21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 56 of 452
Bidgood performing 'I wonder how I look when I'm asleep' and 'Roam on' on Uni 160, a dance-band novelty side on a small British label.AI summary
Unison 160 Dance
Bidgood on Uni 286, performing 'My Pet' and 'I told them all about you'.AI summary
Unison 286 Voice
Bidgood performing two popular songs from the early 1930s, 'I'm feathering a Nest' and 'I'm doing what I'm doing for love', on Uni, a short-lived British budget label.AI summary
Unison 445 Voice
Credited to Bidgood on Uni 567, performing 'Ro Ro Rollin' Along' and 'Stein Song'.AI summary
Unison 567 Dance
Bidgood on Uni 624. Uni was a short-lived British label of the 1920s-1930s. Bidgood is unidentified in standard sources, and the titles suggest light popular or novelty material typical of the period's mass-produced dance sides.AI summary
Unison 624 Dance
Harry Bidgood, a British performer, recorded 'Baby Face' and 'Am I Wasting My Time on You' for Scala, a small British label of the mid-to-late 1920s; both are standard popular songs from the dance-music era.AI summary
Scala 802 Dance
Bidgood recorded 'Balls Parties & Picnics' and 'Oh Monah' for Pan 25159; without identification of the artist, this appears to be a novelty or comic recording from the 1920s-1930s on an obscure British imprint.AI summary
Panachord 25159
Bidgood recorded 'The Toy Town Parade' and 'When You Played the Organ' for Gu (likely Gull), catalogue 2096; without identification of the artist, this appears to be a light entertainment or comic novelty recording from the 1920s-1930s on an obscure British imprint.AI summary
Guardsman 2096 Dance
Bidgood performing 'Excuse Me Lady' and 'I'll Always Be in Love with You' on Broadcast 2520.AI summary
Broadcast 2520 Voice
Bidgood recorded two jazz standards, 'High and Low' and 'Body and Soul', for Broadcast Records, catalogue 2546. Broadcast was a small British label.AI summary
Broadcast 2546 Instrumental
Credited to Bidgood on Broadcast catalogue 2550, a minor British label of the 1920s-30s. The titles suggest a sentimental vocal ballad recording.AI summary
Broadcast 2550 Voice
Bidgood, recorded on Broadcast 2550, performed 'Wouldn't it be wonderful' and 'A little Kiss each Morning,' popular sentimental songs. Broadcast was a minor British label of the 1920s–30s; Bidgood is unidentified.AI summary
Broadcast 2550 Voice
Two songs credited to Bidgood on Broadcast, a cheap British label of the 1920s and early 1930s.AI summary
Broadcast 2584 Voice
Bidgood performing 'Bubbling over with love' and 'Would you like to take a Walk' on Broadcast 3060, a small British label.AI summary
Broadcast 3060 Voice
Broadcast 3157 Dance
Bidgood performing four sentimental and comic songs on Broadcast, a cheap British budget label. The credits suggest material from the music-hall and novelty traditions.AI summary
Broadcast 505 Music Hall
Bidgood on Broadcast 524, a small British label. This side couples two instrumental novelties; Broadcast was a minor imprint active in the late 1920s–early 1930s, and Bidgood's identity is uncertain.AI summary
Broadcast 524 Instrumental
Bidgood on Broadcast, a small British label, performing light sentimental material.AI summary
Broadcast 2598 Voice
Bidgood on Broadcast 2594, a popular song recording from the 1930s on a budget British label. The artist Bidgood is unidentified.AI summary
Broadcast 2594 Voice
Bidgood on Mayfield (Mayf), a small British label; catalogue 2157 suggests a 1920s–30s pressing.AI summary
Mayfair 2157 Voice
Bidgood on Mayf 2026, a dance recording from an unidentified British label of the 1920s–30s.AI summary
Mayfair 2026 Dance
Bidgood performing a Sophie Tucker song selection and Baynes' 'Follow a Star' overture on Broadcast 5198.AI summary
Broadcast 5198 Voice
Bidgood, with vocalist Jack Morrison, recorded 'Oh what a silly Place to kiss a Girl' and 'We're uncomfortable' for Broadcast, catalogue 569, a minor British label of the late 1920s–1930s.AI summary
Broadcast 569 Comic
Bidgood and Jerome recorded two dance selections, 'Bow Bells selection' and 'Cat and the Fiddle selection', for Broadcast, a minor British label.AI summary
Broadcast 3173 Dance
Bidgood Band on Columbia IS1893, playing two dance numbers from the mid-1920s.AI summary
