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- A18th Street Strut
- B(Johnson)Make me a Pallet on the Floor
Fats Waller was a major jazz pianist, organist and songwriter of the 1920s-30s; this coupling appears on Century, a small specialist label used to reissue early jazz sides rather than an original commercial pressing.AI summary
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- AAin't Misbehavin'
- BI've got a Feeling I'm falling
Fats Waller's 'Ain't Misbehavin'' and 'I've got a Feeling I'm falling', two of his most celebrated songs, on His Master's Voice B3243 — likely a 1930s UK pressing of a major American jazz and stride piano artist.AI summary
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- AAin't misbehavin'
- BMoppin' & boppin'
Fats Waller, the American jazz pianist, composer and entertainer, recorded 'Ain't Misbehavin'' and 'Moppin' & Boppin'' for His Master's Voice, catalogue C3737. 'Ain't Misbehavin'' is one of Waller's most famous compositions. This UK pressing is a document of Waller's international standing.AI summary
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- AAs long as the World goes round(35)
- BI'm on a See Saw
Fats Waller, the American jazz pianist and entertainer, on His Master's Voice JO291, performing 'As Long as the World Goes Round' and 'I'm on a See Saw'. Waller was a prolific recording artist and popular entertainer; HMV JO series issues are less common than standard catalogue.AI summary
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- ABeat it out - Fox trot
- BLost and found - fox trot
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- ABelieve it Beloved
- BIf it isn't Love
Fats Waller on His Master's Voice JF15, performing two of his own compositions. Waller was a major jazz pianist and songwriter of the swing era, and his HMV recordings are sought by collectors, though UK pressings of the JF series remain relatively available.AI summary
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- ABelieve it Beloved
- BIf it isn't Love
Fats Waller, American jazz pianist, singer and composer, performing 'Believe it Beloved' and 'If it isn't Love' for His Master's Voice; Waller was a major recording and performing artist of the 1920s-1940s.AI summary
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- ABless you(39)
- BYour Feet's too big
Fats Waller recorded 'Bless You' and 'Your Feet's Too Big' for HMV, catalogue MH52, in the mid-to-late 1930s, two of his most famous comic and novelty recordings.AI summary
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- ABlue Eyes
- BUs on a Bus(36)
Fats Waller (1904–1943), the American jazz pianist and entertainer, performing two novelty numbers on His Master's Voice; the JO123 catalogue places this in the mid-to-late 1930s.AI summary
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- ACome down to earth my angel
- BIt's a sin to tell a lie
Fats Waller, the virtuoso pianist and comedian, recorded 'Come Down to Earth My Angel' and 'It's a Sin to Tell a Lie' for HMV JO205. Waller was a major figure in jazz, swing, and entertainment, renowned for his infectious humour, stride piano technique, and prolific recording output across the 1920s–40s.AI summary
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- ADo me a Favour
- BArmful o Sweetness
Fats Waller, an American jazz pianist, organist, and entertainer, on His Master's Voice JF7 performing "Do me a Favour" and "Armful o Sweetness" — the JF series suggests a UK pressing of Waller's recordings for a major American label, reissued by HMV. Waller is among the most collected jazz artists of all time.AI summary
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- ADo me a Favour
- BArmful o Sweetness
Fats Waller, the American stride pianist, organist and entertainer, recorded these two sides for His Master's Voice. Both are typical of his witty, jazz-inflected swing-era compositions and performances.AI summary
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- AFat and greasy
- BDarktown Strutters Ball(39)
Fats Waller (1904–1943), the American jazz pianist and entertainer, performing two upbeat novelty numbers on His Master's Voice; the JO series indicates a later pressing, likely mid-to-late 1930s.AI summary
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- AFats Waller Stomp(27)
- BRed Hot Dan
Fats Waller, the New York stride pianist and entertainer, recorded 'Fats Waller Stomp' and 'Red Hot Dan' for His Master's Voice, a coupling of his energetic jazz and novelty work.AI summary
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- AFlorida Flo(38)
- BHey stop kissin' my Sister
Jazz pianist and composer Fats Waller performing 'Florida Flo' (No. 38) and 'Hey stop kissin' my Sister' on His Master's Voice JO110. Waller was one of the most recorded and celebrated jazz pianists and entertainers of the 1920s–30s.AI summary
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- AGeorgia May
- BDon't let it bother you
Fats Waller, the legendary jazz pianist, composer, and entertainer, recorded 'Georgia May' and 'Don't Let It Bother You' for His Master's Voice, probably in the early 1930s.AI summary
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- AGeorgia on my Mind
- BRockin' Chair
Fats Waller, the American jazz pianist, organist and entertainer, performing two of his signature tunes on His Master's Voice. Waller was a major jazz and popular music figure, and his recordings are widely collected.AI summary
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- AGot a bran new suit(35)
- BI'll dance at your Wedding(38)
Fats Waller recorded 'Got a Brand New Suit' and 'I'll Dance at Your Wedding' for HMV, catalogue JO196, in the mid-1930s, showcasing his piano virtuosity and comic personality.AI summary
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- AHarlem Fuss(29)
- BMinor Drag
Fats Waller performing 'Harlem Fuss' and 'Minor Drag' on HMV X6252. These are hot-jazz piano solos or small-group jazz recordings from one of the great jazz entertainers.AI summary
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- AHoney hush
- BYou've beenr eading my mail
Fats Waller on HMV, catalogue B10191. Waller was one of the greatest American jazz and stride-piano composers and performers of the 1920s–40s, hugely popular and prolific. His recordings are among the most collected of the era.AI summary
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- AHoney hush(39)
- BYou've been reading my Mail(37)
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- AI love to whistle(38)
- BYou're lettin the Grass grow under your Feet(39)
Fats Waller, the virtuoso jazz pianist, organist, and comedian, performing two popular songs on His Master's Voice's JO series (a specialist jazz series). Waller was one of the most recorded and most popular musicians of the 1930s–1940s, and his discs remain highly sought after.AI summary
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- AI wanna hear Swing Songs
- BThat gets it Mr Joe
Fats Waller, the major American jazz pianist and entertainer, performing 'I wanna hear Swing Songs' and 'That gets it Mr Joe' on His Master's Voice BD1028. Waller was prolific on HMV in the 1930s–40s.AI summary
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- AI wish I were Twins
- BMinor Drag
Fats Waller, the jazz pianist and entertainer, recorded these two jazz numbers for HMV's JF series, likely in the early 1930s; 'Minor Drag' is a jazz standard.AI summary