-
- ACairo
- BI never realised
Credited to Windeatt on Columbia 827, performing 'Cairo' and 'I Never Realised'. The artist is not identified in standard record references; Columbia 827 suggests a very early catalogue number from the acoustic or very early electrical era.AI summary
-
- AI'm getting tired of playing Second Fiddle
- BPeggy
Two popular ballad songs credited to Windeatt on Columbia, from the 1920s or early 1930s.AI summary
-
- AMammy o' Mine
- BEverybody wants a Key to my Cellar
A recording by Windeatt of 'Mammy o' Mine' and 'Everybody wants a Key to my Cellar' on Columbia catalogue 796, dating from the early acoustic era (likely 1910s–early 1920s).AI summary
-
- AMr Misery
- BMazie
Windeatt performing two songs on Winner, a small British budget label, likely from the inter-war period.AI summary
-
- AOh Reuben what a' Juben doin'?
- BWhose Baby are you?
Windeatt performing 'Oh Reuben what a' Juben doin'?' and 'Whose Baby are you?' on Winner, a small British label. The artist is unidentified.AI summary
-
- ASand Dunes
- BVamp
Windeatt on Columbia 777 with 'Sand Dunes' and 'Vamp'. Columbia 777 suggests an early 1920s pressing of dance or novelty material; the artist is not identified.AI summary
-
- ASomebody
- BBlue Palace waltz
Windeatt on Columbia 837, performing 'Somebody' and 'Blue Palace waltz', popular songs from the 1920s.AI summary
-
- AYou know what I mean
- BThat naughty Waltz
Windeatt, an obscure British recording artist, recorded two light instrumental or dance pieces for Columbia's early catalogue, numbered 828.AI summary