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Untitled
Cotton, artist and titles unknown, on Columbia CB237—insufficient information to catalogue or value.AI summary
Columbia CB237
Untitled
A Cotton recording on Columbia (artist name, side titles, and catalogue details are incomplete); insufficient information survives to identify the artist or repertoire.AI summary
Columbia CB258
Untitled
A Cotton recording on Columbia's CB series, catalogue number CB267; artist and titles not recorded in the catalogue data.AI summary
Columbia CB267
Untitled
Cotton on Regal Melodeon MR127. No titles recorded.AI summary
Regal MR127
Untitled
An unidentified artist credited as Cotton released a record for Regal whose titles are not recorded.AI summary
Regal MR156
An artist credited only as Cotton on Rex 8993, performing light novelty material — likely a 1930s issue on the minor British label Rex.AI summary
Rex 8993 Dance
Cotton performing two popular songs on Regal, a British budget label.AI summary
Regal MR1588 Voice
Cotton performing two songs on Piccadilly 144, a budget British label of the early 1930s.AI summary
Piccadilly 144 Voice
Cotton on Rex 10217, a mid-1930s recording. Cotton is unidentified, and Rex was a minor British label. 'Cockney Rhyming Song' suggests music hall or comic material.AI summary
Rex 10217 Music Hall
Cotton on Regal MR1585 from the early 1930s, a dance recording. Cotton is unidentified, and Regal was a budget British label.AI summary
Regal MR1585 Dance
Cotton recorded 'Ding dong ding' and 'Whistling under the moon' for Regal, a British label. Nothing is known of this artist.AI summary
Regal MR1036 Dance
Cotton performing 'Dusky Stevedore' and a version of 'Sonny Boy' for Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 195 Dance
Cotton performing two songs on Regal, 'Free' and 'Fleet's in Port Again'. The artist is not identified, and the MR catalogue series dates this to the 1930s–40s.AI summary
Regal MR2190 Voice
Credited to Cotton on Piccadilly, a cheap British label. The catalogue number 236 places this in the label's early output of the early 1930s. Artist identity and the titles are not identified.AI summary
Piccadilly 236 Dance
Cotton recorded 'Hometown' and 'Waltz of the Gipsies' for Rex, catalogue 9108; Rex was a Decca budget label, and details about the artist are limited.AI summary
Rex 9108 Dance
Cotton (artist unidentified) on Rex 8253. Rex was a cheap British label of the 1930s; the titles suggest popular song or ballad material, and the artist does not appear in standard references.AI summary
Rex 9216 Voice
Cotton recorded 'I'm beginning to see the Light' (a Duke Ellington composition) and 'The Toorie on his Bonnet' (a Scottish novelty) for Rex Records, catalogue 10225. Rex was a cheap British marque.AI summary
Rex 10225 Voice
Cotton performing 'I'm just wild about Harry' and 'At Dawning' on Regal MR768, both popular sentimental numbers from the 1920s repertoire.AI summary
Regal MR768 Voice
Billy Cotton, the British bandleader and comedian, recorded his novelty hit 'I've Got a Lovely Bunch of Coconuts' and 'Hang On the Bell Nellie' for Decca in the late 1940s–early 1950s.AI summary
Decca F9149 Comic
Cotton performing 'In the Quartermaster's Stores', a well-known music-hall song, on Rex, a British budget label.AI summary
Rex 9737 Music Hall
Cotton performing 'Lazybones' and 'Hold me' on Regal, the budget Columbia subsidiary, catalogue MR1021 — likely a mid-to-late 1930s release.AI summary
Regal MR1021 Voice
Cotton recorded 'Me & My Girl' and 'Lambeth Walk' for Rex, a budget label. 'Lambeth Walk' was a popular British novelty song and stage number from the late 1930s, and this recording represents a minor version by an obscure artist.AI summary
Rex 9232 Music Hall
'Me & my Girl' and 'Lambeth Walk' are iconic British musical-theatre songs; this Rex recording (a budget British label) likely features popular theatrical material from the late 1930s.AI summary
Rex 9232 Music Hall
Cotton credited on Piccadilly; the titles suggest dance or novelty instrumental repertoire.AI summary
Piccadilly 145 Dance