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- ABrittany
- BWere you there
Norman Allin was a British tenor and one of the most recorded singers of the 1920s and early 1930s. This Columbia D-series acoustic recording pairs two pieces: 'Brittany' and 'Were you there', representing his prolific output for Columbia in the early acoustic era.AI summary
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- ABut who may abide the Day of His Coming
- BWhy do the Nations
Norman Allin, a leading British tenor of the interwar years, recorded these two movements from Handel's Messiah for Columbia's L-series around 1930. A classically trained singer from the concert hall, Allin was one of the finest voices of his generation and these arias represent serious vocal recording of the period.AI summary
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- AIl seraglio
- BTavern Song
Norman Allin was a Welsh tenor and a prominent British operatic and ballad singer of the 1920s-30s; this Columbia pressing offers "Il seraglio" (from Mozart's Abduction from the Seraglio) and a traditional song.AI summary
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- AOrgan Grinder
- BDeath and the Maiden
Norman Allin, a respected British baritone and teacher, performs 'Organ Grinder' and 'Death and the Maiden' on Columbia. Allin was a known classical artist.AI summary
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- AQueen of Sheba
- BSamson
Norman Allin, a British tenor of the inter-war years, recorded for Columbia; the titles are from classical oratorio and operetta repertoire.AI summary
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- AWanderer's Song
- BYeomen of England
Norman Allin was a British baritone and solo vocalist of the 1920s–30s; 'Wanderer's Song' and 'Yeomen of England' are art-song or traditional vocal material. Columbia L1366 indicates a later-period or special-series Columbia release, possibly mid-1930s or later.AI summary
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- AWhen song is sweet
- BThink on me
Norman Allin was a respected British baritone and a principal singer with D'Oyly Carte Opera Company. His recordings for Columbia of art songs — 'When Song is Sweet' and 'Think On Me' — represent serious British vocal recording from the late 1920s or 1930s.AI summary