Piccadilly
269 records in the collection· mostly Leon, Cotton, Tommy Handley
Piccadilly was a British budget label produced by the Metropole Record company from the late 1920s into the early 1930s. Its catalogue concentrated on current popular songs, dance bands, comic material and light music, providing inexpensive versions of the repertoire heard in cinemas, dance halls and on radio.
This introduction was written by AI from what is known of the label. Ask us if you want to know more about a particular record.
Records on Piccadilly
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Untitled
Piccadilly 108
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Untitled
Piccadilly 109
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Untitled
An artist and title unrecorded on Piccadilly Records, a British budget label of the 1920s-30s.AI summary
Piccadilly 387
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- A(+J Jesson)I've been eatingCremalt
- B(Jesson)Cremalt
Jack Judge, a British music-hall and comic entertainer, recorded 'I've Been Eating Cremalt' and 'Cremalt' (credited to Jesson) on Piccadilly label, catalogue 3248. Judge was best known as the co-writer of 'Tipperary', and this is a novelty commercial recording from the 1930s–1940s.AI summary
Piccadilly 3248 Music Hall
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- A99 out of a 100
- B(Green)Betty Co Ed
A popular song recorded by Hoey on Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 739 Voice
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- AAdeline
- B(Band)Little white lies
Cabaret Four on Piccadilly 671, performing 'Adeline' and 'Little White Lies'. Piccadilly was a cheap British budget label active from the 1930s to 1950s.AI summary
Piccadilly 671 Voice
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- AAdeline
- B(Grey Gull)Little White Lies
The Cabaret Four recorded 'Adeline' and 'Little White Lies' for Piccadilly, catalogue 671, a British budget label of the late 1920s–early 1930s.AI summary
Piccadilly 671 Dance
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- AAdventures of Mr Ramsbottom
- Bpart 2
G. Clayton and F. Eyton recorded 'Adventures of Mr. Ramsbottom' Parts 1 and 2 for Piccadilly 304. These are comic monologues or spoken comedy, likely from the 1920s–30s, on a budget British label.AI summary
Piccadilly 304 Comic
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- AAh si ben mio
- BO quella Pizi
Lenghi Cellini was an Italian tenor recorded on Piccadilly in the early 1930s singing operatic arias.AI summary
Piccadilly 5032 Opera
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- AAin't misbehavin
- BNaomi
Mackey performing 'Ain't Misbehavin' and 'Naomi' on Piccadilly 412, a budget British marque.AI summary
Piccadilly 412 Dance
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- AAin't that it the Way it goes
- BWhen it's Nighttime in Nevada
Leon on Piccadilly 826, performing 'Ain't that it the Way it goes' and 'When it's Nighttime in Nevada', popular songs on a budget British label.AI summary
Piccadilly 826 Voice
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- AAirman
- BRaspberries
Claude Hulbert and Enid Trevor — Claude Hulbert was a popular British comedy actor of the 1930s — performing 'Airman' and 'Raspberries' on Piccadilly catalogue 541. Piccadilly was a cheap British budget label of the early 1930s; celebrity comedy recordings on Piccadilly are among the commoner of their type.AI summary
Piccadilly 541 Music Hall
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- AAll about Archibald
- BJim at the Bank
Will Evans recorded 'All about Archibald' and 'Jim at the Bank' for Piccadilly, catalogue 437. Evans was a music hall comedian active in the early 1930s; Piccadilly was a cheap British budget label.AI summary
Piccadilly 437 Music Hall
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- AAlone and afraid
- BWalking Lovers Lane alone
Hoey on Piccadilly 754, with 'Alone and Afraid' and 'Walking Lovers Lane Alone' — sentimental vocal ballads on a cheap British marque of the early 1930s.AI summary
Piccadilly 754 Voice
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- AAm I blue
- BIn an old world Garden
Kinsman recorded 'Am I Blue' and 'In an Old World Garden' for Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 390 Voice
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- ABaby
- BJohnnie
Sam Mayo, a Cockney music-hall comedian popular in the Edwardian era, recorded 'Baby' and 'Johnnie' on Piccadilly 540. Piccadilly was a cheap British budget label of the late 1920s–1930s, widely pressed for retail; Mayo's recordings on such imprints are plentiful and of modest collector value.AI summary
Piccadilly 540 Music Hall
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- ABaby's blue
- BRoll away Clouds
Shakespeare on Piccadilly 150, performing 'Baby's Blue' and 'Roll Away Clouds', likely 1920s–30s.AI summary
Piccadilly 150 Voice
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- ABanjo vamp
- BDesert Breeze
Eugene Earle on Piccadilly, a cheap British marque of the early 1930s; a banjo novelty and light instrumental.AI summary
Piccadilly 152 Instrumental
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- ABarmaid Song
- BI've got one Arm round Mary
Bert Marsden performing 'Barmaid Song' and 'I've Got One Arm round Mary' on Piccadilly 564.AI summary
Piccadilly 564 Music Hall
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- ABarnacle Bill the Sailor
- BGood'a Banana
The Two Bobs perform 'Barnacle Bill the Sailor' and 'Good'a Banana' on Piccadilly, a cheap British label of the early 1930s that issued mass-market comic and dance material.AI summary
Piccadilly 371 Comic
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- ABarnacle Bill the Sailor
- BGood'a Banana
Two Bobs (a British act) recorded the novelty sea-shanty 'Barnacle Bill the Sailor' and 'Good'a Banana' for Piccadilly 371, a cheap British budget label of the early 1930s.AI summary
Piccadilly 371 Music Hall
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- ABarrers in the Walworth Road
- BOps
Will Deller on Piccadilly Records, performing 'Barristers in the Walworth Road' and another piece. Piccadilly was a cheap British marque of the 1930s.AI summary
Piccadilly 763 Music Hall
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- ABen Hur (March)
- BColonel Bogey (March)
