21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 86 of 452
Cab Calloway, the famous jazz vocalist and bandleader, recorded 'I love to sing' and 'Save me, sister' for Brunswick 02259, from his prolific early-to-mid 1930s recording period.AI summary
Brunswick 02259 Jazz
Untitled
Brunswick 1088
Cab Calloway, the American jazz and swing star, performing 'Willow Weep for Me' and 'Ghost of a Chance' on Parlophone R2941, a British 1930s release.AI summary
Parlophone R2941 Jazz
Cab Calloway on Brunswick, catalogue 1254. Calloway was a major American jazz and swing star of the 1930s–40s, the 'Hi-De-Ho' man; he was hugely popular and prolific, and Brunswick was a major label.AI summary
Brunswick 1254 Jazz
Cab Calloway, the famous 'Hi-De-Ho' bandleader, recorded 'Old Man of the Mountain' and a band number on Imperial Records — unusual for such a major artist to appear on a cheap British label, suggesting a reissue or licensing arrangement.AI summary
Imperial 2780 Jazz
Cab Calloway, the 'Hi-De-Ho Man' and one of the great jazz entertainers, performs 'Old Man of the Mountain' and '(Kardos) Nightfall' on Imperial 2625.AI summary
Imperial 2780 Jazz
Cab Calloway, the 'Hi-De-Ho Man' and a major jazz bandleader and entertainer of the 1930s, performing 'Hot Toddy' and 'Kickin' the Gong Around' on Brunswick 01417.AI summary
Brunswick 01417 Jazz
Cab Calloway's 'Hi-De-Ho' orchestra on Brunswick, from 1931; Hot Toddy and Kickin' the Gong Around are signature pieces from the height of his popularity as a bandleader and entertainer.AI summary
Brunswick 1417 Jazz
Cab Calloway and his band, a leading American jazz orchestra, on Rex with 'Dinah' and 'Man from Harlem', iconic numbers of the early 1930s.AI summary
Rex 8924 Jazz
The Cabaret Four recorded two popular song sides for Piccadilly Records, a cheap British marque of the 1930s. 'Sitting on a Rainbow' and 'On the Sunny Side of the Street' are both standards of the period.AI summary
Piccadilly 633 Dance
The Cabaret Four on Piccadilly, a budget British label that issued thousands of dance and popular records in the 1930s.AI summary
Piccadilly 648 Dance
Cabaret Four on Piccadilly 671, performing 'Adeline' and 'Little White Lies'. Piccadilly was a cheap British budget label active from the 1930s to 1950s.AI summary
Piccadilly 671 Voice
The Cabaret Four recorded 'Adeline' and 'Little White Lies' for Piccadilly, catalogue 671, a British budget label of the late 1920s–early 1930s.AI summary
Piccadilly 671 Dance
Cafe Colette Orchestra with Hyden, performing 'Schwarze Katharina' and 'Amparito Roca', on Regal 1399; a light dance or novelty ensemble recorded for a budget British label in the 1920s or early 1930s.AI summary
Regal 1399 Dance
Nassau D168 Music Hall
Cal Stewart, the American entertainer famous for Unk Odham stories and comic monologues, on Columbia D84, from the acoustic era around 1910–1915.AI summary
Columbia D84 Comic
Cal Stewart, an American entertainer famous for his 'Uncle Josh' character sketches, performing on Victor Records. Stewart's homespun comic monologues were very popular in the early 1900s and are now collected by American comedy and Americana enthusiasts.AI summary
Victor 3101 Comic
Cal Stewart was an American character performer and dialect comedian of the early 20th century; this Columbia pressing of 'Uncle Josh' comic sketches (with A. Jones and H. Browne) captures his rural character work.AI summary
Columbia A2991 Comic
Cal Stewart, an American vaudeville comedian and dialect reciter, in two novelty numbers on Standard (StandardA), a small British label: "Uncle Josh and the labor union" and a quartette medley.AI summary
StandardA A355 Comic
Cal Stewart and Len Spencer's 'Uncle Josh at the Dentists', a famous comic monologue duet first recorded in the 1890s, here on Columbia D121; a core piece of early American dialect comedy on a British pressing.AI summary
Columbia D121 Comic
California Ramblers performing 'Peanut Vendor' and a novelty dance number on Columbia (catalogue DC104), from the late 1920s.AI summary
Columbia DC104 Dance
California Ramblers, a prolific American dance and novelty ensemble, recorded 'Remembering' and '(T Lewis) One I Love Belongs to Somebody Else' for Columbia 3410 in the early 1920s.AI summary
Columbia 3410 Dance
The California Ramblers were a prolific American dance band of the 1920s; this Columbia side captures their hot jazz style in two popular fox-trots.AI summary
Columbia 3419 Dance
California Ramblers on Imperial 1457, with 'I'll Take Her Back' and a Lanin arrangement of 'When I Was the Dandy and You Were the Belle'. The Ramblers were a prolific American dance band of the 1920s, recorded on many labels; Imperial was a small US label.AI summary
Imperial 1457 Dance
The California Ramblers, a prolific American jazz-dance ensemble, recorded 'I Love the College Girls' and 'There Ain't No Maybe in My Baby's Eyes' for Columbia. The Ramblers were a popular hot-dance outfit of the mid-to-late 1920s, recording frequently for multiple labels and known to collectors of hot jazz and dance music.AI summary
