Bell
116 records in the collection· mostly Anon, Band, anon
Bell was a small-format British label produced by the Edison Bell concern from 1921, initially aimed particularly at the children’s market. Its inexpensive discs later broadened into light music and dance repertoire, making these unusually small records a distinctive branch of the prolific Edison Bell catalogue.
This introduction was written by AI from what is known of the label. Ask us if you want to know more about a particular record.
Records on Bell
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- AA Baby Record laugh
- B(Band)Tin Can Fuseliers
Billy Whitlock recorded 'A Baby Record Laugh' and 'Tin Can Fusileers' for Bell, catalogue 362. Bell was a minor British label.AI summary
Bell 362 Comic
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- AA Frog he would a wooing go
- Bpart 2
Edward Halland on Bell, a minor British label of the early 1930s. 'A Frog he would a wooing go' is a traditional English song. Halland's identity and recording career are not established in standard reference works.AI summary
Bell 261 Voice
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- AA Puka Lauhala Basket
- BPuka in the Pal
Bell LKS224
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- AAlabama Skedaddle
- BGo as you Please polka
William Ditcham performed two novelty titles, 'Alabama Skedaddle' and 'Go as You Please Polka', for Bell Records, a minor British label of the early 1930s.AI summary
Bell 231 Comic
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- AAll about Jim
- BButcher
Will Evans on Bell 211, performing comedic music-hall songs 'All about Jim' and 'Butcher'. Bell was a small British label of the early 1900s–10s.AI summary
Bell 211 Music Hall
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- AAll Things bright and beautiful
- BNow the Day is over
An anonymous recording on Bell label 280, featuring two hymns: 'All Things Bright and Beautiful' and 'Now the Day is Over'; likely a children's or devotional record.AI summary
Bell 280 Voice
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- AAloha nui loa dear
- BWaipio
The Alfred Apaka Hawaiians, recorded two Hawaiian numbers, "Aloha nui loa dear" and "Waipio", for the Bell label, a budget British imprint.AI summary
Bell LKS238 Hawaiian
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- AAyesha
- B(A Grover) Love me and the world is mine
Fred Vernon on Bell Records with two sentimental ballads from the early 1920s, a small British label.AI summary
Bell 97 Voice
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- ABarcarolle Tales of Hoffmann
- BCoppelia Mazurka
An unnamed band performing two orchestral selections—"Barcarolle" from Offenbach's *Tales of Hoffmann* and the "Mazurka" from Delibes' *Coppelia*—on Bell 196, a small British label.AI summary
Bell 196 Orchestra
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- ABeautiful Kahana
- BBlue lei
Edwin Sawtelle on Bell Records performing Hawaiian-style vocals, 'Beautiful Kahana' and 'Blue lei'; likely a British recording from the 1920s–1930s.AI summary
Bell LKS21 Hawaiian
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- ACalvary
- B(M Sydney) The day when you'll forget moe
T F Kinniburgh recorded religious and sentimental vocal numbers for Bell, a minor label; the artist is not documented in standard sources.AI summary
Bell 34 Voice
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- ACharley my Boy
- B(Band)Mandalay
California Ramblers performing 'Charley My Boy' and 'Mandalay' on Bell P290, a 1920s American pressing; the Ramblers were a prolific studio dance orchestra of the 1920s.AI summary
Bell P290 Dance
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- AChristians Awake
- BThe First Nowell
A band arrangement of two Christmas carols, 'Christians Awake' and 'The First Nowell', on the Bell label, a small British imprint.AI summary
Bell 83 Orchestra
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- AChurch's one Foundation
- BScotch Melodies
An unidentified band performing two sacred or traditional pieces—'Church's One Foundation' and 'Scotch Melodies'—on Bell, an obscure British label with a very low catalogue number.AI summary
Bell 58 Orchestra
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- ACome & have a Drink with me
- B(Band)Waldmere