The London Fire Brigade Band recorded two marches — 'Ben Hur' and 'Colonel Bogey' — for Piccadilly, a cheap British budget label. Piccadilly pressings are abundant and typically command minimal value.AI summary
Piccadilly 517 Orchestra
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- ABench in the Park
- BHappy Feet
The Cabaret Four on Piccadilly, a budget British label that issued thousands of dance and popular records in the 1930s.AI summary
Piccadilly 648 Dance
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- ABluebird sing me a Song
- B(Acres)Firefly
Cotton performing two songs on Piccadilly 144, a budget British label of the early 1930s.AI summary
Piccadilly 144 Voice
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- ABogie Wail
- BI faw down
Clifford performing the novelty jazz-influenced songs 'Bogie Wail' and 'I Faw Down' on Piccadilly 303, a British budget label.AI summary
Piccadilly 303 Jazz
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- ABonnie Leezi Lindsay
- BWe parted on the shore
Dougal Macnab recorded these two Scottish traditional songs for Piccadilly, a British budget label: 'Bonnie Leezi Lindsay' and 'We Parted on the Shore'. Macnab appears to have been a local Scottish performer, and these are typical of the regional folk and traditional music recorded for small labels in the 1920s-1930s.AI summary
Piccadilly k35 Voice
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- ABoots
- BSmuggler's Song
Joseph Farrington recorded 'Boots' and 'Smuggler's Song' for Piccadilly 892. Piccadilly was a cheap British budget label of the 1920s–30s.AI summary
Piccadilly 892 Voice
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- ABroadway melody
- BYou were meant for me
Alan Selby band on Piccadilly (314) with 'Broadway melody' and 'You were meant for me'; Piccadilly was a cheap British marque of the late 1920s–1930s.AI summary
Piccadilly 314 Dance
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- ACaro mio ben
- BOmbra ma fui
Blodwen Caerleon singing operatic repertoire—Tosti's 'Caro mio ben' and Handel's 'Ombra mai fu'—on Piccadilly 5081, a British budget label of the early 1930s.AI summary
Piccadilly 5081 Opera
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- ACasabianca
- BColumbo
Morrison recorded 'Casabianca' and 'Columbo' for Piccadilly, a cheap British budget label of the 1930s.AI summary
Piccadilly 194 Dance
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- AChilly Pom pom pee
- B(B du Garde)In the Woodshed she said she would
Harry Fay, a British music-hall comedian, recorded on Piccadilly, a cheap British marque. 'Chilly Pom Pom Pee' and the risqué title suggest comic novelty material typical of the 1920s–30s stage.AI summary
Piccadilly 101 Music Hall
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- AChristmas Dinner with the Children
- B2 sides
Harry Hemsley, a British dialect comedian known for family character pieces, performing 'Christmas Dinner with the Children' on Piccadilly.AI summary
Piccadilly 658 Comic
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- AChristmas melodies (Walter Hardwick)
- BThe capricious music box
The Athenaeum Light Orchestra, arranged by Walter Hardwick, recorded 'Christmas Melodies' and 'The Capricious Music Box' for Piccadilly—light orchestral seasonal and novelty pieces from a cheap British label.AI summary
Piccadilly 404 Orchestra
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- ACinderella
- Bpart 2
Charles Penrose and Company on Piccadilly, a cheap British budget label, performing the pantomime story 'Cinderella' or related material from the 1920s–30s.AI summary
Piccadilly 440 Music Hall
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- ACinderella part 3
- Bpart 4
Charles Penrose, the celebrated British comic singer and whistler, recorded on Piccadilly 441 performing dramatic scenes from Cinderella.AI summary
Piccadilly 441 Music Hall
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- AClimbing up those golden stairs
- BOh dem golden slippers
Frank Lucker, credited on Piccadilly, a British budget label of the 1920s–30s, performing popular sentimental songs.AI summary
Piccadilly 552 Voice
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- AClimbing up those golden stairs
- BOh dem golden slippers
Frank Lucker, an obscure artist, recorded these two traditional American religious songs for Piccadilly, a cheap British marque of the 1920s–1930s, known for budget releases.AI summary
Piccadilly 552 Voice
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- ACollegiana
- BMy One and Only
Credited to Fisher on Piccadilly, a British budget label of the early 1930s; 'Collegiana' and 'My One and Only' are light entertainment numbers from the dance-music era, but the artist is unidentified.AI summary
Piccadilly 165 Dance
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- ACome in, Mr Cummins
- BThe Empire Party
Tommy Handley, the British radio comedian and star of *ITMA*, recording 'Come In, Mr Cummins' and 'The Empire Party' for Piccadilly 556, likely 1930s–40s.AI summary
Piccadilly 556 Comic
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- AConsiderin
- BHappy Days and lonely Nights
Talbot O'Farrell, an Irish music-hall performer, recorded for Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 231 Music Hall
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- AContinong
- BEver so goosey
George Crowther performing novelty or character songs on Piccadilly, a British budget label of the 1920s–1930s.AI summary
Piccadilly 297 Comic
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- AContinong
- BEver so goosey
George Crowther on Piccadilly, a cheap British label of the 1930s. The titles 'Continong' and 'Ever so goosey' appear to be novelty numbers. Crowther's identity and recording career are not established.AI summary
Piccadilly 297 Comic
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- ACooking Breakfast for the one I love
- B(Leon)Beside an open Fireplace
California Ramblers performing dance standards on Piccadilly 545 — a budget-label reissue or pressing of this prolific ensemble.AI summary
Piccadilly 545 Dance
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- ACruel World
- BOld Jokes at Home
The O'Gorman Brothers recorded Irish novelty and comic material for Piccadilly, a cheap British budget label of the early 1930s.AI summary
Piccadilly 620 Music Hall
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- ACrying for the Carolines
- BWhen it's springtime in the Rockies
