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- AAt the Ball
- BWide World
Ernest Shand — a comedian, singer and ukulele entertainer popular in the Edwardian and early 1920s Music Hall — recorded for several labels, here on Neo (a small British imprint), catalogue 17219/20, with 'At the Ball' and 'Wide World'. Neo was a short-lived British label of the early 1920s and is not common in collections; Shand's output on it is of interest to Music Hall specialists.AI summary
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- AAt the Seaside
- BOh isn't it singular
Ernest Shand, the music-hall comedian who was also a composer for the guitar, with 'At the Seaside' and 'Oh, Isn't It Singular' on Ariel.AI summary
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- AHusband's Strike
- BWe really had a most delightful Evening
Ernest Shand, the Edwardian music-hall comedian and monologist, on Pathé catalogue 92863, with 'Husband's Strike' and 'We Really Had a Most Delightful Evening'. Pathé issued a wide range of British music-hall performers and pressings of this type are moderately common.AI summary
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- AI went on my Way rejoicing
- BIn other Lands
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 857 — a moderately low number suggesting an early pressing — with 'I Went On My Way Rejoicing' and 'In Other Lands'. Zonophone pressings of Shand's work at low catalogue numbers are moderately uncommon.AI summary
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- AIn America
- BNelson & me
Ernest Shand, the Edwardian music-hall comedian and monologist, on Pathé catalogue 92864, with 'In America' and 'Nelson and Me'. Pathé issued a wide range of British music-hall performers and pressings of this type are moderately common.AI summary
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- AIntroductions
- BI went on my Way rejoicing
Ernest Shand, the Edwardian music-hall comedian and monologist, on Pathé catalogue 92861, with 'Introductions' and 'I Went On My Way Rejoicing'. Pathé issued a wide range of British music-hall performers and pressings of this type are moderately common.AI summary
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- AIntroductions
- BIn America
Ernest Shand's Zonophone 1029 is a double-sided pressing, placing it a little later than his earliest single-sided issues — probably around 1906–1908. 'In America' suggests a topical song about emigration or the American craze, a common music-hall subject of the period. Shand was a capable Edwardian comedian whose Zonophone output is consistently sought by music-hall collectors.AI summary
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- AKing Rufus
- BLullaby
Ernest Shand, the Edwardian music-hall comedian and banjo specialist, performs 'King Rufus' and 'Lullaby' on Zonophone 1069. The 1069 Zonophone number places this in the early British acoustic series, probably around 1906–1909; Shand is a recognised music-hall recording name and this is an early-period pressing.AI summary
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- ALloyd Jarge
- BHoratio
Ernest Shand, the Edwardian music-hall comedian and monologist, performing 'Lloyd Jarge' and 'Horatio' on Columbia catalogue 2336. Columbia pressings of Shand's work in the 2000-series are moderately common.AI summary
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- ANobody knows nobody cares
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 42263, with 'Nobody Knows, Nobody Cares'. Zonophone 42000-series pressings of Shand's work are moderately uncommon.AI summary
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- AQuestions
- BIn the Summer
Ernest Shand on Neo label, catalogue 17215, with 'Questions' and 'In the Summer' — companion to Neo17219/20 in this collection. As with that disc, the Neo label is a short-lived minor British imprint and Shand is a documented Music Hall comedian-singer; these form a small Neo grouping of modest specialist interest.AI summary
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- AShort Stories
- BLittle Bo-peep
Ernest Shand was an Edwardian music-hall comedian and monologist. This Beka pressing, catalogue 9709, contains 'Short Stories' and 'Little Bo-Peep'. Beka was a Berlin-based label with extensive European and British distribution; Shand is a moderately documented music-hall name.AI summary
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- AThat broke up the Party
- BWe really had a most delightful Evening
Ernest Shand was a British music-hall comedian and character performer who recorded extensively in the Edwardian era. Zonophone 809 is an early catalogue number, placing this around 1903–1905, in the single-sided Zonophone period. Shand's Zonophone sides at low catalogue numbers are genuinely early acoustic recordings and are becoming uncommon.AI summary
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- AThat broke up the Party
- BWe really had a most delightful Evening
Ernest Shand on Zonophone, performing 'That Broke Up the Party' and 'We Really Had a Most Delightful Evening', a light comedy or novelty number from the 1920s–30s.AI summary
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- AThe Bachelor
Ernest Shand performing 'The Bachelor' on the G&T label; an early acoustic recording from an unidentified artist on one of the most prestigious recording marques of the early gramophone era.AI summary
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- AThe Husband's Strike
- BDaily Mirror Front Page
Ernest Shand's The Husband's Strike and Daily Mirror Front Page on Ariel 9332.AI summary
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- AThe Husband's Strike
- BNelson and Me
Ernest Shand, the Edwardian music-hall comedian and monologist, on Polyphon catalogue 5662 with 'The Husband's Strike' and 'Nelson and Me'. Polyphon was a major continental pressing firm with British distribution; Shand sides on the label are moderately uncommon.AI summary
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- AThe husband's Strike
- BPoor Noah Moore
Ernest Shand, the British music-hall comedian, singer, and banjo-comedian popular in the Edwardian era, performs 'The Husband's Strike' and 'Poor Noah Moore' on Zonophone 748 — an extremely early Zonophone number, placing this among the very earliest British Zonophone pressings, probably around 1900–1903. Shand is a recognised name in early British recording and a catalogue number this low is a document of the first years of British disc recording.AI summary
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- AThe husband's Strike
- BPoor Noah Moore
Ernest Shand recorded 'The Husband's Strike' and 'Poor Noah Moore' for Zonophone. These titles suggest comic or music-hall material from the early 20th century.AI summary
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- AThe Ragtime Curate
- BBy the Sea