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- AAllahs Holiday
- BLimehouse Blues
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- AAunt Hagar's blues
- BDinah
Ted Lewis was an American jazz and novelty entertainer popular in the 1920s and 1930s; this Columbia recording pairs 'Aunt Hagar's Blues' and 'Dinah'.AI summary
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- ABlues
- BI can't get over a girl like you
Ted Lewis, the renowned 'Me and My Clarinet' entertainer and bandleader, recorded 'Blues' and 'I can't get over a girl like you' for Columbia 4239, classic early swing and jazz material from the 1920s–30s.AI summary
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- AI wonder what's become of Sally
- B(Reisman)Berfore you
Ted Lewis, 'the High-Hat Tragedian of Jazz', recorded 'I wonder what's become of Sally' and 'Before you' for Regal, a UK budget label; Lewis was a popular American vaudeville and recording artist of the 1920s.AI summary
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- AJazznochracy
- BWhite heat
Ted Lewis, American jazz clarinetist and vocalist, recorded 'Jazznochracy' and 'White Heat' for Decca's early catalogue (107), capturing the spirit of 1920s jazz novelty and hot playing.AI summary
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- ALaughing at Life
- BHome Made Sunshine
Ted Lewis, the 'Me and My Clarinet' entertainer and bandleader, on two novelty songs from the mid-1920s for Columbia.AI summary
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- ALimehouse Blues
- BAllah's holiday
Ted Lewis was an American jazz clarinetist and bandleader known as 'The High Hat Hottentot', famous for his clarinet style and novelty arrangements. 'Limehouse Blues' and 'Allah's Holiday' are jazz standards of the 1920s era. This is a Columbia pressing from the 5000 series, probably mid-1920s.AI summary
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- AMarie
- B(Happy6)leave me with a smile
Ted Lewis, the American 'crying saxophonist' and bandleader, on Regal G7783 performing 'Marie' and 'leave me with a smile' from his Happy period.AI summary
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- ARoyal garden blues
- BDallas blues
Ted Lewis, 'The Man with a Clarinet', the American jazz and novelty entertainer, recorded these two blues classics for Columbia, likely in the late 1920s.AI summary
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- AThe Memphis Blues
- BBeale Street Blues
Ted Lewis, the American clarinettist and entertainer known as 'Mr. Jazz', performs two blues classics, 'The Memphis Blues' and 'Beale Street Blues', on Columbia 4609—an acoustic-era recording that captures some of the earliest jazz idiom on disc.AI summary
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- AThe Memphis Blues
- BBeale Street Blues
Ted Lewis, a highly recorded vaudeville entertainer and bandleader, on Columbia 4609 with 'The Memphis Blues' and 'Beale Street Blues', canonical early jazz standards.AI summary
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- ATiger rag
- BIf you see Sally
Ted Lewis, the American 'King of Jazz' (a sobriquet he shared with Paul Whiteman), was a clarinetist and bandleader popular in the 1920s–1930s. This Columbia side dates from the early dance-band era.AI summary
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- AWorld is waiting for the Sunrise
- B3 o'clock in the Morning
Ted Lewis, the American jazz clarinetist and 'King of Jazz', recorded these two standards for Columbia CB136, the earlier British Columbia series. Lewis was an influential early jazz and dance-band musician of the 1920s.AI summary