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Untitled
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Untitled
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- AAh but is it Love
- BMy Moonlight Madonna
Paul Whiteman's orchestra performing 'Ah But Is It Love' and 'My Moonlight Madonna' on His Master's Voice.AI summary
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- AAll the Things you are
- BMy Fantasy
Paul Whiteman, the 'King of Jazz', recorded 'All the Things you are' and 'My Fantasy' for Brunswick Records, catalogue 03071. Whiteman was one of the most famous bandleaders of the 1920s–40s and is highly collected.AI summary
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- AApril Showers
- BTy-Tee
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- ABagdad
- BMaybe
Paul Whiteman's orchestra recorded "Bagdad" and "Maybe" for His Master's Voice K-series catalogue 2741. Whiteman was the most commercially successful dance bandleader of the 1920s and early 1930s, and his records are widely collected.AI summary
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- ABecause my Baby don't mean Maybe now
- BJust like a Melody out of the Sky
Paul Whiteman on Columbia 5007, with popular sentimental dance-band material from the late 1920s–early 1930s. Whiteman was the leading American dance-band leader and recorded extensively for all major labels.AI summary
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- ABirth of the Blues
- BIt all depends on you
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- ACradle of love
- BNola
Paul Whiteman, the 'King of Jazz', led one of the most successful orchestras of the 1920s-1930s and made numerous recordings for major labels; 'Cradle of Love' and 'Nola' appear on this Columbia pressing, catalogue 5411.AI summary
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- ADon't mind the Rain
- BSpain
Paul Whiteman, the legendary American bandleader and 'King of Jazz', recorded for His Master's Voice in the late 1920s. Whiteman was one of the biggest recording artists of the early phonograph era.AI summary
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- ADown round the Sippy Shore
- B(Benson Chicago)Scandinavia
Whiteman (likely Paul Whiteman's orchestra) recorded 'Down round the Sippy Shore' and 'Scandinavia' (credited to Benson Chicago) for His Master's Voice, B1254; if this is Whiteman, it represents a recording by the prominent dance-band leader.AI summary
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- AEverything's made for Love
- B(Shilkret)Forgive me
Paul Whiteman's orchestra, the "King of Jazz," recorded prolifically for HMV in the late 1920s and early 1930s. This B5000-series side documents the sophisticated dance-band sound that defined the era.AI summary
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- AFrom Monday on
- BDolly Dimples
Paul Whiteman on His Master's Voice B5492, performing dance-band material. Whiteman was the leading American dance-band leader of the 1920s and recorded extensively for major labels.AI summary
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- AGeorgia
- BStumbling
Paul Whiteman, the 'King of Jazz', performing 'Georgia' and 'Stumbling' on His Master's Voice. This is an early recording from the HMV B1000 series, circa 1924–25, capturing Whiteman's influential dance-band sound.AI summary
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- AGet out and get under the Moon
- BRoses of Yesterday
Paul Whiteman's orchestra recorded "Get Out and Get Under the Moon" and "Roses of Yesterday" for Columbia catalogue 5161. A mainstream dance side from Whiteman's most prolific recording period.AI summary
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- AGet out and get under the Moon
- BConstantinople
Paul Whiteman, the 'King of Jazz', on Columbia 4951 performing 'Get out and get under the Moon' and 'Constantinople', from the early 1920s jazz craze.AI summary
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- AGotta getta Girl
- BMandy make up your Mind
Paul Whiteman, the 'King of Jazz,' on His Master's Voice B1985—a mid-1920s dance record from the most commercially successful orchestra of the jazz age.AI summary
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- AHearts and Flowers
- BPeaceful Valley
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- AHot Lips
- BMy Rambler Rose
Paul Whiteman's orchestra performing 'Hot Lips' and 'My Rambler Rose' for His Master's Voice, B1396. Whiteman was the pre-eminent American dance-band leader of the 1920s and early 1930s, and his HMV recordings remain highly sought after by jazz and dance collectors.AI summary
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- AHot Lips
- BMy Rambler Rose
Paul Whiteman's orchestra performing 'Hot Lips' and 'My Rambler Rose' for His Master's Voice, B1396. Whiteman was the pre-eminent American dance-band leader of the 1920s and early 1930s, and his HMV recordings remain highly sought after by jazz and dance collectors.AI summary
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- AI can't get the one I want
- BSomebody loves me
Paul Whiteman and his orchestra recorded 'I Can't Get the One I Want' and 'Somebody Loves Me' for His Master's Voice, catalogue B1889; Whiteman was the most famous orchestra leader of the 1920s and early 1930s.AI summary
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- AI'll follow you
- BHow deep is the Ocean
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- AI'm just wild about Harry
- BTricks
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- AI'm on the Crest of a Wave
- BWhat d'ya say
Paul Whiteman, the 'King of Jazz' and a dominant dance-band leader of the 1920s, on Columbia catalogue 1465D, performing 'I'm on the Crest of a Wave' and 'What d'ya say'. Two popular sides from Whiteman's prolific recording career.AI summary