Columbia is1893 Dance
Bidgood band on Broadcast 214, a scarce early British label from the 1920s.AI summary
Broadcast 214 Dance
Bidgood's Band is not readily identified; this Sc-label disc from an unclear era carries two popular numbers, 'Who' and 'D'ye Love Me'.AI summary
Scala 793
Bidu Sayao was a Brazilian soprano (1906–1994) celebrated in the Metropolitan Opera and concert halls for her interpretation of lyric roles; this Columbia 12-inch pressing of Heitor Villa-Lobos's 'Bachianas Brasileiras' showcases her voice.AI summary
Columbia LX1439 Classical
Credited to Biese on Columbia 3055, this is a mass-produced sentimental dance or novelty side from the early 1920s; little is known of the artist.AI summary
Columbia 3055
Biese, performing two novelty pieces on Columbia: 'Ilo' and 'Crooning'.AI summary
Columbia 3057 Instrumental
Biese performing 'Just like the Rose' and 'When you're alone' on Columbia A2864, a pre-electrical Columbia acoustic recording.AI summary
Columbia A2864 Voice
Biese performing two novelty numbers on Victor (catalogue 18654), from the early 1900s acoustic era.AI summary
Victor 18654 Dance
Big Bill Broonzy, one of the most important blues musicians of the 20th century. Mercury 8261 ('Hollerin' the Blues' and 'Willie Mae Blues') captures him from the post-war era.AI summary
Mercury 8261 Jazz
Big Bill Lister with There's a Tear in My Beer and Give It Back to the Indians on Capitol 2148.AI summary
Capitol 2148 Country
Big Dave's 'Loosely with Feeling' and 'The Cat from Coos Bay' on Capitol are novelty or comedy recordings from the 1950s era. Without further identification of the artist, the record's significance is difficult to determine.AI summary
Capitol CL14195 Comic
Bell LKS-137
Bill Bailey was a celebrated British music-hall comedian and performer of the early 20th century. This Home label recording captures him in characteristic comic numbers.AI summary
Hom 702 Comic
Bill Clifton, a bluegrass and folk guitarist from Kentucky, recorded these popular standards for Columbia in the early 1950s during the post-war folk revival.AI summary
Columbia 39177 Country
The Bill Cotton band, a popular British dance orchestra, performing 'Bye Bye Blues' and 'Twelfth Street Rag' on Regal MR-series — a professional swing or dance side from the late 1930s.AI summary
Regal MR2185 Dance
Bill Cotton band on Rex 10239. Bill Cotton was a British bandleader and entertainer who led popular dance bands of the 1930s–40s and later became well-known in radio and television.AI summary
Rex 10239 Dance
Bill Cotton band on Regal, performing 'Bye Bye Blues' and 'Twelfth Street Rag' from the mid-1940s. Bill Cotton was a well-known British dance-band and radio personality.AI summary
Regal MR2185 Dance
Bill Cox's topical ballad The Trial of Bruno Richard Hauptmann on Conqueror 8454, about the 1935 trial for the Lindbergh kidnapping.AI summary
Conqueror 8454 Country
MGM 247
Bill Haley and his group recording 'Rocket 88' on the Holiday label, catalogue 105. If this is the small American Holiday Records label, this would be among the earliest rock-and-roll recordings by Haley — his 1951 cover of the Jackie Brenston original. Holiday Records was a tiny Philadelphia imprint and 78s from it are extremely uncommon. This disc requires urgent verification and expert assessment before any sale.AI summary
Holiday 105 Rock
Bill Haley's 'Rip It Up' on Brunswick is one of the pioneering rock and roll records of the mid-1950s. Haley was an American bandleader whose 'Rock Around the Clock' became the anthem of the rock era.AI summary
Brunswick 05615 Rock
Bill Haley's 'Rip It Up' was recorded for Brunswick in 1954, near the height of the early rock-and-roll craze. This is a pressing of one of the records that helped establish him as a major rock figure.AI summary
Brunswick 05615 Rock
Bill Haley recorded 'Hot Dog Buddy Buddy' and 'Rockin' through the Rye' for Brunswick 05582; this was an early Haley recording, before he became famous as the pioneer of rock and roll with 'Rock Around the Clock'.AI summary
Brunswick 05582 Rock
Bill Haley's 'Rock the Joint', first recorded in 1952 and one of the earliest records in the rock'n'roll style, issued in Britain on London in 1957 with 'Yes Indeed'.AI summary
London HLF8371 Rock