21,666 shellac records · mostly British pressings, 1900s–1950s
21,666 records · page 48 of 452
Benny Goodman, the American swing bandleader and clarinetist, recorded 'Memories of you' and 'King Porter Stomp' for Columbia. Both are seminal swing sides from Goodman's orchestra in the mid-1930s.AI summary
Columbia 3732 Jazz
Benny Goodman, the 'King of Swing', on His Master's Voice B8450 with two standards from his hot-jazz repertoire.AI summary
His Master's Voice B8450 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, performing the jazz standards 'My Melancholy Baby' and 'Whispering' on His Master's Voice B8533.AI summary
His Master's Voice B8533 Jazz
Benny Goodman on Parlophone (DPE132) with 'Just you just me' and 'My guy's come back'; a mid-period Goodman dance side on a British Parlophone pressing.AI summary
Parlophone DPE132 Jazz
Benny Goodman, the King of Swing, recorded "Seven Come Eleven" and "Shivers" for Columbia in the late 1930s. Goodman's orchestra defined the big-band swing era.AI summary
Columbia DB5081 Jazz
Benny Goodman with That Did It, Marie and Somebody Else Is Taking My Place on Okeh 6497.AI summary
Okeh 6497 Jazz
Benny Goodman's orchestra with 'The Lamp of Memory' and 'When the Roses Bloom Again' on American OKeh.AI summary
Okeh 6580 Jazz
Benny Goodman and his orchestra with 'My Little Cousin' and 'Zoot Suit' on American OKeh.AI summary
Okeh 6606 Jazz
Benny Goodman, the King of Swing, recorded 'On the sunny side of the street' and 'All I need is you' for Columbia 36617; Goodman's swing orchestra was one of the most important and widely recorded groups of the 1930s and 1940s.AI summary
Columbia 36617 Jazz
Benny Goodman's orchestra on two popular numbers, Columbia US pressing 37091 from the late 1930s.AI summary
Columbia 37091 Jazz
Benny Goodman and his orchestra perform 'Dr Heckle and Mr Jibe' and 'Texas Tea Party' on the UK Columbia FB series, capturing the swing band at its commercial peak.AI summary
Columbia FB2823 Jazz
Benny Goodman, the 'King of Swing', recorded these standards for Columbia in the 1940s. His records remain among the most widely collected jazz of the swing era.AI summary
Columbia 37053 Jazz
Benny Goodman, the 'King of Swing', on Columbia L3016 with 'Let's dance (39)' and 'Goodbye'—a classic swing number and a standard from one of the most influential bandleaders in jazz history.AI summary
Columbia L3016 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, performing 'Shirt Tail Stomp' and 'Blue' on Brunswick 80030 — a hot jazz or swing side from the early 1930s.AI summary
Brunswick 80030 Jazz
Benny Goodman performing early swing-era rags on Columbia, a 1930s-40s pressing of the celebrated American bandleader and clarinetist.AI summary
Columbia DB5011 Jazz
Benny Goodman's orchestra recorded 'Seven come eleven' and 'Shivers' for Columbia's British DB series. Goodman was one of the most important bandleaders of the swing era.AI summary
Columbia DB5081 Jazz
Benny Goodman with Bennie's Boogie and Shishkabop on Capitol 13141.AI summary
Capitol 13141 Jazz
Benny Goodman's 'Sweet Sue', recorded for His Master's Voice in the early 1930s. The catalogue number B8905 indicates a standard dance-band pressing from HMV's popular 10-inch series, with both sides featuring the same tune—common practice for catalogue padding in the era.AI summary
His Master's Voice B8905 Dance
His Master's Voice B8398
Benny Goodman's orchestra on His Master's Voice, including the standards 'Loch Lomond' and 'One O'Clock Jump', recorded in the swing era.AI summary
His Master's Voice B8745 Jazz
Benny Goodman's 'King of Swing' orchestra on two popular numbers, 'Russian Lullaby' and 'Margie', for HMV. Both are Goodman standards.AI summary
His Master's Voice B8827 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, recording 'Louise' and 'Whispering' for His Master's Voice B8878, likely mid-1930s.AI summary
His Master's Voice B8878 Jazz
Benny Goodman, the 'King of Swing', recorded 'Six Flats Unfurnished' and 'Why Don't You Do Right' for Parlophone in the late 1930s or early 1940s.AI summary
Parlophone lR2864 Jazz