Columbia 4369 Jazz
California Ramblers on Columbia 4022, performing two jazz-influenced dance numbers from the late 1920s.AI summary
Columbia 4022 Dance
The California Ramblers with 'El Manisero' ('The Peanut Vendor'), backed by Jack Payne's band with 'The Waltz You Saved for Me', on Regal.AI summary
Regal DK8446 Dance
California Ramblers on Columbia with 'Stop Rest Awhile' and 'Georgia Rose'; the Ramblers were one of the most prolific American hot-dance orchestras of the 1920s.AI summary
Columbia is1489 Dance
California Ramblers, a prolific American dance orchestra of the 1920s, recorded 'Rose Marie' and 'O Katherine' for Curry's 201, a very minor or regional label.AI summary
Curry's 201 Dance
The California Ramblers, a prolific American dance orchestra of the 1920s, performing on the obscure Curry's label, a small British regional imprint of which few copies are known to survive.AI summary
Curry's 202 Dance
The California Ramblers were a prolific 1920s dance band; 'Horses' and 'Sleepy Time Gal' are jazz-inflected popular numbers on Grafton, a small British label that reissued American dance masters.AI summary
Grafton 9206 Dance
The California Ramblers were a popular American dance orchestra of the 1920s; Guardsman was a British budget label that issued American dance sides, often under house names.AI summary
Guardsman 1182 Dance
The California Ramblers play Where the Four Leaf Clovers Grow, with Save Your Sorrow for Tomorrow on the reverse, on Homochord C870.AI summary
Hom C870 Dance
The California Ramblers play Hot Lips, with Vamp Me by the Bar Harbor band on the reverse, on Homochord H367.AI summary
Hom H367 Dance
California Ramblers, an American dance band active in the 1920s, recorded two popular dance numbers on Radiex, a small British label.AI summary
Radiex 1202 Dance
The California Ramblers were a prolific New York dance band of the 1920s who recorded prolifically for many labels. 'Tell Her at Twilight' and 'By the Sapphire Sea' are typical of their light dance repertoire from this period.AI summary
Regal 9211 Dance
The California Ramblers, a prolific American dance band of the 1920s, recorded 'California' and 'Bygones' for Regal, a British budget label. The Ramblers were one of the most recorded ensembles of the early dance-band era.AI summary
Regal 9311 Dance
The California Ramblers, a prolific dance and novelty ensemble of the 1920s, perform "Nobody Knows What a Red-Head Mama Can Do" and another dance number for Regal — the Ramblers were one of the decade's hardest-working recording bands.AI summary
Regal 9758 Dance
The California Ramblers' 'Shine' and 'It Had to Be You' on Columbia 127D, an early pressing of a prolific 1920s American jazz and dance band recorded for multiple labels.AI summary
Columbia 127D Jazz
The California Ramblers recorded 'Eliza' and 'I Want to See My Tennessee' for Columbia (223D), an American label of the early 1920s. The California Ramblers were a prolific session dance band, and their many recordings are standard dance-era material.AI summary
Columbia 223D Dance
The California Ramblers, the influential New York hot-dance ensemble, on Columbia 278D performing dance selections of the 1920s.AI summary
Columbia 278D Dance
California Ramblers, a prolific studio dance ensemble, performing 'Take a Little One Step' and 'On Such a Night' on Columbia 91D — an early catalogue number suggesting c. 1920–1924.AI summary
Columbia 91D Dance
California Ramblers on Columbia 92D with 'You're in Kentucky' and 'Hula Lou', American dance-band recordings from the mid-1920s. The California Ramblers were one of the period's prolific studio orchestras, recording frequently for multiple labels.AI summary
Columbia 92D Dance
The California Ramblers, a prolific New York-based dance band of the 1920s, recorded 'Smilin' and 'Bow Wow Blues' for Columbia's A-series. These sides are typical of the band's vast commercial output.AI summary
Columbia A3554 Dance
The California Ramblers were a prolific American dance and novelty ensemble of the 1920s-1930s, recording extensively for budget labels. This Regal pressing pairs two novelty dance numbers from their vast catalogue.AI summary
Regal 8202 Dance
The California Ramblers were one of the busiest hot-dance bands of the 1920s; this Perfect disc couples Blue Room, a 1926 Rodgers and Hart song, with Do Do Do.AI summary
Perfect 307 Dance
The California Ramblers were a hot-dance and early jazz ensemble of the 1920s. This Columbia pressing of 'The Sheik' and a Yerkes arrangement is a typical product of their prolific studio output.AI summary
Columbia is1507 Jazz
The California Ramblers recorded 'Please' and 'Driftwood' for Columbia, catalogue 3537. The Ramblers were one of the earliest and most prolific American jazz-dance ensembles, active from the early 1920s.AI summary
Columbia 3537 Jazz