Harry Bluff recorded 'Come and Have a Drink with Me' and 'Waldmere' for Bell, an obscure British label; the titles suggest music-hall or novelty comedy from the 1920s–1930s.AI summary
Bell 42 Music Hall
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- ACome unto me
- B(Band)Sandon
B Peters sings 'Come Unto Me' and 'Sandon' on Bell, an obscure British label with minimal surviving documentation.AI summary
Bell 77 Voice
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- ACrystal Palace March
- B(Orch)Evening news waltz
King's Colonials recorded 'Crystal Palace March' and 'Evening News Waltz' for Bell, a small British label. The low catalogue number suggests the early 1920s, and the marches indicate a light orchestral or military-style group.AI summary
Bell 251 Orchestra
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- ACubanola Glide
- BMy Cinnamon Lady
Jack Charman recorded 'Cubanola Glide' and 'My Cinnamon Lady' for Bell 395, a minor British label. Both titles suggest light dance or Latin-novelty material of the 1920s–30s. The catalogue number is early.AI summary
Bell 395 Dance
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- ACurrants
- B(Band)Spring Song
A recording credited anonymously (Anon) on Bell 379, featuring 'Currants' and 'Spring Song' (with band), a light or classical record.AI summary
Bell 379 Personalities (Prs)
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- ADaddy
- B(Opferman- violin)Chanson polonaise
Phyllis Lett recorded 'Daddy' and a violin piece, Chanson Polonaise by Opferman, for the Bell label, a British imprint of the 1920s.AI summary
Bell 107 Voice
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- ADick Whittington
- B(2 sides)
Harry Hemsley, a British comedian and character actor, recorded 'Dick Whittington' for Bell, an obscure label, likely a novelty or sketched performance.AI summary
Bell 400 Comic
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- ADixie Medley
- BSouthern memories
Fred Van Eps, an American banjo virtuoso and recording pioneer, performing Dixie-themed medleys on Bell Records. Van Eps was a major artist of the acoustic era whose banjo recordings defined the instrument on disc.AI summary
Bell 69 Instrumental
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- ADream Daddy
- BBeautiful Bird sing on
Anonymous recording of 'Dream Daddy' and 'Beautiful Bird sing on' on the Bell label, catalogue 326.AI summary
Bell 326 Voice
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- AE Mama ea
- BHookipa Paka
George Kainapau, performing here with G. Archer and the Pagans, recorded two Hawaiian songs, "E Mama ea" and "Hookipa Paka", on the Bell label. Hawaiian music was a popular commercial genre in the 1920s and 1930s, and this pressing documents the colonial-era fascination with island sounds.AI summary
Bell 112 Hawaiian
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- AEast Kent Regiment
- BRoyal West Surrey Regiment
The Band of the Irish Guards recorded two British military marches for Bell (256) in the early 1920s. Bell was a minor British label. Military band records of this era were common but are increasingly scarce as shellac discs deteriorate.AI summary
Bell 256 Orchestra
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- AEverybody loves my Baby
- B(Xylo)Midst the Heather
An anonymous ensemble recorded 'Everybody Loves My Baby' with xylophone on the flip for Bell, an obscure British label. The early catalogue number suggests 1920s–30s.AI summary
Bell 349 Dance
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- AEverybody's tired of doing it
- BWoolloomooloo
Herbert Rule performing novelty or comic material for Bell Records, a small British label. 'Everybody's Tired of Doing It' and 'Woolloomooloo' suggest comedy songs or character pieces.AI summary
Bell 470 Comic
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- AFather and Son
- B(Anon)I'll take her back
Billy Whitlock recorded 'Father and Son' and 'I'll Take Her Back' for Bell, a small British imprint of the 1920s; Whitlock was a minor performer and the material is sentimental and comic song.AI summary
Bell 336 Music Hall
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- AGentle Jesus meek and mild
- BI love to hear the Story
An anonymous choir recording of two hymns, 'Gentle Jesus Meek and Mild' and 'I Love to Hear the Story', pressed on Bell, an obscure British label. The performers are not credited.AI summary
Bell 277 Misc.
