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- AA pair of blue eyes
- BI feel you near me
John McCormack, the Irish tenor and one of the greatest recording artists of the early 20th century, recorded 'A Pair of Blue Eyes' and 'I Feel You Near Me' for His Master's Voice (DA1113). McCormack was legendary for his warmth and artistry in both operatic and popular song.AI summary
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- AAn Old Sacred Lullaby
- BCandle Light
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- AAs I sit here
- BI know of two bright eyes
John McCormack on HMV singing 'As I Sit Here' and 'I Know of Two Bright Eyes', popular ballads by the celebrated Irish tenor.AI summary
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- AAve MAria
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- ABantry Bay
- BShe Moved Thro' The Fair
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- ABattle Hymn of the Republic
- BGod Bless America
John McCormack, the legendary Irish tenor, on His Master's Voice DA1808, performing 'Battle Hymn of the Republic' and 'God Bless America'. McCormack was one of the greatest classical singers of the early 20th century and a major recording artist; this recording of American patriotic songs represents a less typical part of his repertoire.AI summary
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- ABelieve Me, If all those endearing young charms
- BThe HArp that once through Tara's Halls
John McCormack, the celebrated Irish tenor, singing two Thomas Moore songs of Irish nostalgia in this HMV DA-series acoustic recording from the early 1920s.AI summary
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- ACome back to Erin
John McCormack, one of the greatest tenor singers of the early 20th century. G&T 3-2170 ('Come Back to Erin') is an acoustic recording of a legendary voice.AI summary
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- ACome back to Erin (08)
- BKathleen Mavourneen
John McCormack was the most celebrated Irish tenor of the early 20th century, and his Regal recordings of 'Come Back to Erin' and 'Kathleen Mavourneen' — Irish ballads central to his repertoire — represent some of the most valued Irish vocal recordings ever made. This is a low Regal catalogue number from the 1910s or early 1920s, and McCormack's Regal pressings are far scarcer than his more numerous His Master's Voice issues.AI summary
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- ACome back to Erin (08)
- BKathleen Mavourneen
John McCormack, the celebrated Irish tenor, recorded 'Come back to Erin' and 'Kathleen Mavourneen' for Regal—two of the most famous Irish songs in his repertoire.AI summary
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- ADonna e mobile
- BQuesta o quella
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'La donna è mobile' and 'Questa o quella' from Verdi's Rigoletto on Odeon catalogue 57508. McCormack's Verdi recordings are consistently collected; Odeon pressings of his work are moderately uncommon.AI summary
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- AFra poco a me ricovero(10)
- BTu che a dio spiegasti l'ali
John McCormack (1884–1945), the celebrated Irish tenor, performing two arias from Donizetti's La Favourite in Italian on His Master's Voice; this is an acoustic-era pressing from the HMV IRX series.AI summary
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- AGarden where the praties grow
- BHarp that once through Tara's halls
John McCormack was an Irish tenor of international fame, and this His Master's Voice recording of Irish songs—'Garden Where the Praties Grow' and 'Harp That Once Through Tara's Halls'—demonstrates his mastery of the repertoire. The DA series places it in the 1930s.AI summary
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- AHere in the Quiet Hills
- BCome Back My Love
John McCormack was one of the greatest and most recorded singers of the early 20th century, an Irish tenor celebrated for romantic ballads and art song. This His Master's Voice pressing pairs "Here in the Quiet Hills" and "Come Back My Love".AI summary
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- AHymn to Christ the King
John McCormack, the legendary Irish tenor and the best-selling recording artist of the early 20th century, performing 'Hymn to Christ the King' on His Master's Voice GSS1.AI summary
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- AHymn to Christ the King
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'Hymn to Christ the King' on His Master's Voice catalogue GSS1. The GSS prefix is not a standard HMV commercial series and suggests either a special pressing or a sacred/devotional release in a limited series; McCormack's recordings are consistently collected.AI summary
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- AI hear a thrush at eve
John McCormack, the legendary Irish tenor, recorded 'I Hear a Thrush at Eve' for His Master's Voice, likely in the 1920s or 1930s based on the catalogue number.AI summary
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- AIs she not passing fair?
- BAutomne
John McCormack, the celebrated Irish tenor, recorded 'Is she not passing fair?' and 'Automne' for His Master's Voice. McCormack was one of the most famous singers of the early twentieth century and recorded extensively for HMV.AI summary
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- AKillarney
- BKathleen Mavourneen
John McCormack, the celebrated Irish tenor, recorded 'Killarney' and 'Kathleen Mavourneen' for His Master's Voice DB342. McCormack was one of the most recorded voices of the early twentieth century, and these are traditional Irish songs central to his repertoire.AI summary
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- ALittle boy blue
- BThe Rosary
John McCormack was an internationally celebrated Irish tenor of the early 20th century; these HMV recordings of sentimental ballads represent his core vocal repertoire and are among the most recorded voices of the acoustic era.AI summary
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- ALolita
- BI hear you calling me
John McCormack, the celebrated Irish tenor, recorded 'Lolita' and 'I Hear You Calling Me' for Odeon in the 1920s-30s.AI summary
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- ALove's Roses
- BMy Moonlight Madonna
John McCormack on His Master's Voice DA 1341, with two sentimental ballads. These DA-series recordings are from McCormack's peak years as a recording artist.AI summary
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- ALucia di Lammermoor
John McCormack performing the mad scene from Donizetti's 'Lucia di Lammermoor' on Gram Monarch, catalogue 2-052023. McCormack (1884–1945) was one of the most celebrated tenor singers of the early twentieth century, with an enormous international recording career.AI summary
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- AMorning was gleaming with roseate Light
- BTrumpeter
John McCormack, one of the most celebrated Irish tenors of the early twentieth century, recorded extensively for HMV in the electrical era. This DB-series 12-inch captures two of his most famous roles and repertoire pieces.AI summary