The White Star Syncopaters recorded two popular dance numbers for Piccadilly Records, a cheap British budget label of the 1930s.AI summary
Piccadilly 579 Dance
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- ACute little Flat
- B(Leon)If I had my Way
Selby on Piccadilly 388, an unknown artist on a budget British label of the early 1930s.AI summary
Piccadilly 388 Dance
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- ADance of the Blue Danube
- B(Band)I can't give you anything but Love
Acres on Piccadilly 148, performing 'Dance of the Blue Danube' and 'I can't give you anything but Love'. Piccadilly was a budget British label of the 1920s-30s.AI summary
Piccadilly 148 Dance
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- ADarling I'm longing to greet you
- BGood Friends
Chandler recorded for Piccadilly; 'Darling I'm longing to greet you' and 'Good Friends' are sentimental ballad titles of the 1920s–30s, consistent with Piccadilly's cheap popular repertoire.AI summary
Piccadilly 769 Voice
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- ADarling old mother o' mine
- BI wish I had died in my cradle
Jimmy Allen was a British vocalist recorded by Piccadilly, a budget British label of the 1920s-30s. 'Darling Old Mother o' Mine' and 'I Wish I Had Died in My Cradle' are sentimental ballads typical of the period. Piccadilly pressings are common, as the label distributed affordable pressings widely.AI summary
Piccadilly 531 Voice
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- ADaybreak
- B(Embassy 6)Lady of Spain
Shakespeare (likely a dance band, not the Bard) recorded two popular songs of the era for Piccadilly, a cheap British label: 'Daybreak' and 'Lady of Spain', the latter a tune still familiar today.AI summary
Piccadilly 268 Dance
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- ADaybreak
- B(Embassy 6)Lady of Spain
Shakespeare on Piccadilly 268, 'Daybreak' and the dance number 'Lady of Spain' (Embassy 6), from the 1930s–40s.AI summary
Piccadilly 268 Dance
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- ADeep Night
- BUnderneath the Russian Moon
Wurm was a singer or band recorded for Piccadilly, a cheap British budget label of the early 1930s. The titles are standard popular ballads or novelty material from that era.AI summary
Piccadilly 317 Voice
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- ADeep Night
- BCarolina Moon
Buddy Prince sings 'Deep Night' and 'Carolina Moon' on Piccadilly, a budget British imprint of the 1930s–1940s.AI summary
Piccadilly 322 Voice
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- ADeja
- BTu sais
Dora Stroeva on Piccadilly 5012 performing French or Russian songs 'Deja' and 'Tu Sais'. Stroeva was likely a light classical or art song vocalist for budget labels in the 1930s.AI summary
Piccadilly 5012 Classical
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- ADestiny
- BSkaters waltz
The Noel Fonora Orchestra with Destiny and Skaters Waltz on Piccadilly 455.AI summary
Piccadilly 455 Orchestra
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- ADidn't I tell you
- B(Cotton)Some Day you'll be sorry
Piccadilly 127 Dance
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- ADo Daddy
- BDaddy's Boy
Harry Hemsley performing 'Do Daddy' and 'Daddy's Boy' on Piccadilly 256. A comedian known for child character voices.AI summary
Piccadilly 256 Comic
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- ADo something
- BI'll always be in love with you
Harry Jacobson, credited to the Piccadilly label, a cheap British budget imprint of the early 1930s.AI summary
Piccadilly 331 Voice
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- ADo something
- BI'll always be in love with you
Harry Jacobson recorded 'Do Something' and 'I'll Always Be in Love with You' on Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 331 Voice
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- ADo something
- BI'll always be in love with you
Harry Jacobson, credited to Piccadilly 331, performing popular song material in the early 1930s. Piccadilly was a cheap British budget label of the period.AI summary
Piccadilly 331 Voice
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- ADoes me good
- B3 Blind Mice
George Crowther recorded the novelty comic songs 'Does Me Good' and '3 Blind Mice' for Piccadilly, a budget British label of the 1930s.AI summary
Piccadilly 506 Comic
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- ADrawing on a Slate
- BThomas a Becket
Harry Hemsley, a versatile character comedian and monologist, recorded two comic sketches for Piccadilly, a cheap British budget label of the 1930s.AI summary
Piccadilly 206 Comic
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- ADream a little Dream of me
- BLittle old church in the Valley
Leon recorded 'Dream a little Dream of me' and 'Little old church in the Valley' for Piccadilly Records, a cheap British marque of the 1930s–40s; the artist is unrecorded in standard references.AI summary
Piccadilly 824 Voice
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- ADreams on the ocean
- BCasino tanze
Simon Wurm and his orchestra on Piccadilly, a British budget label. Wurm was a prolific recording bandleader; Piccadilly issues survive in quantity and command little premium value.AI summary
Piccadilly 483 Dance
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- ADripping Well
- BDanse d'Hesoin
Wag Abbey recorded 'Dripping Well' and a piece credited as 'Danse d'Hesoin' for Piccadilly, a cheap British budget label of the 1930s–40s.AI summary
Piccadilly 133 Misc.
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- ADusky Stevedore
- B(Fisher)Sonny Boy
Cotton performing 'Dusky Stevedore' and a version of 'Sonny Boy' for Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 195 Dance
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- AElegie
- BChanson Hindoue
Maxim Turganoff, credited on Piccadilly 5116, performs 'Elegie' and 'Chanson Hindoue'. Piccadilly was a cheap British label of the early 1930s.AI summary
Piccadilly 5116 Instrumental
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- AElegie
- BChanson Hindoue
Maxim Turganoff performing classical miniatures 'Elegie' and 'Chanson Hindoue' on Piccadilly. Turganoff was a Russian cellist or string player active in Britain during the 1920s–1930s.AI summary
Piccadilly 5116 Classical
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- AFascinatin Vamp
- BShe's a great great Girl
