21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 81 of 452
A British Military Band recorded 'The Stars and Stripes Forever' for Zonophone, a British label established in 1901. This patriotic march represents routine British military band recording from the early 20th century.AI summary
Zonophone 666 Orchestra
British Symphony Orchestra performing Wagner's 'Siegfried Idyll' (parts 1–2) on VF 665, a mid-period electrical recording of orchestral music.AI summary
Velvet Face 665 Classical
The Broadway Bell Hops with Here Comes Malinda and, by Hallett, My Bundle of Love on Harmony 147.AI summary
Harmony 147 Dance
The Broadway Bellhops performing 'Goodnight' and 'Say it again' on Regal 8628, a British dance label of the late 1920s–early 1930s.AI summary
Regal 8628 Dance
Broadway Five recorded 'Jose Tango' and 'Tangonia' for Columbia, dance music of the 1920s.AI summary
Columbia 3216 Dance
The Broadway Five, a dance ensemble, recorded 'Evergreen Eve' and 'What Happens After the Ball?' for Columbia, catalogue 3236, in the early 1920s.AI summary
Columbia 3236 Dance
TL 425/7
The Broadway Syncopaters recorded dance and jazz numbers for Aco, a British imprint; the group's identity is not clearly documented.AI summary
Aco G15256 Dance
Broadway Syncopaters recorded these two sides for Aco, a tiny American label; the ensemble is not well documented but the name suggests a jazz-influenced dance band of the 1920s.AI summary
Aco G15177 Dance
The Broadway Trio recorded 'Whippoorwill Blues' and 'Emaline' for Puritan Records; an unidentified American ensemble on a small label.AI summary
Puritan Jazz
Broc Peters recorded 'Wonder of wonderful you' and 'You made me love you' for Columbia C2343, popular sentimental vocal songs from the 1930s–40s.AI summary
Columbia C2343 Voice
A disc by Bron. Mittmann — possibly a continental artist — on the HomB label (likely Homochord, a subsidiary imprint associated with the Homophon company) with catalogue number 32, containing 'Serenade' and 'Romance'. The very low catalogue number and the label's obscurity suggest an early pressing. The artist is not identifiable from standard references.AI summary
Hom B32
Bronislaw Huberman, the renowned Polish concert violinist, recorded the Edouard Lalo Symphonie Espagnole for Brunswick in the acoustic or early electric era.AI summary
Brunswick 50041 Classical
Bronislaw Huberman was a celebrated Polish violinist, known for both technical virtuosity and musical depth. 'Jota Navarra' and 'Romanza Andaluza' are showpieces typical of violin recital programmes; this Brunswick 50051 pressing is from the electrical era.AI summary
Brunswick 50051 Instrumental
Bronislaw Huberman was a Polish-born violinist and one of the leading concert soloists of the early 20th century; this Columbia LX pressing features two celebrated classical pieces, Brahms' Waltz in A Major and Bach's Air on the G String.AI summary
Columbia LX107 Classical
Bronislaw Huberman, the Polish virtuoso violinist (1882–1947), was one of the great soloists of the 20th century; this Columbia album set (L2335-8) contains his electrical recording of the Tchaikovsky Violin Concerto in D, a major work of the concerto repertoire.AI summary
Columbia L2335-8 Classical
Bronisław Huberman, the celebrated Polish violinist who had studied with Joachim, performing a Vieuxtemps Polonaise and a Ballade on Brunswick catalogue 50019. As with the companion Brunswick 50000-series discs in this collection, Huberman's recordings are collected by golden-age violin enthusiasts.AI summary
Brunswick 50019 Instrumental
Bronisław Huberman was one of the most celebrated violinists of the interwar period, a Polish-born virtuoso who had studied with Joachim and whose 1895 London performances as a child prodigy became legendary. This Brunswick pressing, catalogue 50026, contains 'Canzonetta' and 'La Clochette' (likely Paganini). Huberman's recordings are collected by golden-age violin enthusiasts.AI summary
Brunswick 50026 Instrumental
Bronisław Huberman on Brunswick 50031, coupling Wieniawski's Romance with a Caprice-Valse. As with the companion disc (id 14442), this is from the Brunswick 50000-series of Huberman recordings; a second disc in the same pressing series from the same collection suggests a set may have been acquired together.AI summary
Brunswick 50031 Instrumental
Bronisław Huberman, the celebrated Polish violinist, performing a Mazurka and Sarasate's Romanza Andaluza on Columbia L2332 — a 12-inch pressing. As with the companion Brunswick discs in this collection, Huberman's recordings are collected by golden-age violin enthusiasts; a 12-inch Columbia pressing is moderately uncommon.AI summary
Columbia L2332 Instrumental
Bronislaw Huberman, the celebrated Polish violinist, performing 'Waltz in A Major' (Brahms) and 'Air on G String' for Columbia LX107, a long-playing 12-inch.AI summary
