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- AAll in Favour
- BBarmaid's Song
Florrie Forde, the Australian-born music hall star, with All in Favour and Barmaid's Song on Radio (Edison Bell) 1368.AI summary
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- AAlways be as careful as you can
- BIs everybody happy
Florrie Forde, a leading British music-hall singer and comedian, recorded for Zonophone 55, an extremely early catalogue number. 'Always be as careful as you can' and 'Is everybody happy' are typical of her comedy and popular song repertoire. Forde was one of the great female music-hall entertainers of the Edwardian era.AI summary
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- AAnd then we won't go Home
- BTripper's Lullaby
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- AAntonio my Romeo
- BEvery Morning
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- AAny old place where the sun shines
Florrie Forde was a major Australian music-hall star and recording artist of the 1910s and 1920s; this Zonophone side captures her in a comic ballad.AI summary
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- AAre we to part like this?
- BOnly a bird in a gilded Cage
Florrie Forde, a British music-hall singer and star of the early 1900s–20s, on Imperial 2660 performing "Are we to part like this?" and "Only a bird in a gilded Cage." Forde was a major Edwardian recording artist; this appears to be an early pressing.AI summary
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- AAre we to part like this?
- BOnly a bird in a gilded Cage
Florrie Forde, a legendary British music-hall star active from the 1900s through the 1930s, performing two sentimental songs on Imperial Records, a small British label of the early 1930s.AI summary
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- AAre we to part like this?
- BOnly a bird in a gilded Cage
Florrie Forde was one of the most popular music-hall singers in Britain and Australia in the early 20th century. This Imperial recording of two standards preserves her distinctive singing style and comic persona.AI summary
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- AAre we to part like this?
- BOnly a bird in a gilded Cage
Florrie Forde, the Australian-born British music-hall star and recording artist, sang these two sentimental ballads for Imperial in the early 1910s.AI summary
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- AAre we to part like this?
- BOnly a bird in a gilded Cage
Florrie Forde, a major British music-hall and variety star of the Edwardian and 1920s eras, performing two sentimental ballads on the Imperial label. Forde was one of the most recorded entertainers of her time.AI summary
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- ABull and Bush
Florrie Forde, the Australian-born music-hall star, sings her famous 'Down at the Old Bull and Bush' on a single-sided G&T.AI summary
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- ACan't we take it Home with us
- B(S Ireland/K Collins)Come over the Garden Wall
Florrie Forde was a major British music-hall singer and actress of the early twentieth century, famous for comic songs and popular ballads. 'Can't we take it Home with us' and 'Come over the Garden Wall' (credited to S. Ireland and K. Collins) are typical music-hall material recorded for Zonophone in the acoustic era (catalogue 210 suggests pre-1914).AI summary
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- ACheer up, Mary
Florrie Forde, the great music hall singer known for popularising singalong choruses including 'It's a Long Way to Tipperary', sings 'Cheer Up, Mary' on Zonophone.AI summary
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- ACome and hear the Orchestra
Florrie Forde, major British music-hall star. G&T 3628 ('Come and Hear the Orchestra') is an acoustic recording of a major performer; scarce.AI summary
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- ADo you know Mr Dunahue
- BEverybody's Ragtime mad
Florrie Forde, a major British music-hall and vaudeville star, recorded for Zonophone; 'Do You Know Mr Dunahue' and 'Everybody's Ragtime Mad' represent the comic and novelty songs for which she was famous.AI summary
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- AEsau take me on the See Saw
- B(Leighton) The Last Pub
Florrie Forde on Zonophone 34, a very early Zonophone pressing: British music-hall comedy and character song from the Edwardian era (c. 1900–1910).AI summary
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- AFair, fat and forty
- BLet's all be a happy Family
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- AFlanagan
Florrie Forde, the celebrated British music-hall star, on 'Flanagan', Zonophone 43209. Forde was one of the most popular singers of the early 20th-century British stage, famed for her powerful voice and comic delivery.AI summary
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- AFlanagan/Oh Antonio
- BI wonder if you miss me/I do like to be beside the Seaside
Florrie Forde was one of the greatest British music-hall stars of the early 20th century, celebrated for her comedic delivery and broad popular appeal. This Imperial label recording captures her in four classic music-hall numbers.AI summary
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- AFollow the Footprints in the Snow
- BFiddle-dee-dee
Florrie Forde, one of Britain's best-loved music hall stars, recorded 'Follow the Footprints in the Snow' and 'Fiddle-dee-dee' for Zonophone, catalogue 898. Forde was a major Edwardian and Georgian-era performer known for comic and sentimental songs.AI summary
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- AFor old Times Sake/Daisy Bell
- BNellie Dean/After the Ball
Florrie Forde recorded "For Old Times Sake" / "Daisy Bell" and "Nellie Dean" / "After the Ball" for Rex catalogue 8528. Forde was a major British music hall star of the Edwardian and interwar era, famous for her energetic performance style and comic songs.AI summary
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- AGirls, study your cookery book
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- AGoodbyee/Priceless Percy
- BI want to see the old Home again/Till we meet again
Florrie Forde was a British music-hall star of the Edwardian era, famous for her booming contralto voice and her rousing performances of patriotic and sentimental songs; this Rex label recording preserves her singing in the acoustic period.AI summary
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- AGoodbyee/Priceless Percy
- BI want to see the old Home again/Till we meet again
Florrie Forde, the celebrated English music-hall and pantomime star of the early 20th century, on Rex 8222. Forde was a major variety entertainer; this is medley material typical of her recordings. Rex pressings are uncommon.AI summary