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- AA Million Dreams Ago
- BStarlit Hour
Glen Miller on His Master's Voice BD5929, performing 'A Million Dreams Ago' and 'Starlit Hour'. Miller was the most popular big-band leader of the 1930s-40s; these are commercial ballad performances from his repertoire.AI summary
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- AAlice blue gown
- BWonderful one
Glenn Miller was an American big-band leader of the 1930s and 1940s, one of the most commercially successful bandleaders of the swing era. This HMV side pairs 'Alice Blue Gown' and 'Wonderful One', standard popular songs from his early recording period.AI summary
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- AAmerican Patrol
- BMoonlight Serenade
Glenn Miller's orchestra on His Master's Voice, performing two of the bandleader's most celebrated arrangements from the swing era.AI summary
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- AAmerican Patrol
- BMoonlight Serenade(39)
Glenn Miller on His Master's Voice with the orchestral standards 'American Patrol' and 'Moonlight Serenade'. Miller was an American bandleader whose big-band swing recordings of 1938-42 achieved enormous popularity both in the US and Britain, though most of his HMV pressings are post-war reissues of earlier American recordings.AI summary
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- AAnvil chorus
Glenn Miller, the most popular big-band leader of the swing era, recorded Verdi's "Anvil Chorus" for His Master's Voice on an MH (Music Hall) series pressing.AI summary
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- AAnvil chorus
Glenn Miller's 'Anvil Chorus' on His Master's Voice, from the bandleader whose orchestra dominated the 1940s and whose recordings remain widely collected.AI summary
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- ABlue orchids
- BBaby me
Glenn Miller and his orchestra recorded 'Blue orchids' and 'Baby me' for Victor A1157 in the late 1930s.AI summary
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- ABlueberry hill
- BNearness of you
Glenn Miller and his Orchestra recorded 'Blueberry Hill' and 'Nearness of You' for HMV MH92. Miller was America's biggest swing bandleader of the early 1940s and one of the most recorded musicians of the era; his band's distinctive sound—trumpet, clarinet, and trombone leads over a swinging rhythm section—defined the swing era. Both sides are popular standards.AI summary
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- ADelilah
- BI'll never smile again
Glenn Miller's big band recorded 'I'll Never Smile Again' with Tex Beneke vocal, one of the most commercially successful records of the wartime era; this is an HMV UK pressing of the period.AI summary
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- ADon;t sit under the apple tree
- BLittle brown jug
Glenn Miller's big band on HMV, featuring two novelty-era dance standards; a UK pressing from the wartime or immediate postwar period.AI summary
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- AEverybody loves my Baby
- BTiger rag
Glenn Miller's orchestra performing 'Everybody loves my Baby' and 'Tiger rag' for His Master's Voice EA4023, an electrically recorded big band arrangement from the late 1930s.AI summary
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- AFalling Leaves
- BBeat Me
Glenn Miller's 'Falling Leaves' and 'Beat Me', recorded during his peak years and issued on His Master's Voice; a major American bandleader whose UK pressings remain popular with collectors.AI summary
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- AFrenesi
- BMy blue heaven
Glenn Miller and his orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice BD5678. Miller is one of the most famous bandleaders in history, and both sides are well-known swing standards.AI summary
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- AFrenesi
- BMy Blue Heaven
Glenn Miller's orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice, releasing Miller's American Victor material in the UK. These are from his peak years in the early 1940s.AI summary
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- AGeorgia on my Mind
- BJersey bounce
Glenn Miller's orchestra performing two swing standards for His Master's Voice. This is from the second phase of Miller's recording career, equally iconic but a separate pressing from his many other British releases.AI summary
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- AGeorgia on my Mind
- BJersey bounce
Glenn Miller, the celebrated American bandleader of the 1930s–1940s, recorded 'Georgia on My Mind' and 'Jersey Bounce' for HMV (B10235) in the late 1930s. The first is a jazz standard; the second became one of his most famous compositions. HMV pressings of Miller are common.AI summary
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- AI'm sitting on top of the world
- BWistful and blue
Glenn Miller's orchestra on Brunswick, performing two popular titles from the swing era.AI summary
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- AI'm stepping out with a memory tonight
- BDevil mare care
Glenn Miller's orchestra, one of the most popular bands of the big-band era, recorded "I'm Stepping Out with a Memory Tonight" and "Devil Ma'e Care" for His Master's Voice during the 1940s.AI summary
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- AJohnson rag
- BI want to be happy
Glenn Miller Orchestra on HMV EA2511, performing 'Johnson Rag' and 'I Want to Be Happy'. These are pressings of Miller's American recordings issued under license to HMV in Britain during the 1940s.AI summary
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- ALittle Brown Jug(39)
- BDon't sit under the Apple Tree
Glenn Miller's Decca orchestra recorded 'Little Brown Jug' and 'Don't Sit Under the Apple Tree', popular wartime novelties and swing standards; this is an HMV pressing from the early 1940s, during Miller's peak commercial success.AI summary
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- AMelancholy lullaby
- BBlue moonlight
Glenn Miller was one of the most famous and influential bandleaders of the 1930s-40s swing era; this His Master's Voice BD pressing of 'Melancholy Lullaby' and 'Blue Moonlight' represents his recordings on the HMV label in that period.AI summary
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- AMister meadowlark
- BMoonlight serenade
Glenn Miller, the biggest-selling bandleader of the swing era, recorded 'Moonlight Serenade' (his signature tune) and 'Mister Meadowlark' for His Master's Voice. This EA-series pressing represents one of the most popular American orchestras in British pressings.AI summary
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- AMoon love
- BSold American
Glenn Miller's orchestra, one of the most recorded and popular ensembles of the 1940s, recorded these two sides for His Master's Voice; Moon Love is a sentimental ballad and Sold American is a novelty number.AI summary
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- AMoonlight Cocktail
- BPennsylvania 65000
Glenn Miller's orchestra recorded 'Moonlight Cocktail' for Victor, a major American label pressed in Britain during the swing era.AI summary