Voice C1471 Music Hall
Tom Clare on 'Exemptions and otherwise', a solo side on His Master's Voice 02799. The nature of this piece (possibly a recitation or monologue) and artist are unclear.AI summary
His Master's Voice 02799 Music Hall
Tom Clare performing two comic songs on HMV's C-series (early electric period, 1920s–1930s). The titles suggest WWI-era topical humour.AI summary
His Master's Voice C425 Music Hall
Tom Clare, recorded '(13) Telephone' and 'Winkelheimer's Motor Ride' for His Master's Voice C538, novelty vocal sides from the acoustic era.AI summary
His Master's Voice C538 Comic
Tom Clare performs 'Once the Kaiser's Army' and 'It's Refined' on His Master's Voice, likely topical or patriotic songs from the First World War era.AI summary
His Master's Voice C540 Music Hall
Tom Costello recorded "Memories" for Columbia's DX (deluxe) series, a premium label aimed at serious music lovers in the 1920s–1930s.AI summary
Columbia DX544 Voice
Tom Davie is credited on an Ar label 78, a cheap British budget pressing; the songs are music hall novelties typical of minor imprint output.AI summary
Ariel 4186 Music Hall
Tom Davie on Pop 294 with 'I'm 21 Today' and 'Liza Had Hold of My Hand', a British novelty or comic vocal recording from the 1920s–1930s on a small label.AI summary
Popular 294 Voice
Tom Downey on Mars 714, a ukulele recording from an unidentified artist on an obscure British label; Mars Records is not well documented, and this record is hard to place.AI summary
Marspen 714 Instrumental
Tom Edwards with What Is a Teen Age Boy? and What Is a Teen Age Girl? on Coral Q72236.AI summary
Coral Q72236 Rock
Tom English, a British vocalist, recorded 'Cockles and Mussels' (a Molly Malone street-song standard) and 'Oh lucky Jim' for Decca.AI summary
Decca F3965 Voice
Tom Foy on Zonophone 578, performing novelty vocal material. Foy appears to have been a minor vocalist recorded by Zonophone in its early years.AI summary
Zonophone 578 Voice
Tom Foy on Zonophone 636, a British singer performing comic or novelty material of the 1920s-30s.AI summary
Zonophone 636 Music Hall
Tom Foy, a Yorkshire dialect comedian and music-hall performer, performs 'I'm Not One as Wants to Say Owt' and 'If We Live to Be Ninety Nine' on Zonophone — early acoustic comedy recording in strong regional dialect.AI summary
Zonophone 726 Music Hall
Zonophone 1098 Music Hall
Tom Foy on Zonophone 1118, performing comic novelty 'Nearly Wedded' and 'Ah've Been to a Wedding'.AI summary
Zonophone 1118 Music Hall
Tom Foy, a Yorkshire comedian and music-hall performer, performs 'I've had some Money Left Me' and 'Nineteen Bright Pounds' on Zonophone — early acoustic comedy recording on a sought-after British label.AI summary
Zonophone 1191 Music Hall
Tom Foy, an unidentified performer, recorded 'First Time That I Come Up to London' and 'Live & Learn' for Zonophone, catalogue 1233, in the early 1920s. Zonophone issues of this era are moderately scarce.AI summary
Zonophone 1233 Music Hall
Tom Foy on Zonophone 1308, a British singer of the 1920s-30s recording light comedy songs.AI summary
Zonophone 1308 Music Hall
Tom Foy, a Scottish music-hall comedian, recorded 'Our Straits Canal' and 'Wales Whales & Weals', novelty and dialect songs, for Zonophone. Foy was a theatrical performer of the 1920s–1930s, and his recordings for this major label reflect the comic and topical material he performed on stage.AI summary
Zonophone 1519 Music Hall