Jeffries

AWhy did I kiss that Girl
BWhat'll I do

Label: Beltona
Catalogue number: 598
Genre: Voice
Format: 78rpm shellac disc, 10 inch unless noted
Reference: #13465

Credited to Jeffries on Bel, a small and now-obscure British label of the 1920s–30s.

The summary above was written by AI from what is known of the artist and the pressing. It is not a description of this copy's condition, and we have not checked every detail — ask us and we will tell you what we can actually see.

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More by Jeffries 15 other records

Jeffries
1. ABurning Kisses
2. BWhy did I kiss that Girl
Jeffries performing 'Burning Kisses' and 'Why Did I Kiss That Girl' on Columbia is1662, an early Columbia pressing.AI summary

Columbia is1662 Voice
Jeffries
1. AColorado Nights
2. B(Anon)All aboard for Heaven
Jeffries on Guardsman 1778 with 'Colorado Nights' and 'All Aboard for Heaven', a vocal recording from the 1920s–1930s on a small American or British label.AI summary

Guardsman 1778
Jeffries
1. ADoes the Spearmint lose its Flavour
2. BRiviera Rose
Jeffries on 'Does the Spearmint Lose Its Flavour', recorded for a label abbreviated 'Guar', catalogue 1551. Guar is likely Guardian, a small British budget label; this novelty song was popular in the 1920s–30s but the artist and pressing are obscure.AI summary

Guardsman 1551
Jeffries
1. AHorsey Keep your Tail up
2. B(Anon) Maybe
Jeffries performing 'Horsey Keep your Tail up' and '(Anon) Maybe' on Winner 4012. Winner was a cheap British imprint. The artist is unidentified.AI summary

Winner 4012 Dance
Jeffries
1. AI'm a little bit fonder of you
2. BHoney I'm in love with you
Jeffries recorded two sentimental popular songs for DuoB, a small British label active in the early 1930s.AI summary

Duophone B5105 Voice
Jeffries
1. AOh Mabel
2. B(Sunny South)
Jeffries credited on Bel 756, an unidentified label. The titles suggest novelty or light material from the 1920s–1930s.AI summary

Beltona 756 Dance
Jeffries
1. AOne Million Times a Day
2. BAt the End of the Road
Jeffries on Columbia IS1746, 'One Million Times a Day' / 'At the End of the Road'.AI summary

Columbia is1746 Voice
Jeffries
1. AOne Stolen Kiss
2. B(Miami Beach) Always
Jeffries performing 'One Stolen Kiss' and 'Always' (subtitled 'Miami Beach') on Columbia is1896, likely from the early 1930s.AI summary

Columbia is1896 Voice
Jeffries
1. ASeal it with a kiss
2. BLady of the Lake
Jeffries with Seal It with a Kiss and Lady of the Lake on Guardsman 1616.AI summary

Guardsman 1616 Dance
Jeffries
1. ASeminola
2. BToy Drum Major
Jeffries performing 'Seminola' and 'Toy Drum Major' on Bel, a small British label of uncertain date and provenance.AI summary

Beltona 791 Dance
Jeffries
1. ASeminola
2. BToy Drum Major
Jeffries with Seminola and Toy Drum Major on Beltona 791.AI summary

Beltona 791 Dance
Jeffries
1. AShow me the Way to go Home
2. BMy Daddy's dream time Lullaby
Jeffries recorded 'Show Me the Way to Go Home' and 'My Daddy's Dream Time Lullaby' for Bel (Bell?), a small British label; the titles suggest sentimental popular songs of the 1920s–1930s.AI summary

Beltona 744 Voice
Jeffries
1. AThanks for the Buggy Ride
2. B(JThorne)Bonnie Banks o' Loch Lomond
Credited to Jeffries on Little Marvel, a minor British imprint of the 1920s or early 1930s, with two popular ballroom and traditional song titles of the era.AI summary

Little Marvel 1038 Voice
Jeffries
1. AWhy did I Kiss that Girl?
2. BPlease
'Why Did I Kiss That Girl?' and 'Please' recorded by Jeffries for the Guar label, catalogue 1590. Guar was a small or short-lived British imprint; Jeffries is unidentified.AI summary

Guardsman 1590
Jeffries
1. AYum tum
2. BKickin the Clouds away
Credited to Jeffries on the Bel label, a small or short-lived British imprint, with 'Yum tum' and 'Kickin the Clouds away'.AI summary

Beltona 808 Dance