21,650 shellac records · mostly British pressings, 1900s–1950s
21,650 records · page 9 of 452
Albert Collins on Beka (636) with 'It's a long way to Tipperary' and 'Have you seen our John'; Beka was an early British label active around 1900–1920s, and survivors from this marque are scarce.AI summary
Beka 636 Voice
Albert Delroy trio on Bell Records performing accordion music, 'Rhapsody in musette' and 'Donkey ride'; this is part of Bell's specialist Accordions series and likely a niche British pressing.AI summary
Bell Accordions AB0015 Instrumental
Albert Harris and Ivor Mairants were British jazz and swing musicians; this novelty instrumental side for Brunswick plays on the contrast between popular tune and classical form, typical of 1930s light jazz.AI summary
Brunswick 02350 Jazz
Albert Ketelby was a British composer and orchestra leader famous for light orchestral suites like "In a Monastery Garden"; this Columbia DX pressing offers two of his characteristic descriptive pieces for piano and orchestra.AI summary
Columbia DX27 Orchestra
Albert Ketèlbey, the British light-music composer, recorded 'Sanctuary of the Heart' (in two parts) for Columbia—one of his characteristic sentimental orchestral miniatures.AI summary
Columbia 9405 Orchestra
Albert Mackelvin performing the Scottish traditional tune 'Killiecrankie' on Columbia 25602, a single-sided recording likely from the acoustic or very early electrical era.AI summary
Columbia 25602 Instrumental
Albert Muller, recorded on Odeon, a major European label. 'The Jolly Singer' and 'The Carnival of Venice' are standard light-music and operatic-repertoire pieces. Muller is not identified in standard English-language discographies.AI summary
Odeon 34862 Instrumental
Albert Muller performing two vocal pieces, 'Lily of the Valley' and 'To Alexis I send thee', on Dacap, a small or short-lived British label.AI summary
Dacapo 4019 Voice
Albert Muller on JBull 12394 with 'Silver Bells' and 'Radetzky March'. JBull was a small British label; Muller is not a standard discographic name.AI summary
John Bull 12394 Instrumental
Albert Muller recorded two light instrumental pieces, "Mayflowers" and a waltz minuet, for Melog, a small British label of the early 1900s.AI summary
Melograph 2456 Instrumental
Albert Muller on Melograph 2457/1024, performing 'Butterfly gavotte' and the orchestra's 'Dancing hussar', light instrumental pieces from the early 1900s.AI summary
Melograph 2457/1024 Instrumental
Albert Pearce, a British tenor soloist and ballad singer, recorded two sentimental songs—'Love Me and the World Is Mine' and 'I Hear You Calling Me'—for Winner, catalogue 2021, from the early 1920s.AI summary
Winner 2021 Voice
Albert Richardson, a music hall performer, recorded 'Old Sow' and 'Buttercup Joe' for Zonophone, a British label active from the 1900s through the 1920s. These comic novelty titles are typical of early British variety entertainment.AI summary
Zonophone 5178 Music Hall
Albert Richardson recorded 'Old Sow' and 'Buttercup Joe' for Zonophone catalogue 5178. Zonophone was a British subsidiary label of The Gramophone Company, operating from 1900 to the 1930s.AI summary
Zonophone 5178
Albert Sammons (1886-1957), the English violinist, plays Serenade and Moment Musicale on Vocalion R6005.AI summary
Vocalion R6005 Instrumental
Albert Sammons, a celebrated British concert violinist, performs 'Songs My Mother Taught Me' and 'Liebesleid' on Columbia DB911 — classical violin repertoire recorded at the acoustic era's end.AI summary
Columbia DB911 Classical
Albert Sammons (1886–1957) was a British violinist of international reputation and founder of the British String Quartet. This Columbia D-series pressing of a Bach Chaccone is from the era of his most celebrated recordings.AI summary
Columbia D1496 Classical
Albert Sammons, the British violinist and chamber musician, recorded 'Songs My Mother Taught Me' (Dvořák) and 'Liebesleid' (Kreisler) for Columbia; Sammons was one of the leading British string players and chamber musicians of the early twentieth century.AI summary
Columbia DB911 Classical
Albert Sammons, the eminent British violinist and chamber musician, performing Pugnani's Prelude and Allegro and a Garden Melody on Columbia's prestigious L-series, likely from the late 1920s–30s.AI summary
Columbia L1170 Classical
Albert Sammons, the celebrated British concert violinist, recorded these piano-accompanied art songs for Columbia; a significant classical artist of the early 20th century.AI summary
Columbia D1420 Classical
Albert Sammons (1886-1957), the English violinist, plays Hejre Kati and Meditation on Vocalion D02040.AI summary
Vocalion D02040 Instrumental
Albert Sammons, the English violinist celebrated for Elgar's concerto, plays 'Hymne au soleil' and a Rondo on Vocalion.AI summary
Vocalion D02047 Classical
Albert Sammons on Columbia 9484, performing solo violin works by classical composers. Sammons was a respected British concert violinist and chamber musician of the early 20th century.AI summary
Columbia 9484 Classical
Albert Sandler, a British violinist and light music specialist, performing two sentimental popular songs on Columbia in the 1930s.AI summary