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- AGeorgette
- B(Band)Count the Days
California Ramblers on Bell Records performing 'Georgette' and 'Count the Days' — an influential early jazz and dance ensemble on a small American label, likely mid-1920s.AI summary
Bell P160 Jazz
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- AGout
- B(Anon)Pal of my Cradle Days
Billy Whitlock recorded 'Gout' and 'Pal of my Cradle Days' for Bell, catalogue 393, a small British label of the early 1920s.AI summary
Bell 393 Music Hall
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- AGrenadier & Scots Guards marches
- BRule Britannia
A dance band on Bell 276 with British patriotic material: marches by the Grenadier and Scots Guards, and 'Rule Britannia'. Bell was a small British label; the recording date and band identity are unclear.AI summary
Bell 276 Orchestra
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- AHawaiian Vamp
- BPolynesian Hideaway
George Archer and the Pagans recorded Hawaiian-themed novelty songs—"Hawaiian Vamp" and "Polynesian Hideaway"—for Bell, a minor American label (LKS33). The Hawaiian craze was popular in the 1920s–1930s and produced many amateur and semi-professional recordings.AI summary
Bell LKS33 Hawaiian
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- AHiro E
- BUa Like Noa Like
Bell LKS-76
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- AHonolulu blues
- BChunka
A Hawaiian guitar duo or ensemble recorded 'Honolulu blues' and 'Chunka' for Bell, a minor British label, catalogue 314. The very low catalogue number suggests an early pressing.AI summary
Bell 314 Hawaiian
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- AHouse that Jack built
- B(concluded)
An anonymous two-part performance on Bell 269, a small British label; 'House That Jack Built' is a nursery rhyme, suggesting this may be a spoken or novelty recording.AI summary
Bell 269 Personalities (Prs)
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- AHush here comes the Dream Man
- B(A Day)Do you remember the Last Waltz
Stanley Kirkby, a prolific British ballad singer who recorded for many labels throughout the 1920s–30s, recorded these sentimental items for Bell, a small British label. Kirkby was a house singer for multiple record companies.AI summary
Bell 389 Voice
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- AI don't care what you used to be
- B(Celeste)Elves' Picnic
An anonymous performer on Bell label 369, featuring comic and novelty music from the early 1920s.AI summary
Bell 369 Comic
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- AI must go Home tonight
- B(H Clifton)A Tiny seed of Love
F. Murray (artist unidentified) on Bell 105, a rare British label. The titles are popular ballad material; the label and artist cannot be placed with confidence.AI summary
Bell 105 Voice
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- AI never see Maggie alone
- B(Xylo)Eastern Star
An anonymous band or orchestra recorded 'I never see Maggie alone' and 'Eastern Star' (featuring xylophone) for Bell, a minor British label, catalogue 383.AI summary
Bell 383 Personalities (Prs)
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- AI really Don't Want to Know
- BSlowly
Randy Hudges on Bell 1036, performing 'I really Don't Want to Know' and 'Slowly' — a soul or rhythm-and-blues artist on the small Bell label, likely late 1950s.AI summary
Bell 1036 Voice
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- AI want to be happy
- B(Orch)Come where my Love lies dreaming
An anonymous orchestra on Bell, a British budget label.AI summary
Bell 343 Dance
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- AI wonder if you miss me sometimes
- BYou taught me how to love you
Stanley Kirkby singing two sentimental ballads on Bell, a minor British imprint, likely 1920s-30s based on the catalogue number.AI summary
Bell 238 Voice
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- AI'll prove that I'm right
- B(Orch)Dreams of Ragtime
Bell 94 Music Hall
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- AI'm an Airman
- B(Xylo)Jolly old Pals
An unnamed performer on side A singing 'I'm an Airman' and a xylophone solo of 'Jolly old Pals' on Bell, a British budget label.AI summary
Bell 354 Music Hall
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- AI'm in Trouble again
- B(H Foy)Playing the Game in the West
Tom Foy on Bell label, this pressing of 'I'm in Trouble Again' and '(H Foy) Playing the Game in the West' is an unidentified artist's vocal or comic song.AI summary
Bell 204 Voice
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- AI'm on my Way Home
- BBird's Eye View of Kentucky
Lanin (likely Sam Lanin, the American dance-band leader) performing two period dance numbers on Bell — 'I'm On My Way Home' and 'Bird's Eye View of Kentucky' — likely from the 1920s.AI summary
