7 shellac records · mostly British pressings, 1900s–1950s
7 records matching
Alessandro Bonci was one of the great Italian tenors of his generation, an early rival to Caruso; this Fonotipia disc carries a very low catalogue number from the label's earliest series.AI summary
Fonotipia 1007 Opera
Alessandro Bonci was a renowned Italian tenor and rival to Caruso in his day; this Fonotipia disc preserves arias from Donizetti's La Favorita and Thomas's Mignon.AI summary
Fonotipia 9545 Opera
Alexander Bonci, a celebrated Italian tenor, recorded two arias from Verdi's *Rigoletto* for Columbia: "Questa o quella" ("This one or that one") and "La Donna è Mobile" ("Woman is fickle"). Bonci was a major tenor of the early 20th century, though less frequently encountered on disc than Caruso.AI summary
Columbia D8083 Opera
Alexander Bonci, an Italian tenor of international fame, performing two opera arias: *Donna Non Vidi Mai* from *Manon Lescaut* and *La Tua Pell'* from *Mignon*, on Columbia. Bonci was one of the most celebrated tenors of the early 20th century.AI summary
Columbia D8087 Opera
Alexander Bonci, an Italian tenor of the 1900s-1920s, performs two of the most famous tenor arias from the operatic repertoire: 'Questa o quella' and 'La donna è mobile' from Verdi's *Rigoletto*, on Columbia.AI summary
Columbia D8083 Opera
Alessandro Bonci, a celebrated Italian tenor, performs two Verdi arias—'Che gelida manina' and 'Una furtiva lagrima'—on this Columbia electrical recording, catalogue A5449, from the late 1920s.AI summary
Columbia A5449 Opera
Alexander Bonci was an Italian operatic tenor of the late 19th and early 20th centuries, a star of the Metropolitan Opera and international stages; this Columbia A5468 contains two of his greatest tenor roles, Nemorino's aria 'Spirito gentil' from Donizetti's 'L'elisir d'amore' and the famous solo from Auber's 'La Muette de Portici'.AI summary
Columbia A5468 Opera