Whit Cunliffe

AYou can't do without each other

Label: Zonophone
Catalogue number: 2-42040
Genre: Music Hall
Format: 78rpm shellac disc, 10 inch unless noted
Reference: #13985

Whit Cunliffe performing 'You Can't Do Without Each Other' on Zonophone catalogue 2-42040 — an early acoustic-era single-sided Zonophone pressing. Cunliffe on early single-sided Zonophone is more uncommon than his commoner budget-label double-sided pressings.

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More by Whit Cunliffe 34 other records

Whit Cunliffe
1. AAny Girl is better than no Girl
2. BParee that's the Place for me
Whit Cunliffe, the Edwardian music-hall comedian, performing 'Any Girl Is Better Than No Girl' and 'Paree, That's the Place for Me' on Columbia catalogue 1933. Columbia pressings of Cunliffe's work at this catalogue number are moderately common.AI summary

Columbia 1933 Music Hall
Whit Cunliffe
1. ACheer up Girls your Trouble's over
2. BOne at a Time Girls
Whit Cunliffe, a British music hall comedian, with Cheer Up Girls Your Trouble's Over and One at a Time Girls on Ariel 1867.AI summary

Ariel 1867 Music Hall
Whit Cunliffe
1. AD'you follow me
2. BI would
Whit Cunliffe recorded 'D'you follow me' and 'I would' for Odeon 32830, British light vocal or music-hall material from the 1920s–30s.AI summary

Odeon 32830 Voice
Whit Cunliffe
1. AFairy Tales
2. BAbso-bally-lutely
Whit Cunliffe was an Edwardian music-hall comedian known for his rapid-patter songs and comic delivery. This Odeon pressing (catalogue 32809) couples 'Fairy Tales' with the catchphrase-laden 'Abso-bally-lutely'. Cunliffe is a moderately collected music-hall name and Odeon pressings of his work are standard.AI summary

Odeon 32809 Music Hall
Whit Cunliffe
1. AFollow me Girls
2. BThere are nice Girls everywhere
Whit Cunliffe, the Edwardian music-hall comedian, on the Jumbo label, catalogue 521, with 'Follow Me Girls' and 'There Are Nice Girls Everywhere'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary

Jumbo 521 Music Hall
Whit Cunliffe
1. AFollow me Girls (10)
2. B(Fay)Put me upon an Island
Whit Cunliffe, the popular Edwardian music-hall comedian known for his coster songs and comic sketches, performs 'Follow Me Girls' and — with Fay — 'Put Me Upon an Island' on Zonophone 539, an early Zonophone pressing. The 539 number places this in the very early British Zonophone series, almost certainly pre-1905; Cunliffe is a collected music-hall name.AI summary

Zonophone 539 Music Hall
Whit Cunliffe
1. AGood old Holiday Time
2. BThere's no place like London
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 6421, with 'Good Old Holiday Time' and 'There's No Place Like London'. Regal was a Columbia budget subsidiary and Cunliffe sides on Regal are among the commoner of his label appearances.AI summary

Regal 6421 Music Hall
Whit Cunliffe
1. AHe's all right
Whit Cunliffe performing 'He's All Right' on Zonophone catalogue 2-42022 — an early Zonophone acoustic-era single-sided pressing. Cunliffe on early Zonophone is a more uncommon pressing than his commoner Jumbo or Regal sides; single-sided acoustic Zonophone pressings are earlier than most of his surviving recordings.AI summary

Zonophone 2-42022 Music Hall
Whit Cunliffe
1. AHe's alright
2. BKnocking at every Door
Whit Cunliffe, the Edwardian music-hall comedian known for rapid patter songs, on the Jumbo label, catalogue 532, with 'He's Alright' and 'Knocking at Every Door'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary

Jumbo 532 Music Hall
Whit Cunliffe
1. AHello it's a different Girl again
2. BYou'll get on in England
Whit Cunliffe, the music-hall singer, with 'Hello, It's a Different Girl Again' and 'You'll Get On in England' on Ariel.AI summary

Ariel 9826 Music Hall
Whit Cunliffe
1. AHello it's a different Girl again
2. BYou'll get on in England
Whit Cunliffe, the music-hall singer, with 'Hello, It's a Different Girl Again' and 'You'll Get On in England' on Ariel.AI summary

