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- AA midsummer's night's dream
- BA midsummer's night's dream
Mark Hambourg performing Mendelssohn's 'A Midsummer Night's Dream' overture and other selections on His Master's Voice D859. Hambourg was a celebrated British concert pianist of the late 19th and early 20th centuries, known for his interpretations of Romantic repertoire.AI summary
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- ADanse
Mark Hambourg was a celebrated Russian-British concert pianist of the twentieth century. 'Danse' is a piano solo, probably a classical or romantic-era concert piece. This His Master's Voice D534 pressing is from the classical series, probably 1920s–1930s.AI summary
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- AEtude Poldini
Mark Hambourg, a celebrated Russian-British pianist of the early 20th century, performing Poldini's *Étude*, a virtuoso showpiece for the concert hall. This HMV acoustic recording dates from the 1920s and captures one of the era's most admired keyboard artists.AI summary
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- AHumoreske Dvorak
Mark Hambourg, a world-renowned concert pianist, performing Dvořák's 'Humoresque' on His Master's Voice 5594. Hambourg was a major recording artist and his interpretations are valued by collectors of piano classics.AI summary
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- AHumoreske Tchaikovsky
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- AMoonlight Sonata
Mark Hambourg, a celebrated Russian-British virtuoso pianist, recorded Beethoven's Moonlight Sonata for HMV. Hambourg was one of the major concert pianists of the early twentieth century.AI summary
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- APatrol MArch
- BLieberstraume
Mark Hambourg, the British concert pianist, on His Master's Voice D64 performing two salon pieces—a march and Liszt's 'Liebestraum'.AI summary
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- APrelude in C Sharp Minor
Mark Hambourg, a renowned Russian-British concert pianist of the early twentieth century, recorded Rachmaninoff's 'Prelude in C Sharp Minor' for His Master's Voice. Hambourg was one of the finest pianists of the era, and his recordings are collected.AI summary
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- APrelude in D flat
- BDebussy prelude
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- AScherzo Beethoven Sonata Op31
Mark Hambourg was a renowned British concert pianist of international standing. This His Master's Voice recording documents his interpretation of Beethoven's Scherzo from Sonata Op. 31. HMV 5572 is from the electrical recording era, likely the late 1920s or early 1930s. Classical piano recordings by major artists of this period are collected.AI summary