Morrison performing two popular dance numbers for Piccadilly, a budget British label of the early 1930s.AI summary
Piccadilly 233 Dance
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- AForty seven ginger headed Sailors
- BBananas are coming back again
Tommy Handley, the radio comedian best known for the RAF comedy show ITMA, recorded 'Forty seven ginger headed Sailors' and 'Bananas are coming back again' for Piccadilly 140, likely late 1930s or 1940s.AI summary
Piccadilly 140 Comic
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- AGee but I'd like to make you happy
- B(Selby)Killarney is my Paradise
Leon recorded 'Gee but I'd like to make you happy' and 'Killarney is my Paradise' for Piccadilly, a cheap British budget label of the 1930s. Nothing is known of this artist.AI summary
Piccadilly 615 Voice
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- AGet out and get under the Moon
- BChloe
Piccadilly 146 Dance
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- AGipsy melody
- BWhen I passed the old church door
Julius Kantrovitch Band on the Piccadilly label, a budget British imprint of the early 1930s; credited to an unfamiliar bandleader and released on a cheap marque, this record is now quite obscure.AI summary
Piccadilly 637 Dance
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- AGive me a Slice of Roly Poly
- BI wish she'd come along now
Tommy Handley, the famous British radio comedian, performing comedy songs 'Give Me a Slice of Roly Poly' and 'I Wish She'd Come Along Now' on Piccadilly.AI summary
Piccadilly 182 Music Hall
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- AGive yourself a Pat on the Back
- BMaggie's Cold
Tommy Handley, one of Britain's most famous radio comedians, recorded these two comedy numbers on Piccadilly 477, likely early 1930s. Handley was the star of the hugely popular BBC radio show 'ITMA'.AI summary
Piccadilly 477 Comic
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- AGladiator
- BGondolier
Billy Merson, the British music-hall star and pantomime comedian, recorded 'Gladiator' and 'Gondolier' for Piccadilly, a cheap British budget label of the 1920s–1930s. Merson was famous for his comic songs and character work.AI summary
Piccadilly 139 Music Hall
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- AGladiator
- BGondolier
Billy Merson, a British music-hall entertainer and singer of the Edwardian and 1920s era, recorded "Gladiator" and "Gondolier" for Piccadilly 139. Piccadilly was a cheap British label of the 1930s-1940s.AI summary
Piccadilly 139 Music Hall
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- AGoing going gone
- BWhen I met Sally at the Seaside
A Knight, an unidentified performer, on Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 795 Personalities (Prs)
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- AGood Old Time Songs
- B2 sides
A recording credited to Hoey performing 'Good Old Time Songs' on the Piccadilly label, a budget British imprint of the early 1930s. The artist and specific repertoire are otherwise unidentified.AI summary
Piccadilly 742 Dance
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- AGreen Hills of Somerset
- BPassing by
Sydney Coltham, a performer on Piccadilly, a cheap British budget label of the 1930s, performing sentimental or light classical material.AI summary
Piccadilly 360 Voice
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- AGuilty
- B(Band)Life is just a Bowl of Cherries
Hoey performing 'Guilty' and 'Life is just a Bowl of Cherries' on Piccadilly, 883. Hoey is unidentified; both titles are popular standards. Piccadilly was a budget British label with limited output.AI summary
Piccadilly 883 Voice
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- AHappy Days are here again
- B(Grey Gull)My Love Parade
The California Ramblers recorded 'Happy Days Are Here Again' and 'My Love Parade' for Piccadilly (529), a cheap British marque of the early 1930s. This is a reissue or pressing of existing material, and Piccadilly sides are generally common.AI summary
Piccadilly 529 Dance
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- AHaunted Room
- B(2 parts)
A descriptive instrumental recording, 'Haunted Room' in two parts, on Piccadilly, catalogue 874 — sound-effect or theatrical evocation material from the early 1930s.AI summary
Piccadilly 874 Instrumental
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- AHave you forgotten
- BJust one more Chance
Ruth Etting, the American stage and recording star, performing 'Have you forgotten' and 'Just one more Chance' on Piccadilly. Etting was a major Broadway and recording artist of the 1920s–1930s, famous for her torch songs. UK Piccadilly pressings of her work are less common than her American releases.AI summary
Piccadilly 846 Voice
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- AHeather Bloom
- BRiverside March
Piccadilly 608 Misc.
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- AHello Montreal
- BDebutante
Credited to Cotton on Piccadilly, a cheap British label. The catalogue number 236 places this in the label's early output of the early 1930s. Artist identity and the titles are not identified.AI summary
Piccadilly 236 Dance
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- AHere comes the Showboat
- B(Hawaiian Harp)Aloha
Pierce & Roslyn recorded the Hawaiian-flavoured novelty 'Here Comes the Showboat' and 'Aloha' with Hawaiian harp for Piccadilly 379 in the early 1930s. The Hawaiian harp suggests an attempt to capitalise on the brief Hawaiian music craze of that era.AI summary
Piccadilly 379 Hawaiian
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- AHere's to the sparkling Cup
- BUna Vergina
Lenghi Cellini recorded "Here's to the Sparkling Cup" and "Una Vergina" for Piccadilly catalogue 251. Piccadilly was a budget British label of the 1930s-1950s, and Cellini is not identified in general discographies.AI summary
Piccadilly 251 Voice
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- AHit Parade
- B(2 sds)
Leon performing 'Hit Parade' on Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 643 Dance
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- AHoney
- BJune Night
A dance recording credited to Kinsman on Piccadilly, the British budget label of the early 1930s, performing 'Honey' and 'June Night'.AI summary
Piccadilly 350 Dance
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- AHoneymoon Lane
- BRocky Mountain Lullaby