Bell 444 Dance
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- AIf tears could bring you back to me
- BGone again Gal
Jack Sillman performing two popular ballads, 'If tears could bring you back to me' and 'Gone again Gal', on the Bell label.AI summary
Bell 457 Voice
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- AIN THE MOONLIGHT, DEAR LOUISE
- B(Band) Teddy Bear's Picnic
Sydney Barnes with In the Moonlight, Dear Louise and, by a band, Teddy Bear's Picnic on Bell 116.AI summary
Bell 116 Voice
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- AJack and the Beanstalk
- B(2 sides)
Harry Hemsley, a British comedy performer, with a recitation of 'Jack and the Beanstalk' on Bell Records.AI summary
Bell 397 Comic
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- AJust the Same
- BDawn of Tomorrow
Lou Gold on 'Just the Same' and 'Dawn of Tomorrow'. Released on Bell Records 514, a short-lived small British label of the late 1920s.AI summary
Bell 514 Dance
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- AKeep Your Eye on Mr. McKay
- BAm I wasting my Time on you
An unidentified performer on Bell, a minor British label; novelty song titles suggest popular or comic material from the 1920s–1930s.AI summary
Bell 391
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- AKohala march
- BHula town
Clara Inter on Bell Records LKS248, performing Hawaiian titles 'Kohala march' and 'Hula town'. Bell was a small British imprint.AI summary
Bell LKS248 Hawaiian
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- ALaughing all the Way
- BWhat a Very Dreadful Thing
W.W. Whitlock recorded 'Laughing all the Way' and 'What a Very Dreadful Thing' for Bell Records catalogue 96. Bell was a small early British label active in the 1900s-1910s.AI summary
Bell 96
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- ALaughing Ploughboy
- BLaughing Nigger
Bell 271 Music Hall
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- ALaughing Zulu
- B(Anon)Always
Billy Whitlock recorded 'Laughing Zulu' and 'Always' on Bell label, catalogue 361. Bell was a minor British imprint, and this is likely a novelty or comic side from the early 1920s.AI summary
Bell 361 Comic
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- ALes Huguenots
- BIn a Monastery Garden
An unnamed band on Bell Records performs two orchestral concert pieces: the overture to *Les Huguenots* and Ketèlbey's orchestral evergreen 'In a Monastery Garden'.AI summary
Bell 315 Orchestra
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- ALittle Bo-Peep
- BThree Nursery Rhymes
An anonymous recording of 'Little Bo-Peep' and 'Three Nursery Rhymes' for the Bell label, catalogue 293, from the 1920s. A children's or educational record on a minor imprint.AI summary
Bell 293 Personalities (Prs)
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- ALittle Man & Maid
- BSee saw Margery Daw
Edward Halland recorded 'Little Man & Maid' and 'See saw Margery Daw' for Bell, an early British imprint.AI summary
Bell 264 Personalities (Prs)
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- ALittle Willie's Woodbines
- BOld grey Coat
F Murray performing two songs, 'Little Willie's Woodbines' and 'Old grey Coat', on Bell, a British budget label, catalogue 179.AI summary
Bell 179 Voice
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- ALohengrin Intro Act 3
- B1812 Overture
An unidentified orchestra recorded the Introduction to Act III of Wagner's Lohengrin and the 1812 Overture for the Bell label, a small British imprint.AI summary
Bell 61 Orchestra
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- ALola O'Brien, the Irish Hawaiian
- BLeila
Bell LKS-137
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- ALonesome and sorry
- B(Xylo)Manella
An unnamed band performing two novelty pieces on Bell, a minor British label: 'Lonesome and Sorry' and a xylophone novelty titled 'Manella'.AI summary
Bell 377 Instrumental
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- AMagic Moments
- BBarcelona
A band performing 'Magic Moments' and 'Barcelona' on Bell 364, from an unknown date on a small British label.AI summary
Bell 364 Dance
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- AMamie May
- BMaisie Lou
Jack Charman recorded "Mamie May" and "Maisie Lou" for Bell catalogue 317. Charman was a British popular singer and comedian of the 1910s-1920s, and Bell was a minor British label of that era.AI summary
Bell 317 Music Hall
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- AMary had a little Lamb
- BSing a Song of Sixpence
An anonymous recording on Bell label 291, featuring nursery songs 'Mary Had a Little Lamb' and 'Sing a Song of Sixpence'; likely a children's or instructional record.AI summary
Bell 291 Voice
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- AMilitary Tattoo
- Bpart 2
