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Kunz recorded the popular standards 'A Pretty Girl Is Like a Melody' and 'Would You' for Rex, a budget label. Nothing is known of the artist from this information alone.AI summary
Rex 8824 Voice
Kunz recorded 'Dear Stranger' and 'Love in the Moonlight' for Sterling 1252. Sterling was a minor British label of the 1920s-30s.AI summary
Sterno 1252 Voice
Kunz in two novelty songs on St (Standard), a small British label: "Did my Heart beat did I fall in love" and "Last Round up", from the 1930s.AI summary
Sterno 1271 Voice
Kunz on Lewis 36, 'Did You Ever See a Dream Walking' and 'I Don't Like Her Dog Fido'; Lewis was a small British label of the early 1930s.AI summary
Lewis 36 Dance
Kunz recorded 'Dream Shadows' and 'In the Middle of a Kiss' for Rex 8624. Without further identification, the artist and context are unknown.AI summary
Rex 8624 Voice
Kunz recorded 'Dream Shadows' and 'In the Middle of a Kiss' for Rex Records, catalogue 8624. Rex was a cheap British marque.AI summary
Rex 8624 Voice
A dance or light music record credited to Kunz on the HomHN label, a minor British imprint. The titles 'Happy Ending' and 'My Lucky Day' suggest upbeat dance or novelty material from the interwar period, but the artist and label are not well documented.AI summary
Hom HN5 Dance
Kunz recorded 'I Breathe on Windows' and 'I'm in a Dancing Mood' for Rex, catalogue 8917. The artist and the unusual title suggest novelty or comic material of the 1930s; Rex was a British budget label.AI summary
Rex 8917 Dance
Kunz performing the Wartime novelty 'I Don't Want to Set the World on Fire' for Odeon. 'Home Sweet Home Again' is a sentimental standard. Kunz is unrecognised.AI summary
Odeon 283675 Voice
Sterno 1272 Dance
Kunz on a 4-inch record, a format occasionally pressed in the early 1920s, with medleys 'I was in the Mood / He was a handsome young Soldier' and 'A One Horse Town / Thanks'.AI summary
4-in-1 73
Kunz with Isn't It Heavenly and Reflections in the Water on Sterno 1240.AI summary
Sterno 1240 Instrumental
Kunz with Isn't It Heavenly? and Don't Blame Me on Homochord HN3.AI summary
Hom HN3 Instrumental
Kunz recorded "Lazybones" and "Learn to Croon" for Homochord, a budget British label of the early 1930s.AI summary
Hom HN2 Voice
Two popular ballroom numbers credited to Kunz on the St label, a small British pressing from the 1920s or 1930s.AI summary
Sterno 1224 Dance
Kunz recorded 'Louisiana Fairy Tale' and 'Red Sails in the Sunset' for Rex, a British mid-market label.AI summary
Rex 8560 Orchestra
Kunz performing 'March Winds and April Showers' and 'Cherokee' on Rex, a British budget label, catalogue 8458.AI summary
Rex 8458 Dance
Credited to Kunz on Rex 8594, performing 'Moonspun Dreams' and 'If You Ever Need a Friend'.AI summary
Rex 8594 Voice
Credited to Kunz, a four-in-one medley '4in 190', with selections 'Oceans of Time', 'Nell's Bells', 'It's Time to say Goodnight' and 'Doggone I've done it'. No label is given.AI summary
4-in-1 90
Kunz on the Lewis label (34), a rare small British imprint, with 'On a Steamer coming over' and 'Take a Chance', early dance or popular material.AI summary
Lewis 34 Dance
Kunz with Roaming and He Was a Handsome Young Soldier on Homochord HR44.AI summary
Hom HR44 Instrumental
Kunz performing two well-known interwar songs ('Smoke Gets in Your Eyes' and 'Lovely to Look At') on Cine, a minor British film-related label; Cine catalogue number 14 suggests early pressing.AI summary
Cinecord 14 Dance
Kunz, performing the light orchestral selections 'St James Park' and 'Vienna in Springtime' on the Rex label, a mid-market British pressing.AI summary
Rex 8472 Orchestra
Kunz on Rex, performing 'Swing Time Selection' (two sides), likely early 1930s light-music or dance material.AI summary
Rex 8943 Dance