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- ABack to Alabam
- BBull Fighters
Harry Weldon, a British music-hall comedian, recorded 'Back to Alabam' and 'Bull Fighters' for His Master's Voice, catalogue C910, dating to the 1910s. Weldon was known for comedy songs in the British variety tradition.AI summary
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- ACan you imagine me
- BI'm going Home to see if I've gone Home
Harry Weldon, a British comedic vocalist, on Broadcast Records, a small British label of the early 1930s. The Broadcast catalogue number suggests a minor press run.AI summary
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- ACowboy Dawson City
- BTyrolean Song
Harry Weldon was a British Music Hall performer and comedian of the Edwardian era; this His Master's Voice side pairs a cowboy novelty with a Tyrolean song.AI summary
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- AI can't get away from my Ancestors
- BS'too old sickening s'too old
Harry Weldon recorded 'I can't get away from my Ancestors' and 'S'too old sickening s'too old' for His Master's Voice, catalogue B999. Weldon was a music hall comedian active in the early 20th century, known for his comic monologues.AI summary
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- AI get more like a Pro every Day
- BDown Home in Tennessee
Harry Weldon, a British music-hall performer, on His Master's Voice. The early C series catalogue number places this in the acoustic era, roughly 1910s-1920s.AI summary
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- AI'm going to see old Virginia
- BStiffy the Warder
Harry Weldon, a British music hall and variety artist, performing two comic songs on Broadcast: 'I'm going to see old Virginia' and 'Stiffy the Warder'.AI summary
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- AOh Boy
- BYes Sir that's my Baby
Harry Weldon, the music-hall comedian of 'Stiffy the Goalkeeper', with 'Oh Boy' and 'Yes Sir, That's My Baby' on Duophone.AI summary
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- AOn the Road to Ruin
- BPedigrees
Harry Weldon, a British music-hall comedian, on Regal 7276: 'On the Road to Ruin' and 'Pedigrees'. Weldon was a popular comic performer of the early 1900s–1920s, known for patter and character songs.AI summary
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- APastoral Song
- Bpart 2
Harry Weldon, a Victorian-era British music-hall and comic singer, recording 'Pastoral Song' for His Master's Voice. The C-series catalogue number indicates a very early acoustic recording, likely from the 1900s or 1910s.AI summary
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- APastoral Song
- Bpart 2
Harry Weldon in 'Pastoral Song' on His Master's Voice C777, a two-part release. Weldon was a British stage and recording artist of the early acoustic era.AI summary
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- APoliceman
- Bpart 2
Harry Weldon, a British music-hall comedian and singer, recorded 'Policeman' in two parts for His Master's Voice C981. Weldon was a theatrical performer with a small recording catalogue. His records are now uncommon.AI summary
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- APoor Joe
- BTennessee
Harry Weldon on His Master's Voice C991, a British music-hall performer and character comedian, recorded in the electrical era (post-1925).AI summary
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- ASleuthy the Dread of the Heads
- BS no Use
Harry Weldon on His Master's Voice with the comic sketch 'Sleuthy the Dread of the Heads' and 'S no Use', representative of British music hall humour from the early 1920s.AI summary
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- ASo long Sally
- B(J Laurier)And it was
Harry Weldon was a popular British music-hall comedian and singer of the Edwardian era, known for his comic monologues and character songs; 'So long Sally' and the Laurier piece appear on His Master's Voice B1066.AI summary
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- AStiffy the Goalkeeper
- BJack Sheppard(11)
Harry Weldon, a British music hall entertainer, recorded comic and topical material for Regal; 'Stiffy the Goalkeeper' and 'Jack Sheppard' are variety-show songs.AI summary
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- AThe Police will have before long
- BHe's a Pro
Harry Weldon, a British music hall comic, on Regal Records with two comic novelty numbers; Weldon performed in the British variety and pantomime tradition of the early 20th century.AI summary
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- AThe Police will have before long
- BHe's a Pro
Harry Weldon recorded 'The Police will have before long' and 'He's a Pro' for Regal Records. Weldon was a British music-hall comedian and entertainer.AI summary
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- ATravesty on What do you want to make those Eyes at me for
- BSomebody's Baby
Harry Weldon, a British music-hall comedian, performing a comedic travesty of 'What Do You Want to Make Those Eyes at Me For' on His Master's Voice. Weldon was a popular Edwardian and inter-war entertainer, and his recordings are collected by music-hall enthusiasts.AI summary
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- AWhite Hope
- Bpart 2
Harry Weldon, a British music-hall comedian, recorded 'White Hope' parts 1 and 2 for His Master's Voice, probably in the early 1920s. Weldon was known for comedy monologues and songs in the British music-hall tradition.AI summary