Ariel 9826 Music Hall
Whit Cunliffe
1. AHello it's a different Girl again
2. BAll little Girls are pretty
Whit Cunliffe was a British comedian and singer of the 1920s–1930s, known for novelty and comic songs. 'Hello It's a Different Girl Again' and 'All Little Girls Are Pretty' are characteristic of his comic material. This Odeon pressing is from the mid-1930s.AI summary

Odeon 44611 Comic
Whit Cunliffe
1. AHello it's a different Girl again
Whit Cunliffe performing 'Hello It's a Different Girl Again' on Beka catalogue 9826 — a one-sided pressing. Beka was a Berlin-based label with British distribution; a one-sided Cunliffe pressing on Beka is moderately uncommon compared to his double-sided Odeon or Columbia recordings.AI summary

Beka 9826 Music Hall
Whit Cunliffe
1. AI followed her here
2. BMarry the girl
Whit Cunliffe on Regal 6045 — 'I Followed Her Here' and 'Marry the Girl.' Regal was a mass-market British label; the 6xxx series is a mid-period Regal issue. Cunliffe is a collected Edwardian comedy name but his Regal pressings are among the most common of his recordings.AI summary

Regal 6045 Music Hall
Whit Cunliffe
1. AI shouldn't be here tonight
2. BUp she goes
Whit Cunliffe, the Edwardian music-hall comedian, on the Jumbo label, catalogue 547, with 'I Shouldn't Be Here Tonight' and 'Up She Goes'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary

Jumbo 547 Music Hall
Whit Cunliffe
1. AI shouldn't be here tonight
2. BUp she goes
Whit Cunliffe is an unidentified artist on Jumbo, a small British label, performing two songs with suggestive or comedic titles.AI summary

Jumbo 28114 Music Hall
Whit Cunliffe
1. AIf the World were Ruled by Girls
2. BGirls Girls Girls
Whit Cunliffe, a British music hall comedian, with If the World Were Ruled by Girls and Girls, Girls, Girls on Ariel K111.AI summary

Ariel K111 Music Hall
Whit Cunliffe
1. AIf the World were Ruled by Girls
2. BGirls Girls Girls
Whit Cunliffe, the Edwardian music-hall comedian, on Beka catalogue 9828 with 'If the World Were Ruled by Girls' and 'Girls, Girls, Girls'. Beka was a Berlin-based label with British distribution; Cunliffe sides on Beka are moderately uncommon compared to his major-label recordings.AI summary

Beka 9828 Music Hall
Whit Cunliffe
1. AIn the dear old Town that I was born in
2. BIn these hard Times
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 7047, with 'In the Dear Old Town That I Was Born In' and 'In These Hard Times'. Regal was a Columbia budget subsidiary and Cunliffe sides on Regal are among the commoner of his label appearances.AI summary

Regal 7047 Music Hall
Whit Cunliffe
1. AIt's a different Girl again
2. BYou'll get on in England
Whit Cunliffe, the music-hall singer, with 'It's a Different Girl Again' and 'You'll Get On in England' on Albion.AI summary

Albion 1237 Music Hall
Whit Cunliffe
1. AJust a wee Deoch and Doris
2. BI want to mingle with the Girls
Whit Cunliffe on Columbia catalogue 1730, with 'Just a Wee Deoch and Doris' and 'I Want to Mingle with the Girls' — the same coupling as id 19248 on Regal. This is a Columbia pressing of the same material; Columbia pressings of Cunliffe's work are moderately common.AI summary

Columbia 1730 Music Hall
Whit Cunliffe
1. AJust a wee Deoch and Doris
2. BI want to mingle with the Girls
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 6412, with 'Just a Wee Deoch and Doris' and 'I Want to Mingle with the Girls'. Regal was a Columbia budget subsidiary; Cunliffe sides on Regal are among the commoner of his label appearances.AI summary

Regal 6412 Music Hall
Whit Cunliffe
1. AJust a wee Deoch and Doris
Whit Cunliffe performing 'Just a Wee Deoch and Doris', a Scottish novelty song on Columbia 1730, an early acoustic recording.AI summary

Columbia 1730 Music Hall
Whit Cunliffe
1. AKnocking at every Door
Whit Cunliffe, British performer. Gramophone Company 4-2096 ('Knocking at Every Door') is from an early catalogue number.AI summary

Gramophone Company 4-2096 Music Hall

See all 34 records by Whit Cunliffe →