Benny Goodman on Columbia DC603, performing 'Gone with What Wind' and 'Tim Tom Special'. Goodman was the pre-eminent American big-band leader and clarinetist of the swing era; Columbia DC-series 78s are collectible.AI summary
Columbia DC603 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, recorded on the Rex label, a small British reissue or subsidiary label of the late 1930s.AI summary
Rex 8335 Jazz
Benny Goodman's His Master's Voice recording from the early 1930s, early in the career of the bandleader who would become the King of Swing by the mid-1930s.AI summary
His Master's Voice BD5152 Jazz
Benny Goodman's orchestra with 'Jersey Bounce' and 'A String of Pearls' on American OKeh.AI summary
Okeh 6590 Jazz
Benny Goodman with 'Solitude' and 'I'm Getting Sentimental Over You' in British Vocalion's Swing Series.AI summary
Vocalion S187 Jazz
Benny Goodman with 'Man I love' and 'Benny Rides Again' on Parlophone Records. Goodman was the leading white swing bandleader of the 1930s-40s, and his recordings with his band and small groups are major jazz documents.AI summary
Parlophone E11450 Jazz
Benny Goodman's 'Farewell Blues' and 'Margie', recorded for the American Victor label and issued on Bluebird, a budget subsidiary pressed during the swing era.AI summary
Bluebird 10973 Jazz
Capitol 13003
Benny Goodman on His Master's Voice with 'Did You Mean It' and 'Taint No Use'—additional swing recordings from his extensive recording sessions of the 1930s.AI summary
His Master's Voice B8535 Jazz
Benny Goodman with It Takes Time and Moonfaced, Starry-Eyed on Capitol 376.AI summary
Capitol 376 Jazz
Benny Goodman on Parlophone, a major British label; these are jazz standards that represent his core swing repertoire from the late 1930s–early 1940s.AI summary
Parlophone DPE133 Jazz
Benny Goodman was one of the most celebrated American jazz clarinetists and bandleaders of the 1930s–1950s, known as the 'King of Swing'. This Columbia DB-series recording preserves two of his sophisticated instrumental arrangements from the mid-1940s.AI summary
Columbia DB5072 Jazz
Benny Goodman performing the jazz standards 'Blue Skies' and 'On the Alamo' on Parlophone R3018, a British pressing from the late 1930s.AI summary
Parlophone R3018 Jazz
Benny Goodman's 'Don't Be That Way' and 'One O'Clock Jump' on American Victor, from his band's 1938 peak.AI summary
Victor 25792 Jazz
Benny Goodman and his orchestra perform 'Someday Sweetheart' and 'Who' on the UK His Master's Voice label, part of the swing era output that reached British listeners through HMV's American licensing arrangements.AI summary
His Master's Voice B8402 Jazz
Benny Goodman, the 'King of Swing', on His Master's Voice with two swing standards: 'I've Found a New Baby' and 'Swingtime in the Rockies'—quintessential 1930s hot dance from one of jazz's most influential figures.AI summary
His Master's Voice B8481 Jazz
Benny Goodman with And the Angels Sing and Don't Be That Way on Capitol CL14570.AI summary
Capitol CL14570 Jazz
Philips PB547
Benny Goodman's trio recorded "More Than You Know" and "China Boy" for His Master's Voice during the swing era. Goodman was one of the defining figures of 1930s–40s jazz and swing, and his small-group recordings are classic hot jazz.AI summary
His Master's Voice B8467 Jazz
Benny Hill, the British comedian and entertainer, recorded 'Who done it' for Columbia. This is one of his early comedy recordings, made before his later career as a television star.AI summary
Columbia DB3731 Comic
Benny Hill, the British comedian and entertainer, performing two comic novelty numbers on Columbia from the 1950s.AI summary
Columbia DB3731 Personalities (Prs)
Benny Hill, the British comedian and entertainer, recorded these two light popular songs for Decca in the early 1950s.AI summary
Decca F10442 Personalities (Prs)
Benny King with Singin' in the Rain and San Sebastian on Metropole 1214.AI summary
Metropole 1214 Dance
Benny Lee, credited on Parlophone R4136, performing 'Love Plays the Strings of My Banjo' and 'Born to Sing the Blues'; an obscure vocal recording from the early swing era.AI summary
Parlophone R4136 Voice
Benny Lee with Something's Gotta Give and Learnin' the Blues on Embassy WB136.AI summary
Embassy WB136 Voice