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- AGolden Rocket
- BThe Aba Daba Honeymoon
Hoagy Carmichael was an American composer and singer; this Brunswick side pairs two novelty and jazz-age standards he was known for.AI summary
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- AHuggin' and Chalkin'
- BOle Buttermilk Sky
Hoagy Carmichael, the composer and pianist, as performer on Brunswick 03709 in the late 1930s. 'Ole Buttermilk Sky' was his own composition from 1946, so this coupling is unusual and warrants checking.AI summary
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- AHuggin' and Chalkin'
- BOle Buttermilk Sky
Hoagy Carmichael was an American songwriter and vocalist, composer of many jazz standards and novelty songs. This Brunswick side pairs 'Huggin' and Chalkin'' and 'Ole Buttermilk Sky', capturing his relaxed, conversational singing style.AI summary
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- AI can't get started
- BI don't know why
Hoagy Carmichael, the composer of 'Stardust', sings 'I Can't Get Started' and 'I Don't Know Why' on ARA, a Los Angeles label of the 1940s.AI summary
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- ALazy River
- BI'm just wild about Mary
Hoagy Carmichael with Lazy River and I'm Just Wild About Mary on Vogue Q72095.AI summary
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- ALazy River
- B(Henry Allen Jr)Swing out
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- ALucky Level
- BSomebody Stole My Horse and Wagon
Hoagy Carmichael, the American composer and pianist, recorded these two novelty numbers for Brunswick. Carmichael was the composer of 'Stardust' and many other standards; he also recorded as a performer.AI summary
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- AMr Music Master
- BHong Kong Blues
Hoagy Carmichael, a major American songwriter and pianist, recorded "Mr Music Master" and "Hong Kong Blues" for Brunswick 03752. Carmichael was influential in jazz and popular music; this is from his recording career of the 1930s-1940s.AI summary
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- AStay with the Happy People
- BThe Old Piano Roll Blues
Hoagy Carmichael performing 'Stay with the Happy People' and 'The Old Piano Roll Blues' on Brunswick 04495. Carmichael was a major American jazz composer and pianist, best known for composing 'Stardust' and other standards.AI summary
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- AWalking the Dog(28)
- B(Manone)Shake that Thing(30)
Hoagy Carmichael, the legendary American composer and pianist, performing two early jazz recordings for Brunswick in the late 1920s. The catalogue numbers suggest acoustic-era pressings from the experimental phase of American jazz recording.AI summary