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- AAre you sorry
- BI'm knee deep in Daisies
Paul Specht was an American bandleader and recording artist active in the 1920s. His Columbia recording (3852) represents American jazz-influenced dance music of the early acoustic era.AI summary
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- AClap Hands here comes Charley
- BPretending
Paul Specht's orchestra on Columbia 3930, performing 'Clap Hands here comes Charley' and 'Pretending' — a prominent American hot-dance band of the 1920s, with limited UK distribution.AI summary
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- AHeartbroken Rose
- BCelanese
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- AOriental Love Dreams
- BBagdad
Specht on Columbia 3517, performing 'Oriental Love Dreams' and 'Bagdad', standard 1920s light orchestra repertoire. Paul Specht was a prolific American bandleader whose sides were issued widely in Britain.AI summary
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- AOriental Love Dreams
- BBagdad
Specht on Columbia 3517, performing 'Oriental Love Dreams' and 'Bagdad', standard 1920s light orchestra repertoire. Paul Specht was a prolific American bandleader whose sides were issued widely in Britain. (Duplicate of id 6153.)AI summary
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- ASome other Day some other Girl
- BBye-bye Baby
Paul Specht's orchestra on Columbia 3599—a jazz-age dance band from the mid-to-late 1920s.AI summary
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- ASpanish Moon
- BMome Tango
Specht on Columbia 3300 with instrumental dance pieces 'Spanish Moon' and 'Mome Tango' from the early 1930s. Specht is not a recognized name in standard discographies.AI summary
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- ASweet Music
- B(Wallace)Mean to me
Paul Specht was a well-known American dance-band leader and recording artist active from the 1920s onwards, and his orchestra recorded extensively for major labels. This Columbia 5455 side preserves his hot-dance or jazz-influenced work, and his recordings remain of interest to collectors of jazz and early swing-era dance music.AI summary
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- AYou can have him I don't want him Blues
- BHot Lips
Specht on Regal 9341, a British dance side from the 1920s–30s.AI summary