Leon performing 'Honeymoon Lane' and 'Rocky Mountain Lullaby' on Piccadilly, a budget British label of the 1930s.AI summary
Piccadilly 827 Voice
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- AHoneymoon Lane
- BRocky Mountain Lullaby
Credited to Leon on Piccadilly, a cheap British label of the early 1930s, this disc of 'Honeymoon Lane' and 'Rocky Mountain Lullaby' represents unidentified light popular material.AI summary
Piccadilly 827 Voice
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- AHow long has this been going on
- B(Band)Happy Days & Lonely Nights
Fisher on Piccadilly, a cheap British budget label, singing standards 'How long has this been going on' and 'Happy Days & Lonely Nights' in the 1930s–40s.AI summary
Piccadilly 149 Voice
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- AHuggable kissable you
- BLet me dream in your Arms again
Buddy Prince recorded this pop ballad for Piccadilly, a cheap British dance and vocal label of the early 1930s. Piccadilly records survive in modest quantities but the artist is not well documented.AI summary
Piccadilly 382 Voice
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- AHungarian Dance
- BChasse/Bee
Harold Fairhurst performing classical instrumental repertoire on Piccadilly; catalogue 5079 suggests early 1930s pressing.AI summary
Piccadilly 5079 Instrumental
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- AI couldn't desert the Guides
- BIt's altogether different
Dorrie Dene performing two songs, 'I couldn't desert the Guides' and 'It's altogether different', on Piccadilly—a cheap British label of the early 1930s.AI summary
Piccadilly 727 Voice
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- AI found you
- BBelle of Barcelona
Credited to Godfrey on Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 817 Dance
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- AI lost my Gal again
- BIt's an old Spanish Custom in the Moonlight
Selby recorded 'I lost my Gal again' and 'It's an old Spanish Custom in the Moonlight' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 729 Dance
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- AI love you in the same sweet way
- BKiss me again
Piccadilly 844 Dance
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- AI love you so much
- BDancing with Tears in my Eyes
Grey Gull credited on Piccadilly, a cheap British budget label of the early 1930s, performing sentimental popular songs.AI summary
Piccadilly 605 Voice
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- AI may be crazy
- BLily of Laguna
Norton Green recorded 'I May Be Crazy' and 'Lily of Laguna' for Piccadilly 433, a British Piccadilly label pressing.AI summary
Piccadilly 433 Voice
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- AI never thought you wonderful until today
- B(Band)Duck Foot Sue
The Selby Band recorded 'I Never Thought You Wonderful Until Today' and 'Duck Foot Sue' for Piccadilly 528.AI summary
Piccadilly 528 Dance
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- AI surrender Dear
- BWhen the Guards are on Parade
Chandler recorded 'I Surrender Dear' and 'When the Guards are on Parade' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 779 Voice
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- AI tickled her here I tickled her there
- BI do like a nice Outsider
George Crowther performs 'I tickled her here I tickled her there' and 'I do like a nice Outsider' on Piccadilly 622. Both are British music-hall novelty songs with mild double entendre. Piccadilly was a cheap British budget label of the 1930s–1950s.AI summary
Piccadilly 622 Music Hall
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- AI toddled in
- BVacuum Cleaner
Billy Melville on Piccadilly 107, a cheap British label. Melville was a minor performer; 'I Toddled In' and 'Vacuum Cleaner' suggest novelty or comedy material from the early 1930s.AI summary
Piccadilly 107 Music Hall
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- AI want to be bad
- B(Mackey)Button up your Overcoat
Leon recorded 'I want to be bad' and 'Button up your Overcoat' for Piccadilly Records, a cheap British marque. Leon was likely a vocalist or dance band of the late 1920s.AI summary
Piccadilly 374 Dance
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- AI'll be good because of you
- B(Xylo)Lucky Xylophone
Hoey on Piccadilly 758, a dance or novelty vocal from Piccadilly Records, the British budget label of the 1920s–30s.AI summary
Piccadilly 758 Dance
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- AI'll never ask for more
- BBlue Mists
Leon recorded for Piccadilly, a cheap British imprint of the early 1930s, with ballad material typical of the period.AI summary
Piccadilly 327 Voice
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- AI'm always round at Freda's
- BNobody's Fault but your own
Mackey performing two popular numbers for Piccadilly in the early 1930s.AI summary
Piccadilly 238 Voice
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- AI'm fading away
- BHe likes it
Dorrie Dene performing sentimental ballads on Piccadilly 697. Piccadilly was a cheap British budget label of the 1930s-40s.AI summary
Piccadilly 697 Voice
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- AI'm saving all my lovin
- BSleepy valley
Tommy Kinsman led a British dance band; this Piccadilly side features two light dance pieces from the early 1930s on a cheap British label.AI summary
Piccadilly 349 Dance
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- AI'm saving all my lovin'
- BSleepy Valley
Kinsman, credited on the Piccadilly label, a cheap British marque of the early 1930s; 'I'm Saving All My Lovin'' and 'Sleepy Valley' suggest a dance or light vocal side of the period.AI summary
Piccadilly 349 Dance
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- AI'm saving all my lovin'
- BSleepy Valley
Kinsman was a vocalist on the Piccadilly label, a cheap British marque of the 1930s; this pressing pairs two popular sentimental songs.AI summary
Piccadilly 349 Voice
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- AI've got a Feeling to be together
- BChum Song
Credited to Leon on Piccadilly, a cheap British label of the early 1930s, this disc of 'I've Got a Feeling to Be Together' and 'Chum Song' is light popular material from an unidentified source.AI summary
Piccadilly 640 Voice
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- AI've never seen a Smile like yours
- BPainting the Clouds with Sunshine