A military tattoo recording on the Bell label. Bell was a small British imprint, and military and ceremonial music on such labels are seldom collected.AI summary
Bell 358 Orchestra
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- AMoonlight and Roses
- B(Band)Maritana
Two orchestral pieces—'Moonlight and Roses' and an arrangement from Maritana—by an uncredited band on Bell, a minor British label.AI summary
Bell 347 Orchestra
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- AMy Fiddle is my Sweetheart
- B(Royal Artillery) To the Rescue
G.H. Chirgwin, the Victorian-era music hall entertainer (known as the 'White-Eyed Kaffir'), recorded for Bell catalogue 66, likely an early reissue or preservation of historical material.AI summary
Bell 66 Music Hall
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- AMy Irish Home Sweet Home
- BPretty little Japanese
An anonymous recording on the Bell label, a minor British imprint. The titles are sentimental popular songs typical of the early 1930s.AI summary
Bell 371 Voice
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- ANa Molokama
- BTo You Sweetheart Aloha
Alfred Apaca performs two Hawaiian songs on Bell Records: 'Na Molokama' and 'To You Sweetheart Aloha', from a small British label.AI summary
Bell 235 Hawaiian
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- ANormandy
- B(Guitar)Prancing
An anonymous instrumental on Bell, a British budget label.AI summary
Bell 360 Instrumental
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- AOh Charlie take it away
- B(Bell)Belle gavotte
Anonymously credited vocal on Bell 382. Bell was a small British label of the 1910s-1920s era, and the titles suggest popular comic or novelty material, but without artist identification or further details, this record cannot be placed.AI summary
Bell 382 Personalities (Prs)
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- AOh Darling do say Yes
- B(Bells)Spoof march
An anonymous recording on the Bell label, a small British imprint, featuring a spoof march.AI summary
Bell 339 Personalities (Prs)
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- AOld Bath Chair
- B(Band)Valencia
Billy Whitlock on Bell 356, performing novelty and sentimental material. Whitlock was a British music hall performer; Bell was a minor British label.AI summary
Bell 356 Music Hall
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- APeaceful Henry
- BTemptation Rag
Unidentified band on Bell 305, recorded in the early 1920s. The titles 'Peaceful Henry' and 'Temptation Rag' suggest dance or novelty material typical of the period, but without artist attribution or further identification, this record cannot be placed.AI summary
Bell 305 Dance
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- APearla
- BChurch Parade
Uncredited band on Bell Records with 'Pearla' and 'Church Parade'. Bell was an obscure British label, likely from the late 1920s.AI summary
Bell 4 Orchestra
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- APolka des Clochettes
- BDefile de la Garde Republicaine
A band recording of two light instrumental pieces—a polka and a military march—on Bell F501, from the early 1930s British label; likely a mass-pressed light music side.AI summary
Bell F501 Orchestra
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- APut on your Ta ta
- BTake your girlie where the Band is playing
Jack Charman, a British performer, recorded light entertainment novelty songs for Bell, a short-lived British imprint; 'Put on Your Ta Ta' and 'Take Your Girlie Where the Band is Playing' are typical music-hall comic numbers from the 1920s.AI summary
Bell 232 Music Hall
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- AQuaker Girl waltz
- BQuaker Girl selection
A band recording of two movements from 'The Quaker Girl', a light operetta by Lionel Monckton, on Bell 256, a British label.AI summary
Bell 256 Opera
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- ARagtime Violin
- BI'm going back to Dixie
Jack Charman recorded 'Ragtime Violin' and 'I'm going back to Dixie' for Bell Records, a small British label. Charman was a comedic music-hall performer active in the 1920s.AI summary
Bell 474 Music Hall
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- ARiley's Cow Shed
- B(Band)Santiago
An anonymous band recording on the Bell label; 'Riley's Cow Shed' and 'Santiago' suggest novelty or light instrumental dance material from the early 1930s.AI summary
Bell 303 Instrumental
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- ARoyal Lancashire and Warwick Regiments
- BKing's Liverpool and Norfolk Regiments
A military band recording on the Bell label, catalogue 255, featuring marches and regimental selections. Bell was a small British label active in the early 1900s-1920s era.AI summary
Bell 255 Orchestra
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- ASacred selection
