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- ACutie
- BWhen I waltz with you
Greening on Imperial, a small British label of the 1920s–30s.AI summary
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- ADream Daddy
- BGolden West
Greening recorded 'Dream Daddy' and 'Golden West' for Regal, catalogue 8297, a budget British label of the 1920s–1930s.AI summary
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- AHow am I to know
- BMy Fate is in your Hands
Credited to Greening on Regal, a cheap British label of the early 1930s. The catalogue number MR46 suggests an early Regal Merophone issue. Artist and recording are not identified in standard reference works.AI summary
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- AI wonder how I look when I'm asleep
- BWhen you played the Organ
A performer credited as Greening on DuoA Records performing 'I Wonder How I Look When I'm Asleep' and 'When You Played the Organ' — an unidentified vocalist on an obscure label, likely 1920s.AI summary
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- AI'll take her back if she wants to come back
- BEat more Fruit
Greening for Columbia, performing the novelty 'I'll Take Her Back If She Wants to Come Back' and the topical 'Eat More Fruit'.AI summary
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- AI'm in love again
- BGirl is you and the Boy is me
Greening on Winner 4713, a British cheap label pressing of the early 1930s; the titles suggest a popular dance or novelty side of the period.AI summary
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- AIn a Street of Chinese Lanterns
- BMediterranean Blues
Greening performing 'In a Street of Chinese Lanterns' and 'Mediterranean Blues' on Curry's 322, a novelty or dance recording on an obscure British label.AI summary
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- AIn a Street of Chinese Lanterns
- BLeonora
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- ALingering Lips
- BTell me tonight
Greening in 'Lingering Lips' and 'Tell me Tonight' on DuoUB 2081, a small British label.AI summary
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- AMa look at Charlie
- B(Band)Under the Double Eagle
Greening on Oliver 194, with 'Ma Look at Charlie' and 'Under the Double Eagle' — unidentified performer on a small British label, likely early 1930s.AI summary
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- AMediterranean Blues
- BPersian Rosebud
Greening on Imperial 1847, two specialty instrumental or novelty numbers 'Mediterranean Blues' and 'Persian Rosebud', likely from the 1920s–30s.AI summary
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- AMiss Annabelle Lee
- BI'm coming Virginia
Greening performing 'Miss Annabelle Lee' and 'I'm coming Virginia' for His Master's Voice, B5455. Both pieces are popular songs; Greening is unidentified.AI summary
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- ANobody knows what a red head Mamma can do
- BSan Francisco
Greening performing 'Nobody Knows What a Red Head Mamma Can Do' and 'San Francisco' on Columbia 3656, from the early 1920s.AI summary
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- ANobody knows what a red head Mamma can do
- BSan Francisco
Greening performing 'Nobody Knows What a Red Head Mamma Can Do' and 'San Francisco' on Columbia, circa early 1920s.AI summary
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- ANoone knows what it's all about
- BMe and the Boy Friend
Greening performing 'No One Knows What It's All About' and 'Me and the Boy Friend' on Columbia 3598, an early 1920s British pressing.AI summary
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- AOn the midnight Special
- BBarcelona
Greening on Imperial Records with 'On the midnight Special' and 'Barcelona'. The catalogue number suggests a later Imperial pressing.AI summary
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- APretty Things
- BTotem Tom Tom
Greening performing 'Pretty Things' and 'Totem Tom Tom' on Columbia 3642, an early 1920s novelty or dance recording.AI summary
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- ASweet little you
- BShanghai
Greening recorded 'Sweet Little You' and 'Shanghai' for Columbia 3612; these appear to be popular song and dance sides from the 1920s, but without further information about the artist, they remain unidentified.AI summary
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- ASweet little you
- BShanghai
Greening, a prolific British bandleader, performing 'Sweet Little You' and 'Shanghai' on Columbia 3612.AI summary
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- AWhat's her Name Maria
- BMa look at Charlie
Greening performs two novelty songs on Imperial, a small British label, catalogue 1804.AI summary
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- AWhen she's in Red
- BSahara
Credited to Greening on Imperial, an obscure British dance label of the early 1930s; no information available on the artist or the sides.AI summary
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- AWhy sell Kippers
- B(P Bernard)Choo choo Train to Tennessee
Greening with Why Sell Kippers and, by P. Bernard, Choo Choo Train to Tennessee on Whiteheads M158.AI summary