Lucien La Rivière, a performer, recorded "I've Never Seen a Smile Like Yours" and "Painting the Clouds with Sunshine" for Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 435 Voice
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- AIf I had a Talking picture of you
- B(Grey Gull)Little Pal
Lopez on Piccadilly 469, performing 'If I Had a Talking Picture of You' and 'Little Pal' (Grey Gull).AI summary
Piccadilly 469 Voice
-
- AIl Bacio
- BVillanelle
Suzanne Bertin performing classical vocal pieces 'Il Bacio' and 'Villanelle' on Piccadilly 5114. Bertin was a minor classical or light opera singer recorded for budget labels in the 1930s.AI summary
Piccadilly 5114 Classical
-
- AIn my Bouquet of Memories
- B(Gold)Together
An orchestra recording two sentimental pieces on Piccadilly 118, from the budget-label era of the early 1930s.AI summary
Piccadilly 118 Orchestra
-
- AIn my Bouquet of Memories
- B(Gold)Together
Band performing 'In My Bouquet of Memories' and 'Together' on Piccadilly 118.AI summary
Piccadilly 118 Dance
-
- AJolly good Company
- BIt always starts to rain
Leon recorded light popular vocals for Piccadilly, a cheap British marque of the 1930s. 'Jolly Good Company' and 'It Always Starts to Rain' are sentimental popular songs.AI summary
Piccadilly 842 Voice
-
- AJovial Monk am I
- BHo jolly Jenkin
Bernard Dudley on Piccadilly 909, singing 'Jovial Monk Am I' and 'Ho Jolly Jenkin', likely early 1930s light entertainment.AI summary
Piccadilly 909 Voice
-
- AJust like in a story book
- BI'm in the market for you
The Cunard Dance Band on Piccadilly Records performs two popular standards. Piccadilly was a cheap British budget label of the early 1930s.AI summary
Piccadilly 602 Dance
-
- AJust like in a Story Book
- BI'm in the Market for you
Grey Gull (likely a house band or pseudonym) on Piccadilly 602, a British budget label of the 1930s; little is known of this artist or sides.AI summary
Piccadilly 602 Dance
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- AJust one more chance
- BMakin faces at the Man in the Moon
Lanin recorded 'Just One More Chance' and 'Makin Faces at the Man in the Moon' for Piccadilly 848. Piccadilly was a cheap British label of the 1920s-30s that made few recordings and issued them in limited quantities.AI summary
Piccadilly 848 Dance
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- AJust you just me
- BLike a Breath of Springtime
L Terry recorded two popular vocal pieces for Piccadilly Records, a cheap British budget marque of the 1930s.AI summary
Piccadilly 475 Voice
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- AKeep sweeping the Cobwebs off the Moon
- BWithout you sweetheart
Harris performing 'Keep Sweeping the Cobwebs off the Moon' and 'Without You Sweetheart' on Piccadilly 125, a popular vocal recording on a budget British label.AI summary
Piccadilly 125 Voice
-
- AKeyboard Kapers
- BShower of Notes
Henry Steele's 'Keyboard Kapers' and 'Shower of Notes' on Piccadilly 446. Piccadilly was a cheap British dance and novelty label of the 1930s; nothing further is known of this pianist.AI summary
Piccadilly 446 Instrumental
-
- AKitty's kisses
- BWhy do I love you
Selby on Piccadilly 160, singing 'Kitty's Kisses' and 'Why Do I Love You', both standards of the 1920s. Piccadilly was a cheap British budget label.AI summary
Piccadilly 160 Voice
-
- ALa Danza
- BSanta Lucia
Lenghi Cellini, a vocalist, performing classic Italian songs 'La Danza' and 'Santa Lucia' on Piccadilly 5091, a British budget label from the early 1930s.AI summary
Piccadilly 5091 Opera
-
- ALady of Spain
- B(McDermott)Underneath the Lovers Moon
Hoey on Piccadilly catalogue 757, featuring the popular novelty standard 'Lady of Spain'. Piccadilly was a mass-production British budget label of the 1920s-40s, known for cheap, widely-distributed pressings.AI summary
Piccadilly 757 Voice
-
- ALady of Spain
- B(McDermott)Underneath the Lovers Moon
Hoey performing 'Lady of Spain', the novelty hit of the 1930s, on Piccadilly, a cheap British marque.AI summary
Piccadilly 757 Voice
-
- ALaughing Band
- BLaughing Scot
Charles Penrose performing 'Laughing Band' and 'Laughing Scot' on Piccadilly, a cheap British budget label of the 1930s. These are further variations of Penrose's popular laughing routine.AI summary
Piccadilly 230 Comic
-
- ALaughing down the Lane
- BPair of blue Eyes
The Three Virginians recorded for Piccadilly, a British budget label of the early 1930s; an unidentified vocal or instrumental ensemble.AI summary
Piccadilly 612 Dance
-
- ALights of London Town
- BWhen I'm married to Mary McPherson
George Crowther singing 'Lights of London Town', recorded for Piccadilly 542. Piccadilly was a cheap British budget label of the 1930s–40s; Crowther was a minor popular singer of the era.AI summary
Piccadilly 542 Voice
-
- ALino is Linoleum
- BMisery Farm
Tommy Handley on Piccadilly 222, performing 'Lino is Linoleum' and 'Misery Farm', comic monologues. Handley was a celebrated British radio comedian and variety performer.AI summary
Piccadilly 222 Personalities (Prs)
-
- ALiving in the sunlight
- B(Band)You brought a new kind of love
Jack Leon band perform 'Living in the Sunlight' and 'You Brought a New Kind of Love' on Piccadilly 613 from the 1930s. Piccadilly was a budget British label with limited pressing runs.AI summary
Piccadilly 613 Dance
-
- ALonely Troubadour
- B(Band)Dream Lover
Lopez recorded the sentimental ballads 'Lonely Troubadour' and 'Dream Lover' for Piccadilly, catalogue 509, a cheap British label of the 1930s.AI summary
Piccadilly 509 Voice
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- ALonesome little Doll
- B(Selby)Night Time
An unidentified band on Piccadilly 479, a cheap British marque common in the 1930s. The titles are standard popular song material; the artist cannot be placed.AI summary
Piccadilly 479 Dance
-
- ALouise
- BI'll see you again
Mackey on Piccadilly 366, with 'Louise' and 'I'll See You Again' — light vocal material on a cheap British marque, early 1930s.AI summary
Piccadilly 366 Voice
-
- ALouisiana
- BMistakes
Selby performing 'Louisiana' and 'Mistakes' on Piccadilly 184, a budget British marque.AI summary
Piccadilly 184 Voice
-
- ALouisiana
- BMistakes
Selby performs 'Louisiana' and 'Mistakes' on Piccadilly 184. Piccadilly was a cheap British budget label of the 1930s–1950s, common and mass-produced.AI summary
Piccadilly 184 Dance
-
- ALucky me lovable you
- BSunshine of Marseilles
