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- AAngel Child
- BMy Mammy knows
Benson Chicago recorded 'Angel Child' and 'My Mammy Knows' for Victor (18870), an American label, likely dating to the 1920s. The artist is not identified further, but the titles suggest a blues or race record.AI summary
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- ADeedle dum
- BOogie wa
Benson Chicago, credited on His Master's Voice B1404, performs novelty instrumental selections — likely a jazz or dance ensemble, circa 1920s–early 1930s.AI summary
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- AI'd love to fall asleep and wake up in my Mammy's Arms
- BFair One
Benson Chicago recorded 'I'd Love to Fall Asleep and Wake Up in My Mammy's Arms' and 'Fair One' for His Master's Voice in the early 1920s. The title reflects the popular American song idiom of the period.AI summary
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- AMy sunny Tennessee
- BMa
Benson Chicago performing 'My Sunny Tennessee' and 'Ma' on His Master's Voice B1294, an early acoustic-era side from the 1920s.AI summary
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- AOne Kiss
- BJust like a Rainbow
Benson Chicago was a performer on the Victor label; this pressing pairs two popular sentimental songs, likely from the late 1920s.AI summary
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- ASomebody's wrong
- B(Whiteman)I love you
Benson Chicago on His Master's Voice, B1740 series, performing a ballad duet with Paul Whiteman's 'I love you'.AI summary
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- ATea for Two
- B(Garber)I want to be happy
Benson Chicago was an American tenor vocalist popular in the 1920s, known for his sweet, light vocal style. This His Master's Voice recording of two jazz standards, 'Tea for Two' (Vincent Youmans' famous melody) and 'I Want to Be Happy' (also by Youmans), offers two of the most recorded songs of the era.AI summary
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- ATea for Two
- B(Garber)I want to be happy
Benson Chicago performing two jazz standards—"Tea for Two" and "I Want to Be Happy" (arranged by Guy Arnheim or Garber)—on His Master's Voice B1978.AI summary
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- AThink of Me
- B(Band)Yes we have no Bananas
Benson Chicago on His Master's Voice, a dance band recording of the popular novelty song 'Yes We Have No Bananas' from the early 1920s.AI summary