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- ACome over the Garden Wall(12)
- BMr & Mrs Smith(11)
Clarice Mayne sings 'Come Over the Garden Wall' and 'Mr & Mrs Smith' on HMV C526, a 12-inch coupling. The C-prefix HMV series for popular vocal material suggests an acoustic-era pressing, probably early-to-mid 1920s; 12-inch popular vocal issues from this period are less common than 10-inch equivalents.AI summary
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- AI want a great big Kiss
- B(L Henson)It'll be all the same
Clarice Mayne sings 'I Want a Great Big Kiss' and — with Lupino Lane or another comedian as L Henson — 'It'll Be All the Same' on Columbia F1059. Like her other Columbia F-series recordings, this is from the mid-to-late 1920s; the pairing with a named comedy performer adds variety-revue interest.AI summary
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- AI was a good little Girl till I met you
- BA broken Doll
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- AI was a good little Girl till I met you
- BA broken Doll
Clarice Mayne sings 'I Was a Good Little Girl Till I Met You' and 'A Broken Doll' on Columbia L1041, a 12-inch coupling. The L-series is Columbia's 12-inch premium popular format; a 12-inch Clarice Mayne Columbia is less common than her standard 10-inch pressings and of slightly greater format interest.AI summary
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- AI've got my Eye on you(12)
- BNursey(11)
Clarice Mayne was a popular Edwardian music-hall singer and actress, associated with the performer James W. Tate. This HMV C527 disc contains 'I've Got My Eye on You' (dated 1912) and 'Nursery' (dated 1911). HMV C-series pressings of Edwardian music-hall performers are moderately uncommon.AI summary
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- AIt's lovely to be in love
- BCome & cuddle me
Clarice Mayne was a popular Edwardian music-hall and revue singer, often partnered with 'That' (J W Tate). Columbia L1167 — 'It's Lovely to Be in Love' and 'Come and Cuddle Me' — is a large-format 12-inch pressing from Columbia's premium L-series, an unusual format for a light-entertainment performer.AI summary
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- AJenny McGregor
Clarice Mayne sings 'Jenny McGregor' on HMV 03276, a single-sided pressing from the Gramophone Company's acoustic series. The 03000 HMV series is a 12-inch single-sided format for popular vocal artists; a single-sided 12-inch Mayne pressing is a less common format for her recordings.AI summary
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- AJoshu-ah
Clarice Mayne was a British music-hall star of the Edwardian era, famous for her comic songs and character work. 'Joshu-ah' is characteristic of her novelty and dialect material. This His Master's Voice pressing is from the earliest numerical series, dating probably to around 1910 or slightly earlier.AI summary
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- AJoshuah
Clarice Mayne sings 'Joshuah' on HMV 03290, a single-sided 12-inch pressing from the Gramophone Company acoustic series — a companion single-sided 12-inch to the HMV 03276 in this collection. Single-sided 12-inch HMV pressings of Clarice Mayne are a less common format than her standard double-sided 10-inch Columbia output.AI summary
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- AMr & Mrs Smith
Clarice Mayne was a British music hall star and singer of the early 20th century. 'Mr & Mrs Smith' is a comic sketch or song, recorded for His Master's Voice in the acoustic era, HMV 03258 representing early HMV pressings.AI summary
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- ANursey
Clarice Mayne was a British music-hall and variety performer; this His Master's Voice 78 is a single side recording, 'Nursery', which appears to be a novelty or children's piece.AI summary
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- AOnce in a While
- BGive me a little cosy Corner
Clarice Mayne sings 'Once in a While' and 'Give Me a Little Cosy Corner' on Columbia L1326, a 12-inch coupling. The L-series Columbia is a 12-inch premium format; a 12-inch popular vocal recording from Clarice Mayne is less common than her 10-inch output and of slightly greater format interest to collectors.AI summary
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- ASelection of Songs
- B2 sides
Clarice Mayne was a British singer and entertainer popular in the Edwardian era and 1920s, known for comedy songs and light musical theatre. This Decca recording represents her work in the electrical recording era.AI summary
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- ASelection of Songs part 3
- Bpart 4
Clarice Mayne in 'Selection of Songs' parts 3 and 4, recorded for Decca F3199. Mayne was a British comedy singer and music-hall performer of the 1920s–30s; the F-series numbering places this in the mid-to-late 1930s.AI summary