Leon performing 'Lucky me lovable you' and 'Sunshine of Marseilles' on Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 543 Voice
-
- AM'appari
- BDonna e mobile
Lenghi Cellini performing standard Italian operatic arias — 'M'appari' and 'La donna è mobile' — on Piccadilly, a British budget label of the 1930s.AI summary
Piccadilly 5056 Opera
-
- AMan from the South
- BSing you Sinners
A group credited as Grey Gull recording 'Man from the South' and 'Sing you Sinners' for Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 604 Dance
-
- AMary
- BSarita
Clifford on Piccadilly 312 recorded 'Mary' and 'Sarita'; Piccadilly was a cheap British budget label of the 1920s–30s.AI summary
Piccadilly 312 Voice
-
- AMatilda
- B(Cotton)Dakota
Harris with Matilda and, credited Cotton, Dakota on Piccadilly 163.AI summary
Piccadilly 163 Dance
-
- AMean to me
- BI've finished with Lily for ever
Kinsman on Piccadilly 335, a cheap British marque of the early 1930s. No further information available on the artist.AI summary
Piccadilly 335 Dance
-
- AMedley of popular Airs
- BWedding of the painted Doll
Louis Revel, recorded on Piccadilly 298, a cheap British marque of the early 1930s, performing light orchestral medleys. Piccadilly pressings are numerous but recordings by named artists are less commonly sought.AI summary
Piccadilly 298 Orchestra
-
- AMillion
- B(Chandler)We're all alone
Piccadilly 785 Dance
-
- AMinnetonka
- B(Band)Rememb'ring
Cotton credited on Piccadilly; the titles suggest dance or novelty instrumental repertoire.AI summary
Piccadilly 145 Dance
-
- AMissing the Train
- BIrish Spree
The O'Gorman Brothers on Piccadilly 598, performing 'Missing the Train' and 'Irish Spree', Irish popular songs on a budget British label.AI summary
Piccadilly 598 Voice
-
- AMoonlight Saving Time
- BGot the Bench got the Park
Leon with Moonlight Saving Time and Got the Bench, Got the Park on Piccadilly 800.AI summary
Piccadilly 800 Dance
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- AMr Ramsbottom goes shopping
Geoffrey Clayton and Frank Eyton performing a comic monologue on Piccadilly, a budget British label of the early 1930s.AI summary
Piccadilly c304 Comic
-
- AMrs Orsfield as er fortune told
- BMrs Orsfield- the Lodger
Bobbie Best performing monologues—'Mrs Orsfield as Her Fortune Told' and 'Mrs Orsfield: the Lodger'—on Piccadilly 659.AI summary
Piccadilly 659 Comic
-
- AMy little Fella & me
- BI'd rather cry over you
Vivien Lambelet singing popular ballads on Piccadilly, a cheap British marque of the 1930s.AI summary
Piccadilly 198 Voice
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- AMy Sweet Temptation
- BLove found me
Norris on Piccadilly 661, performing 'My Sweet Temptation' and 'Love Found Me'. Piccadilly was a cheap British budget label of the 1920s–30s, often used for reissues and minor artists.AI summary
Piccadilly 661 Voice
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- ANil
- BVirgin's Slumber Song/Quiet of the Woods
Florence Brine on Piccadilly Records with classical vocal material, the 'Virgin's Slumber Song' and 'Quiet of the Woods'. Piccadilly was a cheap British label active from the late 1920s.AI summary
Piccadilly 5080 Classical
-
- ANil
- BVirgin's Slumber Song/Quiet of the Woods
Florence Brine recorded 'Virgin's Slumber Song' and 'Quiet of the Woods' on Piccadilly label, catalogue 5080. Piccadilly was a cheap British label used for budget releases of sentimental and classical material in the 1930s–1950s.AI summary
Piccadilly 5080 Classical
-
- ANot my Girl
- BCute little Flat
Bobby Alderson on Piccadilly 354, performing 'Not my Girl' and 'Cute little Flat', popular vocal recordings on a budget British label.AI summary
Piccadilly 354 Voice
-
- AOh Donna Clara
- BKiss waltz
Credited to McDermott on Piccadilly, an early-1930s cheap British label, this disc of 'Oh Donna Clara' and 'Kiss Waltz' is light sentimental material from an unidentified source.AI summary
Piccadilly 677 Voice
-
- AOh Donna Clara
- BKiss waltz
McDermott on Piccadilly, a cheap British marque of the 1930s–40s. 'Oh Donna Clara' and the 'Kiss Waltz' are European-flavoured popular songs, but the artist is not traceable in standard discographies.AI summary
Piccadilly 677 Voice
-
- AOh Donna Clara
- BKiss waltz
McDermott recorded light vocal material for Piccadilly, a cheap British marque of the 1930s. 'Oh Donna Clara' and 'Kiss Waltz' are sentimental popular songs of this period.AI summary
Piccadilly 677 Voice
-
- AOh Donna Clara
- BKiss waltz
McDermott recorded light vocal material for Piccadilly, a cheap British marque of the 1930s. 'Oh Donna Clara' and 'Kiss Waltz' are sentimental popular songs of this period.AI summary
Piccadilly 677 Voice
-
- AOh how she loves Bananas
- BNobody's Boy
George Crowther recorded 'Oh how she loves Bananas' and 'Nobody's Boy' for Piccadilly, a budget British label of the early 1930s.AI summary
Piccadilly 424 Voice
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- AOh Maggie what have you been up to
- B(T Handley)Sarah Jane
George Crowther performing two comic songs on Piccadilly, a cheap British budget label of the 1930s. One side is credited to T Handley (possibly the radio comedian Tommy Handley).AI summary
Piccadilly 337 Comic
-
- AOh Mo'nah
- B(Leon)Magic of a waltz with you
The Piccadilly Band performing 'Oh Mo'nah' and 'Magic of a waltz with you' (credited to Leon) on Piccadilly 895, a small British label of the 1920s-1930s.AI summary
Piccadilly 895 Dance
-
- AOh what a Night to love
- BHe hadn't up to yesterday
Piccadilly 217 Personalities (Prs)
-
- AOn a little Balcony in Spain
- BSleepy Head
Blue Pacific on Piccadilly 715. Blue Pacific was likely a house or pseudo-orchestra name for Piccadilly, a cheap British marque of the early 1930s. These are routine light-dance or novelty sides typical of the label's mass production.AI summary
Piccadilly 715 Dance
-
- AOn her Doorstep last Night
- BSun will shine some Day
The Brothers Walsh performing two sentimental songs on Piccadilly, a cheap British budget label: 'On Her Doorstep Last Night' and 'Sun Will Shine Some Day'.AI summary
Piccadilly 450 Voice
-
- AOn top of the world alone
- BLouise
Bobby Sanders with Tommy Kinsman's Band on Piccadilly, a cheap British marque of the early 1930s, with 'On top of the world alone' and 'Louise'.AI summary
Piccadilly 353 Dance
-
- AOnaway Awake Beloved
- BSinners and Saints
Bernard Dudley, a British vocalist, recorded two sentimental ballads for Piccadilly, a cheap British budget label of the 1930s.AI summary