Columbia 5222 Instrumental
Albert Sandler, the violinist who led the Grand Hotel Eastbourne orchestra, plays Wait and Songs My Mother Taught Me on Vocalion X10006.AI summary
Vocalion X10006 Instrumental
Albert Sandler was a British violinist and pianist, famous for his work in light orchestral and salon-music recordings from the 1920s onwards. This Broadcast label side pairs 'Serenade' and 'Rondino', gentle pieces typical of his repertoire.AI summary
Broadcast 3365 Instrumental
Albert Sandler, a British violinist and light-music specialist, performs 'Gloomy Sunday' with Hildegarde and 'Vienna City of My Dreams', ballroom selections typical of his 1930s Columbia output.AI summary
Columbia FB1366 Orchestra
Albert Schweitzer, the Nobel Prize–winning theologian, physician and organist, performing two Bach chorale arrangements on Columbia. Schweitzer's organ recordings are historically significant.AI summary
Columbia ROX8020 Classical
Albert Schweitzer, the physician, theologian and organist, recorded Bach organ music for Columbia—a historic document of the great humanitarian's musical mastery.AI summary
Columbia ROX146 Classical
Albert Spalding, the American classical violinist, recorded Chopin's 'Nocturne in E Flat' and the 'Prize Song' for Brunswick 30124 in the acoustic or early electrical period.AI summary
Brunswick 30124 Classical
Albert Spalding, the celebrated American violinist, performs two classical miniatures, 'On Wings of Song' (Mendelssohn) and 'Ave Maria', on Brunswick. Spalding was one of the most important American violinists of the early-to-mid 20th century.AI summary
Brunswick 50066 Classical
Albert Spalding, an American violinist and composer, on Brunswick 15107: 'Guitarre' and 'Nobody Knows de Trouble I've Seen'. Spalding (1888–1953) was a prominent concert violinist and recording artist from the 1900s through the 1940s.AI summary
Brunswick 15107 Classical
Polyphon 5554 Personalities (Prs)
Albert Watson recorded 'Take a Pair of Sparkling Eyes' (from *The Yeomen of the Guard*) and 'Little Shepherdess of Devon' for Pioneer Records (PionB), a small British label. Watson was likely a tenor or baritone vocalist in the light-classical register.AI summary
Pioneer B10 Classical
Albert Watson sings 'Comfort Ye My People' and 'Every Valley Shall Be Exalted' from Handel's Messiah on Gramophone (Gram) 2193. Watson is not a widely traced name in standard vocal discographies. The two sides are the opening tenor numbers from Messiah, suggesting a tenor soloist. A specialist sacred-music record of modest collector interest.AI summary
Gram 2193 Voice
Albert Whelan was a Victorian and Edwardian whistler and reciter of some note; these sentimental titles on Zonophone, catalogue 2307, suggest an early pressing, likely from the acoustic era.AI summary
Zonophone 2307 Instrumental
Albert Whelan on Zonophone 554, 'Whistling Coon' / 'The Preacher and the Bear'. Albert Whelan was a whistler and entertainer popular in the 1910s–1920s, known for novelty and comic whistling records; both titles are from the early 1900s ragtime era.AI summary
Zonophone 554 Instrumental
Albert Whelan, the British violin virtuoso and accompanist, recorded 'Three Trees' and 'Preacher and the Bear' for Decca, drawing-room and novelty material from the 1930s-40s.AI summary
Decca F2697 Instrumental
Albert Whelan, a British character vocalist, on Imperial 2185 with 'The Village Disturbance' and a 'Laughing Record', from the acoustic era around 1910.AI summary
Imperial 2185 Voice
Albert Whelan performs two popular songs on Imperial 2257 from the 1920s. Whelan was a British-American popular singer active in the early recording era.AI summary
Imperial 2257 Voice
Albert Whelan, the celebrated British whistler and music hall star, recorded these two songs for the Imperial label, catalogue 2290, in the 1910s or early 1920s.AI summary
Imperial 2290 Music Hall
Imperial 2313 Music Hall
Albert Whelan, a celebrated whistler and entertainer, recorded 'Xmas Wedding Breakfast' and 'Darby & Joan's Xmas' for Imperial, catalogue 2351.AI summary
Imperial 2351 Personalities (Prs)
Albert Whelan was a pioneering Australian-born whistler and entertainer who had a long recording career from the 1910s onwards. Imperial 2453 captures him in the interwar era performing novelty material.AI summary
Imperial 2453 Music Hall
Albert Whelan, a singer and whistler known for his distinctive style, on Imperial, performing 'Darby & Joan's Christmas' and 'Christmas Bells Are Ringing', festive material likely from the 1920s or early 1930s.AI summary
Imperial 2596 Voice
Albert Whelan, a celebrated British music-hall entertainer and whistler, recorded on Imperial 2272, performing light sentimental songs.AI summary
Imperial 2272 Personalities (Prs)
Albert Whelan, a celebrated music-hall comedian and whistler, recorded for Diamond; 'Preacher and the Bear' and 'Let Us Waltz' represent his novelty and comic work.AI summary
Diamond 379 Music Hall
Albert Whelan, the Australian-born music hall star, with They All Start Whistling Mary and a second number on Panachord 25275.AI summary
Panachord 25275 Music Hall