- BMemories of Ireland
Lyster & Cooke performing light classical or sentimental material on Bell, a minor early label.AI summary
Bell 6 Instrumental
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- ASave your Sorrow
- BWaitin' for the Moon
Two anonymous songs, 'Save your Sorrow' and 'Waitin' for the Moon', on the Bell label—details are minimal.AI summary
Bell 349 Dance
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- ASays I to myself
- B(Band)Chunese Moon
Anonymous on Bell Records 389, a cheap British label of the 1920s–1930s; the titles suggest popular vocal or comic material.AI summary
Bell 389 Personalities (Prs)
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- AScottish Emigrant's Farewell
- BWhy don't my Dreams come true
Anonymous performance of two Scottish and sentimental songs—'Scottish Emigrant's Farewell' and 'Why don't my Dreams come true'—on Bell 335.AI summary
Bell 335 Voice
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- ASettle up Settle down
- B(F Lindon)Pretty little Girl from Nowhere
F. Murray credited on Bell 170, a marginal British label, with two popular songs from the 1920s or early 1930s. Murray is not a standard discographic name.AI summary
Bell 170 Voice
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- AShine
- B(Concertina)Melody in F
Anonymously credited vocal on Bell 309. The titles—'Shine' and an instrumental 'Melody in F'—suggest popular material of the 1910s-1920s era. Bell was a small British label active in that period, and the early catalogue number indicates a limited pressing, but the recording cannot be identified further.AI summary
Bell 309 Personalities (Prs)
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- ASlow movement Mendelssohn
- B(Song)Road to Loch Lomond
A violin soloist performing 'Slow Movement' from Mendelssohn, coupled with 'Road to Loch Lomond', recorded for Bell 392. Bell was a small British label; the artist is unidentified, but the classical/folk programme suggests a serious musician recorded for the budget market.AI summary
Bell 392 Classical
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- ASometime
- B(Orch)Faust
An anonymous orchestral recording pairing an unattributed piece titled "Sometime" with a selection from Gounod's *Faust* on Bell, a small British label.AI summary
Bell 395 Orchestra
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- ASometimes I think I love Maggie
- B(Band)My Carmenita
Anonymous band on Bell 390, a British budget label, performing sentimental popular numbers. Bell records are less frequently encountered than major labels.AI summary
Bell 390 Personalities (Prs)
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- AStephanie gavotte
- BNarcissus
Bells recorded 'Stephanie gavotte' and 'Narcissus' for the Bell label, catalogue 272, likely from the early acoustic or early electrical era.AI summary
Bell 272 Instrumental
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- ASun of my Soul
- BAbide with me
Dudley Roy was a singer recorded for Bell, a small British label of the 1920s-1930s. These are hymn or sacred music titles.AI summary
Bell 260 Voice
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- ATea for two
- B(xylo)Cuddlesome
A dance band recording of two popular ballroom numbers, one featuring xylophone, on the Bell label, a small British pressing from the 1920s and 1930s.AI summary
Bell 328 Dance
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- ATen little Nigger Boys
- BOld Mother Hubbard
E Wellbeloved recorded novelty songs for Bell, a small British label. The title 'Ten little Nigger Boys' was a nursery rhyme of the period, though the terminology is now obsolete.AI summary
Bell 263 Comic
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- AThat certain Party
- B(Anon)Whistling Scot)
An untitled band recording on Bell 388 performing 'That certain Party' and an anonymous 'Whistling Scot'. Bell was a short-lived British label of the early 1920s; the artist and pressing details are obscure.AI summary
Bell 388 Dance
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- AThat's how I believe in you
- BSally
An anonymous recording on Bell 282, a small British label; the titles 'That's How I Believe in You' and 'Sally' point to early–mid period vocal or light entertainment material.AI summary
Bell 282 Personalities (Prs)
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- AThe Mermaid
- BReading a Novelette
Will Evans on Bell 210, performing 'The Mermaid' and 'Reading a Novelette'. Evans was a British music-hall comedian popular in the early 1900s; Bell was an early British label. This is an acoustic-era recording and is scarce.AI summary
Bell 210 Music Hall
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- AThe Toreador
- B(Williams) Put a bit of Powder on it Father