Piccadilly 5117 Voice
-
- AOne Night alone with you
- BTiddle iddle um pum
Leon recorded light popular vocals for Piccadilly, a cheap British marque of the 1930s. 'One Night Alone with You' and 'Tiddle Iddle Um Pum' are typical sentimental and novelty songs.AI summary
Piccadilly 666 Voice
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- AOriginal Midway Rhythm
- BGrandfather's Clock
Leon recorded 'Original Midway Rhythm' and 'Grandfather's Clock' for Piccadilly Records. Leon was likely a vocalist or dance band of the late 1920s, recorded on this cheap British marque.AI summary
Piccadilly 663 Dance
-
- AOur little Nipper
- BMy old Dutch
Nobby Clark recorded 'Our Little Nipper' and 'My Old Dutch' for Piccadilly, a cheap British marque active in the 1920s–30s.AI summary
Piccadilly 538 Music Hall
-
- APainting the clouds with sunshine
- B(Astoria Dance Players)Tiptoe through the tulips
Herbert Lodge's Belgravian Band with Painting the Clouds with Sunshine and, by the Astoria Dance Players, Tiptoe Through the Tulips on Piccadilly 453.AI summary
Piccadilly 453 Dance
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- AParted
- BMy dreams
Sydney Coltham on Piccadilly Records, a budget British marque of the 1920s and 1930s, with two sentimental ballads.AI summary
Piccadilly 5057 Voice
-
- APeople that walked in Darkness
- BWhy do the Nations
Joseph Farrington recorded 'People That Walked in Darkness' and 'Why Do the Nations' for Piccadilly. Both are sacred or oratorio numbers; the artist is not documented.AI summary
Piccadilly 411 Classical
-
- APercy
- BSan Fairy An
Lily Long recorded for Piccadilly, the cheap British marque of the early 1930s, singing 'Percy' and 'San Fairy An'—novelty or comic song titles suggesting light entertainment.AI summary
Piccadilly 141 Voice
-
- APopper's Detective Agency
- B2 sides
Ernie Lotinga, a British character comedian, performing 'Popper's Detective Agency' on Piccadilly, an economical British label from the 1930s.AI summary
Piccadilly 258 Comic
-
- AProblems
- BRabbits
Reg Marcus with Problems and Rabbits on Piccadilly 632.AI summary
Piccadilly 632 Personalities (Prs)
-
- APunch & Judy Show
- B(Grey Gull)I'm following you
Brooks on Piccadilly with cross-reference to Grey Gull. Piccadilly was a cheap British reissue label; this appears to be a reissue of earlier American material. The artist is unidentified.AI summary
Piccadilly 496 Instrumental
-
- AQuesta o quella
- BUna furtiva Lagrima
Lenghi Cellini performed operatic arias 'Questa o Quella' and 'Una Furtiva Lagrima' for Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 252 Opera
-
- AQui sdegno non s'accende
- BNon pui Andrai
Joseph Farrington on Piccadilly 5094, performing 'Qui sdegno non s'accende' and 'Non piu Andrai'. These are Italian operatic titles. Piccadilly was a budget British label of the 1920s-30s.AI summary
Piccadilly 5094 Opera
-
- ARabbit & Pickled Pork
- B(G Crowther)Gravy
Sam Mayo performing 'Rabbit & Pickled Pork' and 'Gravy' (the latter composed by G Crowther) on Piccadilly, catalogue 438. An unidentified or minor performer on Piccadilly, a cheap British label of the 1930s.AI summary
Piccadilly 438 Music Hall
-
- ARag Doll
- BLittle Mother
Cotton on Piccadilly 109, a dance number from the late 1920s. Piccadilly was a cheap British budget label of the period.AI summary
Piccadilly 109 Dance
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- ARed Devon by the Sea
- BO Mistress mine
Charles Bryan on Piccadilly 5046, performing popular vocal material. Piccadilly was a cheap British marque of the early 1930s onwards; catalogue 5046 suggests a mid-period pressing.AI summary
Piccadilly 5046 Voice
-
- ARoll away clouds
- BBaby's blue
The Lloyd Shakespeare Band recorded 'Roll Away Clouds' and 'Baby's Blue' for Piccadilly 150.AI summary
Piccadilly 150 Dance
-
- ARoll away clouds
- BBaby's blue
The Lloyd Shakespeare Band recorded 'Roll Away Clouds' and 'Baby's Blue' for Piccadilly 150. This is a duplicate catalogue entry with record ID 2080.AI summary
Piccadilly 150 Dance
-
- ARosenKavalier Waltz
- BAmoretten Tanze Waltz
Dance band arrangement of Strauss operetta waltzes, credited to Jack Leons and orchestra on Piccadilly, a cheap British budget label of the early 1930s.AI summary
Piccadilly 305 Dance
-
- ASay a little Prayer for me
- BThere's a good time coming
Leon is credited on this Piccadilly disc, a cheap British marque of the early 1930s; no major artist by that name is established in the period.AI summary
Piccadilly 641 Dance
-
- ASay a little Prayer for me
- BThere's a good time coming
Leon performs 'Say a little Prayer for me' and 'There's a good time coming' on Piccadilly 641. Piccadilly was a cheap British budget label of the 1930s–1950s; the artist is unidentified.AI summary
Piccadilly 641 Voice
-
- ASerenade
- BBrindisi
Lenghi Cellini on Piccadilly, a budget British label, performing classical vocal selections (serenade and operatic material).AI summary
Piccadilly 5042 Classical
-
- ASerenade
- BO sole mio
Andre Nicolai, a vocalist of uncertain provenance, performing two classical songs on Piccadilly: 'Serenade' and the famous Neapolitan song 'O Sole Mio'.AI summary
Piccadilly 361 Voice
-
- ASerenata
- BMattinata
Sydney Coltham performing classical Italian songs 'Serenata' and 'Mattinata' for Piccadilly 5118, likely from the 1930s. This is a light classical or popular tenor repertoire.AI summary
Piccadilly 5118 Voice
-
- AShe is far from the Land
- BEileen Alannah
Sydney Coltham on Piccadilly 431, performing two Irish vocal pieces, 'She is far from the Land' and 'Eileen Alannah'.AI summary
Piccadilly 431 Voice
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- AShe's my Slip of a Girl(29)
- BCigarette
Kinsman on 'She's my Slip of a Girl' and 'Cigarette', Piccadilly 452. Piccadilly was a cheap British budget label active in the 1930s.AI summary
Piccadilly 452 Voice
-
- AShould I
- BIt happened in Monterey
Grey Gull on Piccadilly 603, performing 'Should I' and 'It happened in Monterey'. Piccadilly was a budget British label of the 1920s-30s.AI summary
Piccadilly 603 Voice
-
- ASi demain
- BNou gony
Dora Stroeva performing continental material on Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 5031 Voice
-
- ASince you said you loved me
- BGipsy melody
Credited to Morrison on Piccadilly, a cheap British marque of the 1930s–40s.AI summary
Piccadilly 232 Voice
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