Columbia LX107 Classical
Bronislaw Huberman (1882–1947) was a celebrated Polish violinist and founder of the Palestine Philharmonic. This Brunswick pressing preserves two virtuoso concert pieces: the Vieuxtemps Polonaise and Ballade, likely from electrical recordings of the late 1920s or 30s.AI summary
Brunswick 50019 Classical
Bronislaw Huberman, as id 8910, recorded for multiple labels; this Brunswick 50031 sides 'Romance' by Wieniawski and a 'Capriccio Valse', paired on one of his numerous solo violin recordings from the 1920s–1930s electrical era.AI summary
Brunswick 50031 Classical
Bronislaw Huberman, the celebrated Polish violinist, performing 'Romanza Andaluza' and 'Mazurka' on Odeon; Huberman was one of the leading concert violinists of the early 20th century.AI summary
Odeon O8744 Classical
Bronisław Huberman, the celebrated Polish violinist, performs the Carmen Fantasy on this Brunswick 12-inch disc, catalogue 10254. Huberman was one of the outstanding concert violinists of the inter-war era, and his acoustic and early electric recordings on Brunswick and Columbia attract serious collectors of historical violin playing.AI summary
Brunswick 10254 Classical
Bronisław Huberman was a Polish violin virtuoso of the highest distinction, a pupil of Joachim and one of the great violinists of the early twentieth century. Brunswick 15063 — 'Orfeo Melody' (Gluck) and Brahms's Hungarian Dance No 7 — is a mid-period Brunswick pressing. Huberman's recordings are collected by enthusiasts of early violin playing.AI summary
Brunswick 15063 Classical
Columbia LX107 Instrumental
Brooke Johns on His Master's Voice B1886; a male vocalist recording popular sentimental material, likely from the 1920s.AI summary
His Master's Voice B1886 Voice
His Master's Voice B1923 Personalities (Prs)
Brooke Johns recorded two early popular songs on His Master's Voice B1929, likely early 1920s. Johns is a minor recording artist of the period.AI summary
His Master's Voice B1929 Voice
Brooks on Piccadilly with cross-reference to Grey Gull. Piccadilly was a cheap British reissue label; this appears to be a reissue of earlier American material. The artist is unidentified.AI summary
Piccadilly 496 Instrumental
The Brosa String Quartet, led by the violinist Antonio Brosa, play By the Tarn on Electron 0287, over two sides.AI summary
Electron 0287 Classical
Brothers Howard performing two novelty numbers, 'Auction Sale of a Stranded Circus' and 'My Musical Evening', on Zonophone, the British budget label owned by the Gramophone Company.AI summary
Zonophone 32 Music Hall
The Brothers Walsh performing two sentimental songs on Piccadilly, a cheap British budget label: 'On Her Doorstep Last Night' and 'Sun Will Shine Some Day'.AI summary
Piccadilly 450 Voice
Broughton and Lenghi-Cellini recorded 'Home to our Mountains' (from Verdi's *Il trovatore*) for Beka Records. Beka was a small European label. The performers are not well documented in English-language sources.AI summary
Beka M45 Opera
Broadcast 473 Dance
Brown on Imperial Records, performing 'Two Little Cups and Saucers' and 'Susie was a Real Wild Child', catalogue 1592.AI summary
Imperial 1592 Dance
Brown, a performer on Imperial, a small British label, in two sentimental songs: "In my Gondola" and "Lonesome and sorry", from the late 1920s.AI summary
Imperial 1614 Voice
Brown, performing 'I never see Maggie alone' and 'Moonlight on the Ganges' on Imperial Records.AI summary
Imperial 1615 Voice
Credited to Brown on Imperial 1655; Imperial was a minor British label of the early 1930s and little is known of this artist or these titles.AI summary
Imperial 1655 Dance
Two popular ballroom titles credited to Brown on Imperial, a minor British or American label of the 1920s or early 1930s.AI summary
Imperial 1642 Voice
Brown recorded 'Song of Happiness' and 'Match Parade' for Imperial Records, catalogue 2571. Imperial was a cheap British label.AI summary
Imperial 2571 Voice
The Brown Accordion Band with Underneath the Arches and While We Danced at the Mardi Gras on Panachord 25291.AI summary
Panachord 25291 Instrumental
Brown and Johnson with Everybody's Doin' It and That Mysterious Rag, two Irving Berlin songs of 1911, on Sirena 350.AI summary
Sirena 350 Ragtime
Brown Newland and Clarke on Winner 2675/6, a two-disc set with the title 'Black Justice'; Winner was a cheap British label of the 1920s–30s and recordings on this imprint are scarce.AI summary
Winner 2675/6
Brown, Newland and Clarke on Winner 2675/6, a two-disc set suggesting substantial or complex musical material. Winner was a small British label; 'Black Justice' may indicate a dramatic or narrative work.AI summary
Winner 2675/6 Music Hall
Brown's Musical Brownies performing two standards—"Cross Patch" and "Confessin'"—on Decca in the mid-1930s.AI summary
Decca 5413 Dance
Winner 2675 Music Hall