Sam Mayo, the music-hall comedian, on the Bell label — an obscure British imprint — catalogue 84, with 'The Toreador' and Williams's 'Put a Bit of Powder on It Father'. The Bell label is not identified in standard references; a Mayo pressing on this imprint warrants investigation.AI summary
Bell 84 Music Hall
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- AThe toreador
- B(Williams)Put a bit of powder on it
Sam Mayo recorded two songs for Bell, a small British label: 'The Toreador' and '(Williams) Put a Bit of Powder on It'.AI summary
Bell 84 Voice
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- AThe Village Tragedy
- BThe Haunted House
Billy Whitlock recorded 'The Village Tragedy' and 'The Haunted House' for the Bell label, an early British imprint. The titles suggest narrative or dramatic monologues, but the artist and label are not readily identified.AI summary
Bell 369 Music Hall
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- AThree little Kittens
- BThere was a little Man
Three Little Kittens and There Was a Little Man on Bell 290, with no performer named.AI summary
Bell 290 Personalities (Prs)
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- ATo cheer him up
- BI'm 21 today
Jack Pleasants on Bell 352 — 'To Cheer Him Up' and 'I'm 21 Today.' Bell is a British label less commonly encountered than the major marques; Pleasants is a documented Edwardian music-hall comedian known for his gentle, bashful stage persona.AI summary
Bell 352 Music Hall
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- ATry again/Ding dong Bell
- BOnce there lived a little Man
An anonymous children's record on the Bell label, pressing nursery rhyme selections 'Try again/Ding dong Bell' and 'Once there lived a little Man'.AI summary
Bell 297 Personalities (Prs)
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- ATwo of Irish
- BKentucky Patrol
Dudley Roy performing bell solos on two popular titles on the Bell label, a small British marque of the 1920s or 1930s.AI summary
Bell 254 Instrumental
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- AValencia
- B(Hawaiian Guitar)London
An unnamed performer singing 'Valencia' on side A and a Hawaiian guitar performance of 'London' on side B on Bell, a British budget label, catalogue 357.AI summary
Bell 357 Hawaiian
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- AWanna go back again blues
- B(Celeste)Celestina
An unidentified band on the Bell label, performing 'Wanna go back again blues' and a celeste instrumental titled 'Celestina'. Bell is an obscure or short-lived British imprint.AI summary
Bell 368 Dance
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- AWe are but little Children weak
- BThere's a Friend for little Children
An unnamed performer on Bell, a minor early British label, singing hymns or religious children's songs.AI summary
Bell 278 Voice
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- AWhere are you going to my pretty Maid
- Bpart 2
Annie Rees and Dan Jones performing 'Where Are You Going to My Pretty Maid' in two parts on Bell 262 — a dialogue or duet song on a small British label, early 1930s.AI summary
Bell 262 Voice
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- AWhitlock's Christmas Pudding
- BWhitlock's Waits
Billy Whitlock credited on Bell 354 with novelty or seasonal material. Whitlock is not immediately recognisable; the titles suggest Christmas or festive recordings from the 1920s–1930s.AI summary
Bell 354 Misc.
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- AWhy did I tell you I love you
- BCoconut Joe
Fiddling Sam on Bell, a small British label — artist otherwise unrecorded in standard reference sources.AI summary
Bell FS14 Instrumental
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- AWilliam Tell Overture
- Bpart 2
An unattributed band recorded the William Tell Overture for Bell 28, an obscure early label—the catalogue number suggests an acoustic-era pressing.AI summary
Bell 28 Orchestra
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- AYes Sir that's my Baby
- BCharleston
The Varsity Eight Hollywood Ramblers, an American jazz or novelty group, recorded two popular jazz standards for Bell catalogue 351. This is likely a 1920s jazz or dance recording.AI summary
Bell 351 Jazz
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- AYorkshire Lad in London
- Bpart 2
Tom Foy recorded 'Yorkshire Lad in London' parts 1 and 2 for Bell, a small British label, probably in the early 1920s. This is the same Yorkshire dialect comedy piece as his Empire recording (id 16557), here pressed on a different imprint.AI summary
Bell 203 Music Hall
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- AYou forgot to remember
- B(Band)Doctrinen
An anonymous band recorded 'You Forgot to Remember' and 'Doctrinen' for Bell, an obscure British label. The recording cannot be identified beyond the catalogue number and era.AI summary
Bell 378 Dance